Transmigrate into a Book in the 1970s: This Northeastern Woman Is Not to Be Messed With

First of all, I can't accept that it's not even 1980 yet. The heroine and the hero live under the same roof before they are married. Everyone still takes it for granted. You must know that at that time, even married couples would not be overly intimate on the street. If the heroine had money to repay, couldn't she spend money to stay with other fellow villagers or widows for a period of time? Secondly, the heroine has a good understanding of the three orphans of martyrs, and she accepts appropriate spending money for them. But shouldn't the hero pay for their education and new clothes themselves? The male protagonist has always been characterized as poor. He has no money to send his children to school. How can he have the money to buy a serge top for the female protagonist, just to gain some face on someone else's wedding day. Before the male protagonist was engaged to the female protagonist, no one wanted him. How could a poor man with three children get so many offers after they were engaged? It's really worthless to see the heroine announcing her intention to quit while posting about it.

Strong regional color and authenticity

The previous plot was quite good, full of Northeastern flavor, many dialects found it interesting, but the ending was too hasty. There was no explanation of why Zhou Nanchuan came back and he appeared next to the heroine inexplicably. It was unfinished. What a pity!

Beautiful and worth a look!

It has a full sense of the times and the dialogue is very funny.

It's quite unique, I really want to eat those meals. And the male protagonist, hurry up and start the big plan to chase your wife, you are so anxious.