Film and TV Crossover: The Supporting Actress Won't Be Written Out

In traditional film and television narratives, female supporting characters are often given a tragic fate - they are either victims of love, or pawns in power struggles, and ultimately serve as tools to promote the growth of the protagonist. However, ((Variety Film and Television Female Supporting Roles Are Not Offline)) uses a unique variety film and television setting to construct a parallel universe of female awakening. The protagonist lives forever and shuttles through classic film and television worlds such as ((Knowing or Not", "Long Song Xing", "Chen Qing Ling"). It uses the method of "teaching a man how to fish" to guide the female supporting role to break free. Constrained by the original drama, this setting itself is a subversion of "women must rely on the aura of men or protagonists". The work not only expands the narrative line through the interweaving of multiple world lines, but also changes the fate of women from "being written" to "self-writing", giving the characters unprecedented subjectivity.

I just watched , and I still want to watch something with a bit of romance, but every female supporting character is seeking revenge or revenge, or choosing the same thing after rebirth, or the ending is not beautiful. This is to help the female supporting characters in each world to be reborn to see if their choices are the same. The world in Zhen Huan: Concubine Hua is too sad.