Demon Town Museum

Wei Yuan was originally a close friend of Dayu, a potter, historian, and cook. He wrote the Classic of Mountains and Seas. He was reincarnated for generations because he ate the immortal flowers given to him by Jue, the goddess of heaven. Dayu cast the Nine Cauldrons, split the mountains and seas, suppressed the evil gods, drove away strange beasts, and formed a pattern of separation of humans and gods. Wei Yuan, a modern man with multiple identities and multiple responsibilities, also gradually awakened. He rebuilt the Taiping Road and traveled through various dynasties such as the Gods, Qin and Han, Three Kingdoms, Ming Dynasty, and modern times in the world of mountains and seas, maintaining and rebuilding order in all walks of life. He was a member of all living beings and guarded all living beings. Because he met Tiannu Jue during the period of Dayu, he obtained the Immortal Flower, gained the ability to be reincarnated, and experienced the Qin, Han, Three Kingdoms and other dynasties. Modern Yuan slowly finds the memories of his past life from the objects of the past. Under the influence of the fragments of heaven, Yu Xian returned to the period when Gonggong was angry and violated the mountains of Buzhou. He transformed into Yuanshi Tianzun, participated in and saved the Qing Dynasty, and fell. With Xian's efforts, he gathered the true spirit and became Shuigouzi, and dedicated his name to Ta Yuan. The first life (ancient times) A member of the Tushan clan during the period of Dayu, a friend and minister of King Yu, and the recorder of the first half of the Classic of Mountains and Seas. Together with Dayu, Nvjiao, and Qi, the four-person team fought against Xingtian, fought against Gonggong, smashed Wuzhiqi, and ate all over the mountains and seas without any rivals. Unfortunately, Dayu's cooking skills were too great, so he honed his superb cooking skills and was responsible for the four people's meals. He became a being that no beast in ancient times dared to look directly at. It was also in the first life that he met and got to know the youngest goddess of Kunlun, and gave her the name "Jue". Later, in order to save Yi Shi, he resisted the mythical beast with a mortal body and died. The goddess stole the immortal flower to save his true spirit, and King Yu went to Kunlun alone to protect his true spirit from reincarnation. The second generation (Spring and Autumn Period and Warring States Period) The master's disciple never grew up, and was named Yuan by Jue. After the master taught him the theory of Nanshan Zhizhi, he developed an uncontrollable recklessness and iron attributes. After the master's death, he was ordered by the master to kidnap Lao Tzu, who had been hiding, out of Hangu Pass. At Hanguguan, I fed the black dragon's luck (the luck of the Qin Dynasty) with the aura of his own flesh and blood. I calculated that the hidden dragon was in the abyss and the dragon came out of the abyss, so he tied the abyss behind his back to eliminate his memory. The third generation (Qin and Han Dynasties) Yuan served as the halberd man at the Black Ice Platform of the Qin Dynasty, stopped Jing Ke for the First Emperor, hunted down Zhang Liang, supervised Xu Fu to refine the elixir and go to sea to seize the divine nature of Yingzhou, cut the divine tree of Yingzhou to release the divine nature, and an iron eagle war sword became the nightmare of the Japanese god system. When he returned to the Qin Dynasty, the First Emperor was martyred because he was plotted by Xu Fu to suppress the divine nature of China. He helped Prince Qin to kill the powerful Zhao Gao. After Xianyang City was conquered by Liu Bang, he saved the lineage of the King of Qin and left. Later, because Xiang Yu violated his promise and massacred the Qin royal family, plundered and burned the city of Xianyang, Yuan single-handedly assassinated Xiang Yu, the overlord of Western Chu, but was defeated. He was pierced in the heart by the overlord and faked death. He survived on the aura of the immortal flower and aged rapidly. He joined Liu Bang's camp and killed Xiang Yu with Zhang Liang, Han Xin and others. In the end, he broke the overlord's gun by the Huaihe River to comfort the ancestors of the First Emperor. He died after the oil ran out and the lamp withered. The fourth generation (late Han Dynasty and Three Kingdoms) He was frail and sick since childhood and lost his father in war and mother in famine. He was later taken in by Zhang Jiao, named Yuan in this life, and taught Yuan Taoism and medical skills. Later, Zhang Jiao could not bear the suffering of the people in the world and launched the Yellow Turban Uprising. Yuan became a Sili, one of the thirty-six canal commanders of the Yellow Turban Army. Later, Zhang Jiao was martyred for the fate of the Han Dynasty for the people of the world. The Yellow Turban Army was defeated miserably, and hundreds of thousands of people were massacred. Yuan was rescued by Uncle Liu Niu with his life and escaped. He lived in Langya County and met Zhuge Liang who was four years old at the same time. They treated him and recuperated him, and guided him in Taoism. He stayed with Zhuge Liang for the first half of his life. Later, when the feudal princes were fighting in the late Han Dynasty, Yuan followed Zhuge's family to escape the war and was plundered by Cao's army. He was rescued by Liu, Guan, and Zhang. Later, he and Zhuge lived in seclusion in Nanyang and devoted themselves to Taoism. Zhuge Liang succeeded in cultivating Taoism and went out to assist Liu Bei until the battle of Wuzhangyuan. Zhuge Liang ran out of oil and lamp, and Yuan wanted to use the Seven Star Technique to save his disciple, but he was a step too late. Later, Jin unified the Three Kingdoms, and Jue accompanied Yuan through the last ten years of his life. The fifth generation (Zhenguan of the Tang Dynasty) The name is "Chen Yuan", and he is of the same clan as Master Xuanzang. He had the spirit of a knight-errant when he was young. He had a close relationship with Wang Xuance and met Yuan Tiangang and Wu Zetian, the young Empress of Wuzhou. Later, he went to the Western Regions with Xuanzang and Shipantuo, and met King Harsha, who was the reincarnation of the sun god of northern India, and gave each other swords. He returned to the Tang Dynasty with Xuanzang and Shipantuo, met Yuan Tiangang again, and made an agreement with Yinglong Gengchen. After discovering that Wu Zetian had killed his daughter with his own hands, he broke with her and witnessed the deaths of Wang Xuance and Xuanzang. Shi Pantuo returned to Guazhou and joined forces with Yinglong Gengchen as a swordsman to kill the two Yuanchens. After killing the two Yuanchens, he went down the mountain with the Hetu Luoshu rubbings and lost his memory on Kunlun Mountain. After going down the mountain, he fell into an endless calamity. Wu Zhao, who had become the empress, made Wu Zhou fake his death at the expense of Wu Zhou's national destiny to cover up the secret. Li Chunfeng, who helped Yuan Tiangang and the Enlightenment Beast reincarnate, worked together to complete the push-back diagram, requesting that his reincarnation in the future catastrophe be named "Wei Yuan", leaving a wordless monument for Empress Wu Zhou and leaving to travel the mountains and rivers. He accepted Pei Min and Lady Gongsun as his disciples and taught him swordsmanship. They died when they were too old to know how to use a sword. The sixth life (parallel world, the male and female protagonists' personalities are reversed) Yuan is a big thief in Jiangnan Road and is called "Robber Yuan". With a flamboyant personality, he robbed the rich and helped the poor. He met Jue in Lin'an Mansion and fell in love at first sight. Become good friends with Fahai of Jinshan Temple. In order to save Xu Xian from feigning death, he collected Yao grass and gave it to White Snake. When the White Snake was flooding Jinshan Mountain, she struck a sword across the river to save the people in the city and died of exhaustion. The seventh generation (Ming Dynasty) In this world, Yuan was born and solved the mystery in the womb due to the power left by Xuanzang. Remembering the memories of previous lives, the young Yao Guangxiao met Yuan and was deeply influenced by him. He became proficient in Buddhism, Confucianism and Taoism. In the eighth year of Hongwu, Yuan guided Liu Bowen to leave a dragon vein for the Central Plains and cut off the dragon vein that originally belonged to the Qing Dynasty outside the Pass, so that the Qing Dynasty would not appear. In the ninth year of Hongwu, he was attacked by Guixu killers and was seriously injured and on the verge of death. He was saved by Zhu Jiuyin and fell into a deep sleep until he woke up in the Jiajing period. In the fifteenth year of Hongwu (Yuan should have been seriously injured and asleep at this time, so it may be that Zhu Jiuyin borrowed Yuan's identity to move around the world), Yuan entered the palace to cure Queen Ma and nursed Prince Zhu Biao's body, and saved the scabbard that restrained Zhu Yuanzhang. During the Jiajing period, Yuan woke up and walked around the world with the green snake Xiaoqing. Seeing the history that was pushed back to the original track, he enlightened Xiaoqing to transform into a dragon, rode the dragon to Beijing and killed the Jiajing Emperor who was obsessed with Taoism, and then sent Xiaoqing to leave China. Decades later, Queen Mother Yuxi even hit her on the head with a knife, and Yuan finally died in Tianmu Mountain.

I've seen it elsewhere before, but now I'm browsing it on Qimaoer. Com. The author's writing is very good, and he has consulted a lot of literature. The female protagonist is not a stud, and the male protagonist is very serious (I hate the male protagonists in some novels who are rogue and talk about porn)

I wanted to give up on the book a few times, but I still insisted on reading it. It is undeniable that the author's writing style is very good, and many plots and dialogues are also interesting. The author also quoted a lot of ancient documents, which is very powerful. What I don't like is that many plots have too much nonsense, and any ordinary scene can lead to a lot of nonsense. The plot is very eccentric, and 70% of it is the memory of a certain life or suddenly returns to a certain life, which is confusing. I always jumped at the ones I saw that were too wordy.

After just a few days of chasing 600 chapters, I just want to sing the praises of this "wind" "Wind" Ying Guang The cold wind above the nine heavens is the gentle wind flowing in the world. Wind, you are the attachment of the mortal world; Wind, you are the splendor of the gods. You walked through the romance of Jiangnan, and you walked towards the brilliance of Dunhuang; You blow through the snow of Xing'an Mountains, and you hold the tears of Daba Mountain. The elusive wind, the moody wind. I know you, I know you are curious. You wander around the world, exploring the old ways of the mortal world. You explore the four seasons and tell the story of cause and effect in the world. Born invisible, returning ruthlessly. You are just a passer-by from beginning to end. But the wind, I saw your behavior, and you made me feel clear. You whispered teasing Yun, you teased Lin happily; You sing softly beside me, and I feel light and relaxed when I hear your music.

The subject matter is quite good, but the author's writing style is average, but his ideas are particularly poor. The beginning of the ghost hunt begins with killing a ghost. The subsequent plot is obviously pieced together without the main body, and there must be a process of cyclical progression. The villain is killed in the middle of the plot, and then he continues to find stories to fill up the word count. Historical stories can be used casually. But the author wrote the story as the main body of the novel. After about 500 chapters, the author's ability to write stories is pitiful. Such a good subject as exorcism and demon elimination is not used at all. In the beginning of Crouching Tiger, such a good main body is not used. He has been forcing historical stories into it. There is only one ghost in the co-author, and it will be gone after catching it?

Halfway through I couldn't stand it anymore, so I gave up. The writing of this book is actually good, but its shortcomings are too obvious. First, there are too many ridiculing explanations and descriptions (the worst part is the word count), which is a bit fresh at first, but after reading too much, I just skip it, which seriously affects the reading experience. The second is that there are too many characters, and I wanted to write them differently, but in the end they all became the same, and the contrast between the characters before and after was too great, so the villain just acted as a villain, but in the end he was recruited by the protagonist. The third is that there are too many pitfalls, the story advances too slowly, the protagonists are all the most powerful in the world, the story is only half written, and I really don't want to read the remaining half.

It's a novel worth reading. The Chinese horror theme is very eye-catching. The protagonist is not overly constrained by rules when doing things. It doesn't look uncomfortable. The emotions of the characters are also quite vivid. Sometimes there are some surprises, so that readers will not feel that each story overlaps too much.

It was really good when I first read the first two hundred chapters. Several plots in it were written with flesh and blood. I really felt that this book was very good, but after reading it, it became a bit disgusting! The logic is a bit confusing and occasionally intentionally funny, which is very embarrassing to watch! Moreover, there is always a PS section at the end of each chapter, which really ruins the sense of reading, especially when you are listening to the book and suddenly a PS section comes to you at the end, which really wants people to say hello to your home! There are too many shortcomings that I can't explain. After reading more than 400 chapters, I really can't stand it anymore! From now on, as long as it's your book, I'd better stay away from it to avoid making people feel sick!

The setting of Crouching Tiger in the early stage is good, and the writing is also good, but the plot is too boring! The character of the protagonist is not established. While talking about living an ordinary life, he shows off his face crazily and tries to expose himself. Put this archway!

Advantages of this book: The world view is unique, the characters are portrayed in great detail, the characters are very individual, and no character is very annoying. The writing is super good, and the historical content is extremely rigorous. Most of it can be found in historical materials. Disadvantages of the book: frequent scene switching and confusing article. There is no clear division of strength. Opening high and moving low means that it gets worse and worse from the peak, but it is still better than many novels.