Quick Transmigration: The Sweet Girl's Everyday Rescues

- Chen Yaoyao×Gu Hong - The whole novel is very sweet. It's not the kind of cool heroine. - The heroine is cute and sweet. The hero is super doting on her. - No misunderstanding. No bullshit. Feel free to enter.

Let me put it bluntly, the heroine is a soft persimmon who can be pinched by anyone, and the male supporting actor seems to be crazy and somewhat abnormal. It highlights that the male protagonist is the most normal one, but his protectiveness is only verbal. If you've seen the first two worlds, don't be impatient. Once you've seen the next world, don't be impatient. It was love at first sight before, but not love at first sight later, right? Without the protection of the male protagonist, anyone can bully the female protagonist. In the fourth world, the stepfather directly pulled out the heroine's hair and slapped her. Before that, the role of the male protagonist was to say a few words to the male counterpart. Provide the heroine with an invisible source of funds. The heroine is a soft girl, yes, but his IQ is also weakened. There's nothing wrong with it, but the heroine is bullied and kidnapped, so she must endure it. When the male protagonist had previous memories, I still felt that the male protagonist really wanted to kill all the bad things for the female protagonist, but I saw that he only killed all his own, not the female protagonist's. So when a male and female protagonist express their feelings for each other and get close to each other, he is just jealous and doesn't take it any further. All depends on verbal instructions. All the male and female supporting characters cannot die. In order to advance the plot, they constantly do bad things to the female protagonist that the male protagonist cannot protect. Anyway, I don't come here to appreciate it, I came here for the cookies. But I was dissuaded. After watching all these worlds, I can honestly say that there is nothing unexpected about being a sweet pamperer and doting on your wife. Don't dwell on the details. Starting from the first world, after the heroine predicts the future, the first thing she does is to kill someone. I don't know how the enemy crossed the city to capture her. You must know that when the heroine is captured, the enemy does it with great fanfare. Is the boundary such a boundary law? How did you get in? How? No explanation. Why would the enemy capture the heroine if he had such ability? It would be faster to attack the male protagonist directly. Directly integrate the inside and outside into one network to catch everything. Also, can the heroine not know that she is powerless? No, she knew, she was just afraid that something would happen to the male protagonist. But the system said that something would happen to him right away. Maybe it predicts the future one day later. It's the heroine who rushes to kill someone. Then the future plot she predicted also didn't appear. It's a cookie, but why should the cookie be based on the heroine's pain? I really don't understand. As a cute girl, the heroine is not held in the palm of the hand, but her face is placed in someone else's hand? The heroine is indeed not a virgin, and her words are somewhat logical. Also, the female protagonist went to have a heart-to-heart talk with his stepfather alone even though he knew that his stepfather was a domestic abuser. He opened his mouth to persuade others not to do it. He knew that he might anger the other person, but he still did it. Also, the female protagonist knows that it is the male protagonist. The male protagonist has no memory, but he is still the same person. Without the blessing of love at first sight, the heroine will not seek out the hero, and the hero will not pursue the heroine. It's really tiring to watch. The male protagonist would make a fuss in front of the female protagonist from time to time, and the female protagonist would not tell the male protagonist anything she encountered. To be honest, if something happens to the heroine, the hero will always be the last to know. The matter between Director Feng and Shu is an example. Everyone has their own preferences for radish and green vegetables, and some sisters may like this kind of article. I really can't watch it anyway, and I can't hold on until the end. Anyway, interested sisters feel free to do so.

This is a sweet text, not to be abused, but suitable for those who like sweetness.

Nice

Super nice