Extreme Cold from the Start, and I Have a Pocket Dimension

The author's first third of the plot is very innovative and rigorous, for example, it is easy to lack oxygen under high and low temperatures, etc. But slowly, I realized that the heroine was too arrogant. People who have space would like to be very low-key, but the heroine deliberately invited her rivals to watch her performance: she took out fresh lobsters from the space to eat hot pot and eat maocai, openly and openly attracting jealousy and hatred. She deliberately exposed that she had space. She felt that the steel plate on the wall of her house was very safe. She never thought that she would go out one day. What would be the benefit of everyone knowing that she had space? What a strange behavior... The heroine was so arrogant and exposed, I thought she had a gun. Oh my god, just explain that I don't know how to use a gun, so I didn't buy it... Don't you know that you can buy a gun in a legal store in the United States for tens of dollars? You can give a tip and ask the boss to teach you how to use a gun. If that doesn't work, you can hire a coach to teach you. It's not like you have no money or time, so you take the initiative to expose your enemy's adopted daughter. In the end, when you encounter a threat, you find that you don't have a gun. It's too cruel...

In the extreme cold of the apocalypse, the male and female protagonists live together in a house by chance. They slowly build trust and understand each other. Together, they face the difficulties and dangers brought by various people in the building, using space to resolve one crisis after another...

I won't comment on other things, but the relationship between the male and female protagonists is really outrageous! The number of times the heroine and the hero have met can be counted on one hand. Within a few days, the heroine asked the hero to move to her home? This relationship is really progressing at a rapid pace. Everyone has their own love for carrots and vegetables. Anyway, I can't accept the relationship between the male and female protagonists.

Space is inserted! I can tolerate this, but what happened to the male protagonist? I'm not saying that the male protagonist is bad, but why should the female protagonist trust the male protagonist unconditionally? In the middle of the night, you said you would come to my house and live with me, right? It's not that I'm really speechless 😓, I really can't stand it, and some people don't want me to finish it, I really can't stand it anymore, don't force me! Thanks. I advise you to quit! Lightning protection lightning protection lightning protection

When I read about low-temperature oxygen supply earlier, I thought it was well written, but in the end, it ended up being cold and humid at minus 50 degrees??? Is it because it's wet and cold, and in an environment of minus 50 degrees, the snow turns to ice when it hits the ground??? Please🙏🏻, a large part of the reason why the north is dry is because of the low temperature~_~, and also, do you really know what snow is? It is a form of water. How could the snow melt at low temperatures?!! There is a relationship between dryness and wetness!!! Besides, it's -50 degrees below zero. Which one is dry or wet??? Otherwise, I will always wander around the earth, Snowpiercer. Many people haven't seen it, well, it's not the founding ceremony of the People's Republic of China. There is no need to mention it several times every two chapters,,,, in short, I hope the author can provide some refresher on junior high school physics before opening the article😊

Very average. First of all, I know that the author likes The Wandering Earth and Snowpiercer very much, and they appear so many times. It stands to reason that the female protagonist should have been more thoughtful after experiencing the pain of childhood and the abandonment of her biological parents, and she was very thorough when preparing materials and a house. Later, when the male protagonist moved in, she said that the preparations he had to make were unnecessary, which was very different from the previous one. The plot of finding supplies with Lin and others in Building 16 is full of nonsense, but not too materialistic. Taking materials from the space to others should not be old. For the first time, the heroine placed the fake daughter's materials a few floors downstairs without mentioning the oldness or the freshness of the materials. Then why was the material discovered in the air-raid shelter? The materials were just moved there. They were also members of Lin's team, and their IQs fluctuated. In the end, when the system wanted to give space supplies to the underground fortress, it deliberately wrote that the heroine said to take away all the chickens, ducks and fish to highlight that the heroine was "not so unreasonable". If you donated all the chickens, ducks and fish without leaving any seedlings, how would they reproduce in the future? Moreover, if the heroine was really generous, why didn't the heroine put some here and there when the army was searching for supplies? Can't she ignore the space when she goes out while dreaming? All in all, the response to the disaster was well written, but the plot was average.

Very pretty, but my adopted daughter hates it

It feels like the male protagonist has been PUAing the female protagonist, and the female protagonist keeps going out to work. No plot either

Childish. I want to be rigorous but also want to substitute a plot that meets the public's taste. It can be seen that I have tried hard to explain it logically, but there is no obvious emphasis on the ink, which gives me a nondescript feeling. It is not as interesting as reading popular science, but it is not as exciting as reading stories, and it is not as eloquent as literary and artistic works. After reading more than 40 chapters, I haven't seen any substantive conflicts, no turning points, and no explosions. This is too taboo in plot writing. The author's vision and general framework should be relatively good, but I definitely didn't get the feeling I wanted. I hope to see more mature and exciting works from the author in the future.

Come on, come on, I've finally opened a new book