Reborn as the Farmer's Family's Problematic Young Aunt

The heroine's time travel has no effect at all. There is no use in space. The heroine cannot be eloquent, nor can she be literary or martial. Most of the word count is her mother quarreling. She is half a mother's daughter and indecisive. Let's just say that time travel can't lose her brain too! While escaping from famine, the heroine was actually in a good mood. I was so stunned! The key point is that the refugees are robbing food. A village actually refuses to unite with the enemy and watches others being robbed as if they are watching a play. Only the heroine's family has not been robbed. Now only the heroine's family is left. I don't need to say what this means. Also, I just want to ask who should be afraid of whom among a bunch of refugees and five or six farmers? I've really seen so much, and it's the first time I've seen so many complaints like this. Whoever looks at it explodes.

Lots of surprises

After reading Chapter 96, I don't know what the heroine is here for. The mistress is the best person who values ​​girls over boys. She is also as annoying as those male vested interests in families that favor boys over girls. Although the heroine has not done anything bad, she has not privately helped her sister-in-law and niece who have been suppressed, nor has she refused those good things in the family, such as special treatment when eating and working.

I really like reading these short stories about parents' lives.

The plot from the beginning of the escape is really difficult to describe. Nothing to watch.

The first part is okay, but the escape from the desert is quite chaotic from the beginning, and the words are a bit long-winded, and the handling of things is sloppy.