Old Cao Believes Me, I Am Really Not Zhuge Wolong!

There were no problems in the early stage of this article. It was almost like a normal time-travel novel. It even had the flavor of a cool novel. However, the author couldn't remember the characters. Many people had met the protagonist, and later said that they had never met the protagonist. For example, the protagonist and Cui Zhouping had an argument with each other once in Jingzhou, and later said that the protagonist did not know each other. Also, the title and main introduction of the author were that the protagonist helped Cao Cao unify, but later he had to create a Ziwei star and let the protagonist proclaim himself emperor. It felt like it was nonsense. After the protagonist turned against Cao Cao, the writing style was wrong. It felt like someone had asked someone to write it on his behalf. Ma Chao directly matched up with the protagonist. Also, the author forgot to give some shots of the characters. For example, the protagonist asked Pang Tong to chase Cai Wenji, but after Pang Tong turned against the protagonist, Cai Wenji was never mentioned again. All in all, this novel is good, but it would be better if the author paid attention to details

I found that this type of Three Kingdoms novels will basically collapse after more than 200 chapters, and I feel that it will only last for more than 250 chapters. Maybe it is because the Three Kingdoms is too familiar, and there are many situations and specific storylines that readers can know. ——No matter how you write it, it will collapse. I have read several Three Kingdoms books so far. Basically, after more than 200 chapters, he will—as for this book, I have read 158 chapters, and then I feel that there is not much motivation after that. I can basically know the author's ideas and the subsequent plot in advance. After reading books for so long, I found that these types of books should not be touched. Historical texts, involving Jianghu, single-male protagonists, systematic texts, and historical inspirational books contain these. Basically, every one of them falls apart. It seems that the protagonist usually relies on his own intelligence to travel through time, and others will become very stupid involuntarily. Even if the author wants to make the opponent smart, it is very difficult, and the opponent will become very stupid involuntarily. Moreover, the plot basically remains unchanged and there is no way to innovate. The protagonist is always talking about war on paper, but it turns out that talking about war on paper is very effective. I personally feel that the Three Kingdoms should not be like this. Although you are good at themes such as the Three Kingdoms, it is not easy to write, so you can still get a wave of traffic dividends. But after 200 pictures, it is basically useless. I personally suggest that it is best to learn from those who were county magistrates, and then have a process of growth. The protagonists in the Three Kingdoms have never grown up, and protagonists like this have never been low-key and have always been in the limelight. The opponent is never strong, and basically I have never met anyone who is powerful. If there were no difficulties, he would create them himself. Therefore, for things like this, I generally can't give too much evaluation. At most, I can only give it an average rating. With his tone, the upper limit can only be so high. His upper limit is set here, and there is nothing he can do.

To give a general reason, it is good because he has been looking for someone to help Cao Cao. In the early stage, it was indeed a slap in the face. Now the general reason is to see Cao Cao proclaimed emperor and Sima Hui said that Ziweixing is the protagonist. To tell the unreasonable things, 1. Except for Cao Pi, Cao Cao and the protagonist have no conflict. The protagonist's lack of desire for power is his best protection. Why should a protagonist who has no desire for power give a future as an emperor? 2. Since you want to write about the emperor, you must have descendants. The protagonist Bowangpo traveled through it for more than ten years by the time I saw it, and there was no heir. 3. Since you decided to rebel in the later stage, why don't you let the protagonist start from the Yellow Turban and directly compete for hegemony, but have to rebel in the later stage like the tavern next door, all of whom have formed a deep friendship with Cao Cao's subordinates?

The front is okay, but the back is a bit messy.

The front is good, quite interesting.

It was okay in the early stage, but it was a bit confusing later on.

It's okay, but the opening chapter is too low-key, and I didn't get a lot of credit in order to hide it.

It's okay in the front, but obviously I can't write in the back.