Quick Transmigration: The Host, a Femme Fatale, Has Set Her Sights on the Villain Again

I think it looks pretty good If you like to read and quickly read the article, you can give it a try

There's one last world left How to say This book is quite special. No guide is needed at all. The kind where the hero comes over automatically Strong female➕Sweet pet It's that yandere feeling that's weird I don't like it very much. I think the heroine is weird. Inexplicably, it was automatically brought in and turned into a real yandere Others are ok for now, but boring to watch

The plot of this fast-travel novel is very exciting, the identity of each small world is interesting, and the interaction between the male and female protagonists is quite sweet. It is not brainless, the characters are quite intelligent. As for the eldest princess, the people of Yan State revolted for the princess, which was very touching.

In other words, the characters of the male and female protagonists are too flat. After watching a few planes, I feel that the male protagonist is a bit like a licking dog, always revolving around the female protagonist. This does not mean that you cannot favor the female protagonist to the extreme, but the lack of self-esteem is a big flaw of a character. It is really annoying to exist for the female protagonist, but after watching it for a long time, you will really get tired of it. As for the heroine, I read the entire article as ruthless and charming, which was okay. I suggest that the author can make the character a little more fleshed out in the future.

Good-looking (○`ε´○) The treasure text is really hammered!!!

This book is poisonous The villains are all good people The original male and female protagonists were all crooked

Beautiful, highly recommended

The male protagonist likes the female protagonist inexplicably, and the female protagonist falls in love with her after just a few flirtations.

The male and female protagonists in the yandere plane started to go crazy, the plot was also confusing, and the male protagonist's peerless love brain made me very uncomfortable. I couldn't understand the female protagonist's inexplicable hatred of the male protagonist and her forgiveness of him. Anyway, the plot is that the heroine somehow feels that the hero doesn't want him anymore. In fact, the hero still likes the heroine because of his intuition, but he is still a bit arrogant. The heroine says that the hero doesn't want her anymore, and she doesn't want the hero either. Anyway, I don't know what the heroine wants? When the male protagonist saw the female protagonist's attitude, he went crazy. He wanted to be forgiven for all kinds of self-harm. The description was particularly miserable, and it was a bit of a moral kidnapping. The more the male protagonist thought about it in the later period, the more miserable he became, but the female protagonist had no reaction. She was extremely cruel, completely unlike someone who had liked the male protagonist and had been with him for several lives. In the end, the male protagonist awakened her true body, and the female protagonist inexplicably forgave the male protagonist, and lived a harmonious and beautiful life with the male protagonist, as if the male protagonist in this world was not the male protagonist. In the extra story, the male protagonist in this world watched his other self being in love with the female protagonist, but he did not see the female protagonist after he was reborn. When he was about to sacrifice himself, the male protagonist said something wrong, and the male protagonist felt satisfied. It's very baffling.

What's the matter with the heroine feeling a little *? For example, the Prince Regent said, "He will definitely not hurt me, definitely not." Hey, it's not sisters, where do you get the confidence? Are you so sure that the male protagonist treats you differently? Also, the heroine is inexplicable. One second she was kissing and hugging her, and the next second she turned against him, and then got back together again. It was the hero who asked for it unilaterally. The most important thing is that the hero did something that the heroine didn't like. Then Why doesn't the heroine just go and talk to the hero directly? She has to wait until she does something like that before talking. This is really a bit censorious. Also, the hero, whenever the heroine says something harsh, he will cry and beg her. It's really a bit speechless.