Fleeing Famine, Farming with Money, Food, and a Big Knife: You Call This Silly Wife?

I read a hundred and ten chapters. The first part of the escape was fine, but the second part was not very good to me when I looked at the table of contents selectively. The male protagonist said before that he would not lie to the female protagonist, but later he still didn't show up even when the female protagonist almost died several times trying to find him. The female protagonist saw him and others. The woman chose to leave when they were together and didn't question it. Anyway, I don't like to watch this kind of misunderstanding drama. I don't like watching the male protagonist leaving other women around for whatever reason. And I think it's a bit messy, so I just watched the ending.

This novel has nothing to do with farming and doing business. I only stuck to it a little bit. I read it and felt aggrieved. I thought it was a cool article. Is there something wrong with this novel? The third concept of this novel is a bit wrong. What's wrong with the Lotus Village protecting its own village? What kind of bullshit is that written in it? And there is something like the male protagonist who promised not to deceive the result. After several times of expiration and difficulties, how can he find an opportunity to tell the truth to the prince? His hands and eyes are all over the sky, and there is no gap in the surveillance. Let you go to the heroine. The heroine is also a bitch, and they reconcile after they meet again.

This book is so good that there is no nonsense throughout, the plot is compact and fascinating. The heroine is not a holy mother, and if she is not in love, she will take action when it is time to take action😄

I'm really convinced, what are the author's three views? There is an inexhaustible well in Hehua Village, and being robbed is retribution. Then the heroine's space is kept high and hung up, just for self-interest. It's so ironic. Now that I have read more than 70 chapters, I can't stand it any longer. I feel bad. I feel uncomfortable when I skip it. If I don't skip it, I can't stand it. I read it slowly. It's tasteless anyway. It's a pity to abandon it. Well, it's not a pity, after all, I plan to abandon it now.

How to say it? The author's writing is naturally very good, but some of the plots are really speechless. The heroine and her group could kill many refugees to protect the cave where they temporarily lived, but they blamed the people of Hehua Village for guarding the entrance of the village to prevent refugees from entering the village in order to protect their homeland. Later, the people in Hehua Village were massacred by bandits because the refugees spread rumors that there was a treasure in the village. The heroine actually felt that this was retribution for the wasted death of a villager! What kind of three views is this? Oh my God! Just because you are the heroine, I should take you in. If you don't take you in, is it a heinous crime?

The first third is fine, but the rest is a mess, as if it was not written by the same person! In the previous chapter, he was faced with a sharp knife to cut through the mess, but in the second chapter, it was clearly written that the sister wanted her not to admit her back. The next chapter immediately cleared her name, and the male protagonist also said that both parties should not cheat. The male protagonist regained his memory and found his subordinates, but he refused to meet him in the name of the female protagonist.

I don't like the heroine design. It seems like everyone else owes her. It's useless even if she has space. She doesn't even know how to put money into the space. It's the most useless space article.

Dear friends, don't fall into the trap. I won't go into the details. Whoever falls in will regret it. . . . .

Planting a small field, escaping from the wilderness at the beginning, and even time-traveling was done while escaping from the wilderness. After almost escaping, the male protagonist recovered from his stupid illness and became a prince, and the female protagonist became a princess. The princess cultivated such a kind of land, and was a coward. Read the chapter table of contents to the finale

Isn't there room for agents to travel through time? Why is it written like a local?