On Our Wedding Night, I Made the God of War My Father.

One of my favorite books so far!

I like the way the male and female protagonists in this book doubt and test each other at the beginning. There is nothing outrageous about falling in love with each other as soon as they get to know each other. I also like how smart, sober and independent the heroine is. When encountering danger, the first reaction is how to break the situation yourself, rather than asking a man for help.

I read the author's "Brother Cheng Huan" first and then read this one. Maybe because it is the author's early work, the level of the two books is very different. There is a huge gap. It felt like every event was written a bit stiffly. At the beginning, the intention of the Mingde Marquis Mansion to first marry the heroine and then kill her was incomprehensible even after seeing the truth at the end. Not to mention that when the marriage was granted, it was only said that she was the eldest daughter. As the only daughter of the original wife, the Marquis Mingde's practice of marrying the heroine to her was beyond criticism, so how could there be any talk of a substitute marriage. Even if it is understood that the current eldest daughter is the current eldest daughter, the Hou family is asking a heroine with a bad reputation to marry as a substitute, which is an insult to the royal family. Then a substitute marriage is risky. Doesn't substitute marriage plus silence add to the risk and crime? If the silence was to cover up the substitute marriage, then once the heroine dies, the government or the royal family will investigate, and the heroine's identity will be difficult to find out. If you find out, you will know that she was a substitute marriage, right? Even if the Hou Mansion succeeds in imputing the crime of elopement to the heroine, wouldn't the heroine's crime of escaping from marriage also implicate the Hou Mansion? In addition, based on the introduction of the male protagonist who is a god of war and the female protagonist who is a military doctor, I thought there would be some emotional collisions in the plot such as marching, but it turns out that the male protagonist has no title of general, and there is no description of the identity of the general, such as leading troops in battles, military exploits, military power... Although he has a few capable assistants, a prince alone can do it. The heroine says she is a military doctor, but she is actually more like a scientific researcher. In short, the identity attributes of these two are not fully utilized, which feels like a waste. Secondly, the voodoo clan, voodoo techniques, viruses, laboratories, the male protagonist's poisoning experience, and the life experiences of the female protagonist and her children are not developed, and I just felt boring after reading it. On the contrary, there are a lot of quarrels in the prince's mansion, in the streets, in the palace, and among the princes, which makes people irritated. The so-called political intrigues are really not interesting. One thing to say here is purely personal likes and dislikes. I really hate the kind of plot where the person complains randomly and then the listener has no brains to believe it. It is obvious that the logic in the plot is full of loopholes. Anyway, neither this type of technique nor this type of writing technique is very clever. It's a real bargain when the villain uses this move every time. It's really satisfying for the heroine to use it once or twice to counterattack, but she also likes to use it, and it's also a bargain. My favorite part of this article is the daily life in the palace, which is the most comfortable to read. It would be great if the author could revise the article again at his current level. But even if I don't practice, it's already a blessing to have made such great progress.