After Transmigrating Into a Book, the Crazy Male Lead Read My Mind

The author's writing is pretty good, but the plot is rubbish. The main thing is to write: the female protagonist is a raider, she went to the male protagonist's world to do tasks, and she always tried her best to complete the tasks. I didn't expect that the male protagonist could read her mind. The male protagonist understood her heart and slowly fell in love with her. Later, there was a female protagonist, and two female protagonists. I was speechless. The main thing was to write about the love, hate and separation between the male and female protagonists. I wrote about hate at the beginning, about the gap between the male and female protagonists, and often had quarrels. Then I wrote about love, and the male protagonist understood. I fell in love with the female protagonist, knowing that all this was forced by the system, but she was actually kind-hearted, so I slowly fell in love with her, and then wrote that they broke up and will definitely be together again later. Although I haven't finished it, people with weak psychological abilities are not recommended to watch it, otherwise they will be pissed to death. The male protagonist is completely mentally cheating. He obviously likes her but is entangled with others. The key is that the male protagonist has not explained it and almost left me angry. I don't recommend it!!!!!

I didn't feel angry for a moment from beginning to end. I didn't finish it. I skipped to watch it, but I don't know why I skipped it. All I watched was the kind of feeling that made me so angry that I wanted to smash my phone. Basically, the chapters I read were about the female protagonist suffering. I got angry, and then after the male protagonist woke up, the female protagonist hit and scolded the male protagonist, and it was just a brush off. It was really angry, so irritating, it made me mad, especially the chapter where the male protagonist was controlled, it made me mad. I almost smashed my phone in that one. It was already good. , Now I have to read a sweet article to calm down.

The male protagonist's character has just begun🤮🤮🤮Isn't this just because he is mentally cheating and still being jealous of the female protagonist? I don't understand why the female protagonist is so lacking in love? Can you fall in love with just a little bit? Do you have to find your boyfriend in the trash?

What kind of character design? There is no normal person, a brainless female competition.

I just feel like the heroine is a little bit crazy

Not pretty at all

The front looks good, but the back is a bit ••

The plot design of this article simply welds the word "suffocation" into the reader's viewing experience. As the executor of the task, the heroine's emotional threshold is astonishingly low. A trivial gesture can completely sink her, as if she has never been exposed to normal interaction with the opposite sex in the first half of her life. The obsession with female competition in her head has welded the situation into the narrow "competition for male recognition", completely deviating from the sobriety and decisiveness that a task holder should have. The degree of double standards of the male protagonist can be called the "ceiling of the double standards world": mental cheating is downplayed, and he does not allow the female protagonist to have any heterosexual interactions while flying flags outside. What's even more ironic is that it was clearly his psychological experiment that made the female protagonist suffer the punishment of aging and dying, but the subsequent remedy was packaged as "affectionate redemption", as if the female protagonist should be grateful for this "belated compensation". This kind of self-motivated "compensation" is essentially just to satisfy his own sense of moral superiority, and there is an uncomfortable arrogance from beginning to end. The emotional direction of the whole story is even more puzzling: after the heroine experienced severe physical and mental trauma caused by the hero, she was able to fall in love with her again because of his "active treatment" in the later period, as if the previous pain and trauma had become a "footnote of love." This kind of logical closed loop simply challenges the reader's bottom line of perspective - can all the damage be written off as long as the prodigal son turns back in the end? Finally, I would like to say to the author that creation does not need to be trapped in the stereotype of "spoiled wife literature". The value of female characters has never been dependent on male redemption, nor is it self-impressed "forgiveness" in a pathological relationship. Instead of creating such a suffocating emotional entanglement, it is better to give the women in the novel a little more clarity and confidence, so that they no longer have to waste themselves on unworthy people and things in their lives.