The Biography of the Imperial Concubine in Qianlong's Harem

Like it very much! ! Over the years, I have read very few Gongdou novels without finishing a word. Each character in this book has his or her own unique personality and background story, and the logical relationship is very strong without any abruptness or violation. Another point I want to emphasize is that this novel with historical prototypes is really very historically accurate. Every time I meet a character, I carefully check the relevant Baidu Encyclopedia, and check the spouse, children, the time of all major events in his life, including the rumors, oh that's right! And the personalities are really 95% the same. So when I read it, I was amazed that the author of this article really worked hard. Not only did he create such a story that is highly historical, but the plot is so charming and full of ups and downs that people seem to believe that this is what the imperial concubine and even the Qianlong Dynasty looked like. It is really great! I very much hope that this drama will be made into a TV series. I believe that this drama will definitely be as good as the origin of the mainland palace drama The Legend of Zhen Huan when it is adapted for the screen! !

I started reading this book in the eighth grade, but I never had the time. Now it is inconvenient to read it in the browser, so I came to Qimao. I like this book very much. Ever since I read The Story of Yanxi Palace, I especially like the book about the palace battle between the imperial concubine and Qianlong, but I can't find it. Can anyone comment on this little book about Qianlong by the imperial concubine? I have read this book twice. It is really interesting and not boring at all.

I really like this book. It is very fascinating and makes me want to keep reading. Unlike other books where the names are confusing in some places, the plot is also realistic and well written. It allows me to see the picture while reading. Very good. But I have to say that the emperor is really a scumbag. Overall very good (✪▽✪)! ! ! ! ! ! ! !

I cried. The first time I cried when I saw Princess Shouqi passing away, the kind old lady was still chatting and laughing the night before, but she left early the next morning. Concubine Shouqi seemed to have a smooth and perfect life, but she was always involuntarily. She was sent to the palace to consolidate the family's power. She had never had a real relationship with Emperor Kangxi, and she had no children of her own. She had nothing left behind except the superficial wealth and status. The second strong empathy was after the death of the fifth prince, when Concubine Yu begged Hongyan to forgive him. The two women with completely different destinies experienced the heart-wrenching pain of losing their son. From Yongqi's perspective, we can actually understand his "failure to save others". Of course, a prince must be ambitious and seek a future for himself. However, when Yong Qi was dying, he still thought about his guilt for the imperial concubine. Death might be a kind of relief for him. The third time she burst into tears was when her husband passed away. Nala, who had been sad all her life, finally left this world that had brought her infinite desolation. It is the most tragic thing in the world that lovers who are infatuated cannot get married, and she has never truly followed her heart in her life. Forced to marry Hongli, separated from her lover, forced to be pushed to the position of queen, Fu Erye's family regarded her as a plague; Xin Bin's threats, Hua Rong's death, and her son turning into a demon, one by one, all drove her to the end. So on the way south, I cut off my hair as a sacrifice to my failed life. Maybe her whole life was a mistake, so she chose to cut off everything in this world, including love, children... Everything. In the next life, there must be lovers who will eventually get married.

Beauty, beauty has always had a bad life since ancient times. The imperial concubine in history died of illness in the end. I think the ending should depict the whole life of the imperial concubine. There should be sorrow when there is happiness. This is perfect. And this book also made me see many things clearly. Everyone envied Fu Heng's upright love for Ru Yin, but everyone longed for Fu Heng's protection of the beauty. In the passage of time, everyone will meet many people. Hongli had An Yi and a beauty, but he gave his sincerity to the two of them. It is regrettable, but not pitiful. Good book!

Hongyan's luck is really good. I have read many of Asuo's books before, and I have always liked her writing style and her unique way of understanding love, but this one is the least favorite. I don't like the character of Hongyan, and I don't like the queen personally giving her to the emperor. After reading more than 100 chapters, I still feel that Hongyan is a third party, but I can understand the queen a little bit, and I can also understand the love of that era, but the emperor is really a scumbag!

While living in the deep palace, he forgot his original intention and became something he hated. Seeing that Hongyan had climbed up from a simple palace maid to the center of power step by step, she could not help but transform into the Empress Fucha back then, and she slowly began to understand the Queen Mother. All the stalemate relationships in youth have been eased in old age, and the sisters who talked about everything have gradually drifted apart due to conflicts of interest when their children have grown up. I even thought that if Concubine Shu's child had not died, then Ruyin might really be the only one left in Hongyan's later years.

It would be great if the beauty was with Fu Heng. The emperor is too carefree, so carefree that I don't want to watch anymore. Is it wronged to love someone and be loved all the time?

How to say it? This is the female Lei Feng version of Wei Hongyan, not the chivalrous version of Wei Yingluo! After reading the whole article, the aftertaste is bitter and depressing, and it does not make people feel comfortable and happy. The author followed the historical time period and event points, but did not show the cleverness, wisdom, courage, and strategies of the Han Chinese woman "Ling Empress" who had no family background and climbed to the throne by climbing a dragon bed, and eventually gave birth to three sons and two daughters for the emperor, and sat on the throne of the only imperial concubine. Instead, the heroine was portrayed as a humiliating and burden-bearing version of Liu Huifang, which is very boring. How many people like to watch only the courageous strategy of "Wu Zetian"; how many people revisit "The Legend of Zhen Huan" and only watch the part where she returns to the palace for the second time; and how many people don't like Zhou Xun's version of Ruyi, and even prefer the ruthless and ruthless Wei Yanwan! The reason should be that they want to harvest the essence, be alert and learn from it for themselves!

Seeing that it was one vote away from the previous one, I voted for the author, the 101st vote. I have read A Suo's The Concubine, and this time I watched The Concubine. They were all well written. The big frame was in line with historical facts, and there was no shoddy writing. The writing was smooth, and you could follow the development of the story.