Leziren's Book

The biggest charm of unlimited streaming is the possibility. The biggest problem with unlimited streaming is still possible. Whether it is a big ball of light or a twenty-sided die, the essence of infinite works is still the limited imagination of human beings. However, the emperor did not plow the fields with golden hoes, even though he was indeed a farmer. For most of Qidian's works, targeting wealthy women is enough. Some small sites are deeper and only aim to transform society. But Infinite Flow doesn't work, because it must pave the way. The "Tao" or abstract pursuit of the main character in this book is not an incomprehensible concept - but it at least has an idea.

In an environment where Qidian tends to position authors and readers as domestic animals, there is absolutely no room for being left. But the elephant is in the room after all, and turning a blind eye doesn't make it go away. There is no need to mention the level or anything else. There is only one contestant, so what can we say?

"Internet writing" broadly refers to written works whose communication medium is the Internet. There is no fixed content, but it is monotonous due to certain inertia. This kind of traditional science fiction writing style undoubtedly does not meet the needs of most users of Qidian. However, it is still a good work and can be said to be a counter-current in the sinking market.

The author's self-amusement; Witcher fandom has a narrow audience; Loves to play jokes; Of course it's a dream to make big money, that's why it's interesting.

There are generally two types of writers who are still tossing about martial arts today: First, there are imitators who are buried in the pile of old papers and focus on the past but not the present. They have neither the skills of their predecessors nor the imagination of newcomers, and they have nothing to say. The second is the creator who has sublated something and turned the cage into material, which can occasionally make people shine. Rockwell's horror is hidden in a rich history, which can be said to be a wonderful localization - history contains not only loyalty, but also profound darkness; the gods and monsters, although the meaning is vague, cannot help but fall into absurd nonsense.

The advantages and disadvantages of the Three Days and Two Sleeps book are very extreme - the short-term plot is excellent, the characters are often unconventional but basically self-consistent; the long-term is often high-end and low-end, and the "internal flavor" influenced by Japanese ACG only has a bonus for specific audiences. And he himself seems to have no intention of changing. If this strong personal style finds an unflattering subject, it is normal for it to overturn - crime trafficking is an example. However, in terms of standard alone, this book is not inferior to his famous work "Thriller Paradise". People choose books, and books also choose people. Speculation is naturally full of fun, but dislike of each other is also normal. Let's give it a try.

People are not chasing novels, it is novels that are chasing people. There is no work in the world that can satisfy everyone. At most, it has outstanding effects on certain groups of people. Cyber ​​culture seems to be becoming popular again, although it is still niche, and there are new people trying to express it with it. The more alienated we are, the more we can find things that are unchanging and worthy of pursuit. By skipping the numerous manifestations, people's desires become clearer.

Totally private goods. It doesn't matter if it's not a famous figure, it doesn't matter if it doesn't start with Ai Xing, it doesn't matter if there's no golden finger, it doesn't matter if the timing is special, and it doesn't matter if the ending is hasty. The key is to have internal flavor.

If it were guaranteed to be updated, the Mahasage would not be on my book list - it is too mainstream and the level is just right. A bit of lost courage, a bit of Lao Zhuang's interest, a bit of childhood resentment, a bit of emotion that has nothing to do with one's own affairs... Plus a lot of clichéd Internet writing routines, this is the biography of the Great Sage.

Overall it's a very relaxing book. If the novel is compared to a movie, "The Fist of Fantasy" is probably a nonsensical comedy - who is the fist of fantasy swinging towards? It seems like everyone can do it, and everyone seems to be pitiful. A playful social animal with a smiley face does not have everything. An author who pulls his hips every day is also thinking about bad money. If both those who deconstruct and those who do not deconstruct can live happily, then those who only deconstruct half of it must be getting what they want even if they suffer.

This book isn't my favorite, but it's better than most. There is no limit to the flow of originality, the author has a solid foundation (at least in online articles), the characters stand up, and the world is not an empty shell. Kowloon boxing ring, Japanese rebellion in Imchen, boiling night in the capital, wasteland in the dead of winter, gods and ghosts, the Ming Dynasty, and bandits from Southeast Asia. The so-called infinite flow, its charm is that after thousands of worlds, it remains me. Therefore, it may not be untrue to penetrate mountains and seas.

Personally, there are two directions for evaluating fan fiction. The first is whether there is OOC or not, and if so, whether it is logical to change the character. The second is whether the overall atmosphere is consistent with the original work. For example - Long Aotian was not angry with Azathoth so he killed him and happily opened a harem in the universe. This is obviously a bad fan story. If the above two standards are not met, it may not be an interesting novel, but it is definitely not a good fan novel. And this Li Qing's Bizarre Adventure can be called an excellent fan novel, at least I haven't seen any better among JoJo fans: whether it is its values, the conventions of wits, the shaping of the original characters, and even the Jo-style metaphors, it is perfect. But in the final analysis, Jojo fandom is still too niche, otherwise it would not be included in this unprofitable book list.

Lingao Qiming is special, and this special does not refer to its endless chapters of climbing the technology tree, nor does it refer to the group portraits of the five hundred protagonists. But it refers to the purpose of its creation - Tu Yile. It does not accommodate the reader. The afterglow of the forum era shines in today's era, and a power driven by interest makes Qidian completely unable to compare with other historical novels. Nationalism, story-telling characters, self-actualization. These are the three elements that make up the history of Qidian. They are not bad, but they have nothing to do with history. One of the meanings of Lingao Qiming's existence is to satirize the accumulation of civilization and cheating to seek macro advantages in ancient times - the tide of history may have been set off by someone, but it will not be stopped by someone. Those who try to borrow the power of the wheel of time will eventually realize that they are not worth mentioning before this power. Of course, if he just wants to go to the dock and order some fries, that's another matter.

If you want to describe the novel The Amber Sword, "anticlimactic" is probably appropriate. The unremarkable alien themes of the game have been enriched by Feiyan's writing power and hard work. It is no longer a background board but like a very different but real world: the beginning of Butch, the breakout of Lidenburg, the battle of Ampelsel, and the conflict in the Ring of Trade Winds all seem like real adventures. Although the character creation has the usual sequelae of Feiyan's home-style writing, it is at least clear and impressive. What makes it stand out among similar novels is the thinking of "I" - in too many time-travel novels, the protagonist's past is like yesterday's death, which makes people suspicious of being brainwashed. The Amber Sword achieves the definition of "I" in a gentle way. The past is no longer a burden but a wealth, and the future is not only a task but a wish. However, the above is only the early and middle stages of the novel. Without any new ideas, the large length and serialization system made creation an extremely unstable behavior: I don't know whether it was due to loss of creative enthusiasm or physical reasons, but the quality of the work dropped sharply in the later period. The characters' behavior began to lose their standard, and the new characters could not stand up. A lot of maps are opened but not filled in. The empire is not as impressive as the early villages. The original goal of gathering everyone's strength to move toward a better future turned into giving the protagonist a lot of personal power because of the need for an urgent ending. All in all, The Amber Sword is a valuable book. The first half is its own value, while the second half is its value to reality.

South's works have almost no ability to arouse emotions. The contradictions are not prominent and the explosions are not intense. After many years of writing, he has not learned how to even leave buttons and fragments to pursue revisions. No wonder he has never been good or bad. His stories are always plain, as if they should be so plain: Where in life are there so many opportunities to show off and slap people in the face? As to whether this natural blandness is good or bad, that's a matter of opinion.

What is the charm of works in the Western Fantasy genre? This is really a delicate question, especially in the context of the ever-changing nature of popular branches. From dynastic hegemony in ancient times, to fantasy epics based on Tolkien's works, to localized Japanese RPG style, to group running stories in the DND setting... The storyline and presentation are completely different. If we say Oriental Fairy Tales, it is a familiar romance that transcends reality but is engraved in the cultural background. Then I think the core of Western Fantasy is probably the distant but curious strange scenery - it may not be beautiful, and it is just ordinary daily life for the residents there, but "remoteness" and "strangeness" itself produce charm. For a curious person, the Forgotten Realms are truly fascinating.