The Rolling Yangtze River Flows Eastward, and the Waves Sweep Away All the Heroes of the Ages (Complete Three Kingdoms Classic)

A representative work that must be mentioned in the Three Kingdoms historical literature in recent years. The special point of the setting is that the protagonist is a second-generation traveler, and the protagonist's mother is the wife of the wealthy Gongsun family in Liaodong, and has extraordinary business methods. The protagonist, as a middle-aged and rich second generation, has ambitions that transcend the times. At the same time, historical figures are not completely tool people, but have thoughts and feelings. The author has extraordinary writing skills, and the most important feature is the heroic spirit of the protagonist. Although sometimes it is frivolous, you can really feel the excitement when reading it. The shortcoming is still in the later stage. In a situation where the situation is in control, the protagonist's attitude towards Cao Cao, Zhao Yun and Lu Bu is mixed with too much of the author's emotional catharsis. Whether it is the logic of the plot or the shaping of the characters, it is a great harm. It even greatly undermines and mocks the heroism of the protagonist that is the main theme of the book. Personally, I suggest you stop reading this book when you see Yuan Shao's death.

A novel about the late period of the Three Kingdoms, the protagonist travels through the time of Liu Chan and the celebrities of the Shu Kingdom. The first thing to note is the writing style that is close to classical Chinese and the relatively rigorous textual research. Readers who like this kind of half-text and half-white text may find it more historical. The second point is that the author is a fan of Zhuge Liang. Just because the protagonist is a time traveler does not take away the glory of Zhuge Liang's dedication. But the relative disadvantage is that the protagonist's sense of existence is very weak. Throughout the book, the protagonist is assisting Zhuge Liang and helping Zhuge Liang make up for his regrets. The plot progressed until Zhuge Liang died and the book was hastily completed.

Both the writing style and the textual research are intended to be a brilliant historical text. The protagonist travels through the Jianghuai River and is the second son of a wealthy family. After the Battle of Chibi, the family was tricked by Sun Quan. At the beginning, he was chased by the elite Cao army. His brother died in battle and was ordered to die. It was a hellish start. The description of war scenes in the book is excellent, and the cruelty of war is very vividly depicted. There are blood-soaked battles on the red cliff, as well as life-and-death hand-to-hand confrontations. The tragic and solemn atmosphere seems to be rushing towards you, which is very moving. Outside of the battlefield, the author also spares no effort in pen and ink. Through a large number of realistic and vivid details, he depicts the tragic situation of the people at the bottom of the dynasty who were displaced from their homes and destroyed. It fully demonstrates the ruthlessness of war and the suffering of the people in the troubled times of the Three Kingdoms, and is quite compassionate. The disadvantage is that the plot is relatively slow, the protagonist is really miserable in the early stage, and the atmosphere has been depressing until he was accepted by Liu Bei.

There is a system for learning skills for non-traveler protagonists. Although it's not a setting I personally like, it's still interesting. Although the protagonist is an aboriginal, he is not as pedantic as the aborigines, and he is quick-thinking and clever in dealing with the world. Moreover, it is rare to write a growth-oriented protagonist. We can see that the protagonist will gain experience and reflect after various events. This is rare. And the protagonist has his own understanding of various things. Regardless of whether this understanding is correct or not, at least the protagonist has his own opinions. Rather than a tool man. It's a slow burn, the protagonist is only eight years old when he appears in the Yellow Turban Rebellion, so it may require some patience. There are also some details that may cause discomfort. For example, a plot that is difficult for me to accept is: the protagonist is kidnapped by the Yellow Turban and on his way to escape. The people around him are short of food and have already exchanged their food for food, and the protagonist pretends to receive food to raise dogs.

What kind of career can Lu Bu, who has unparalleled military power in the world, do in the Three Kingdoms after obtaining the simulator plug-in? This book can be said to be a model work of simulator historical novels. Many authors don't know how to reasonably arrange such plug-ins, either because they gain too much or they don't detail them properly. The simulated world copy written by the author of this book not only makes sense in the story itself, but also very accurately shows the protagonist's character growth after experiencing all this. It is much better than simply adding points or obtaining skill items. The disadvantage is that in the later stage, when the protagonist becomes powerful and becomes invincible, it becomes a bit boring. However, this is a common problem in Zheng hege articles.

The author's historical knowledge is quite profound, and few authors can clearly explain the "dual monarchy" of the Eastern Han Dynasty in their books about the late Han Dynasty. If you don't understand this, you will not understand the political ecology of the late Eastern Han Dynasty. The characteristic of this book is that it clearly explains the rules of the wealthy families, emperors, relatives, eunuchs and other powerful classes in the late Han Dynasty. Everything follows the rules of the game, so it has a special sense of historical weight. But on the other hand, the protagonist is accustomed to using strategies and rules to achieve his goals. He lacks the ambition and feelings of an idealist. He is indeed not a hero but a tyrant. In the storytelling stories of film, television and drama that we grew up watching, these characters are usually villains. Whether you like it or not is a matter of opinion.