Highlights of White Thirteen Entertainment and Variety Works

The story of a Chinese drifter from the North who traveled through time and became a poor white man, and climbed up by any means necessary in the United States in 2003. The protagonist of this book is the low-level character that Lao Bai is best at describing. Whether it is raising the banner of equal rights, engaging in a public opinion war, and getting the first pot of gold; or showing value, meeting producers through the back door, and blending into the mainstream film industry. They all describe the struggle of people at the bottom, but at the same time they are very enjoyable to watch. Although it seems slow, the pace is actually very smooth, and the rich details play a big role in creating a sense of reality in the story.

This is a rather special American magazine. Considering that it involves a bunch of European and American film and television works, it can be regarded as an entertainment article. Advantages: The protagonist moves around among the major forces, strives to improve himself, and begins to make plans. At the same time, he is decisive in killing and likes to blast people with firepower, which is very cool. Disadvantages: The rhythm of the plot is really poor. It is just mindless running away, chasing, chasing, fighting, killing, killing. It seriously affects the sense of reading, and it feels like the protagonist is deliberately made to be the enemy of the whole world.

The protagonist, who is a screenwriter, producer, and chairman of an entertainment company, has currently written several horror films and an action film that lost money to investors but made money for himself. He wrote a wonderful story behind Hollywood. The advantage is that it has a rare producer's perspective, and its business scope covers film copying, copyright collection, company management, film release and distribution, etc. The disadvantage is that there is almost no pleasure in copying a movie. The cyclical routine is nothing more than: project establishment, deciding on director and actors, film release, list of film reviews, box office, and so on.

Realistic and logically self-consistent entertainment. Combined with some real gossip that I heard and heard, and after reasonable processing by the author, it appears to be more real. At least the characters in the book have qualified IQs and behave in a manner consistent with their status, which is rare. The protagonist is semi-literate, loves money, has a good reputation, admires sex, is cunning and thick-faced, and has a realistic and down-to-earth character. The protagonist makes money and invests reasonably. After all, he doesn't have much education. He knows that buying Apple stocks is already good. In the same way, since Ye Luzi is an action star, there is no need to talk about profound and mysterious acting skills. Therefore, unlike other celebrity articles, this book does not have lengthy descriptions of acting skills, but it is extremely reasonable.

This book effectively satirizes the mindless plots in many entertainment novels and popularizes a lot of behind-the-scenes knowledge about Hollywood and film production. However, the excitement is not enough. It's not that the upgrade is slow, but the protagonist's film selection is probably one that most readers have never seen, and the overall writing style is dry, with more expository parts. The most important thing is that the protagonist has no spare time except for his career. Why do ordinary people envy celebrities? Are you envious of their opportunities to pursue art or their luxurious lives? The protagonist's lifestyle feels low.

It is considered a top-notch work in entertainment literature. The introduction to the specific technical details of film shooting is quite professional, and the talk about the Hollywood commercial film system and the various interest games behind it is also quite interesting. The problem is also obvious. It is too cliche, forcibly establishing some villains who have a bad relationship with the protagonist, and then slaps them in the face with box office every time. All the movie box office in the same period was crushed by the protagonist. The process of introducing each movie is also the same. Preparing for shooting, marketing, and box office data, it was repeated for more than a dozen movies.