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Toad's Xianxia, ​​this book is enough. Toad's books all throw away various settings in the early stage, and they are almost all gone. OK, it's a mess. I don't know why a person wants to retaliate against society because of his unfinished business. Maybe a toad doesn't have a tail in the first place. But the bad guy is better than the eunuch, just a little bit better. This book is the only one that is not too bad, and the ending is not very abrupt. It is much better than the Tianwen Magic Arms and others of the same period. Later, Fentian Chicheng was known as the sequel to Immortal Gourd, but Fentian seemed to have finished it at least, but I didn't watch Chicheng very much. I just watched one more routine.

The originator of Infinity. If you look at the settings of those before Infinity and Lord God XX, you can see how awesome the setting of this book is. I know someone wants to kill the city, but I am too lazy to continue talking about that bad ending. Another feature of this book is its strong visual sense. The author also said that he should write the scenes one by one first and then connect them together. If there were no copyright issues, it would be great to publish a comic. Later, the author's several books perfected this worldview, but they didn't follow it all. Why? Damn it, no matter what the unspeakable reason is, your character will never be the same!

Is Jingguan Dad's work considered the originator of the orc style? In later novels, the orcs are no longer the green-skinned barbarians who can only charge with "Waaaaaaagh! (I heard the standard requires 7 a's?)", But instead have the charming fox tribe, the wretched rat tribe, the mighty lion tribe, and the sea tribe's insect tribe's divine horses. Of course, Jingguan Da D also admitted that he referred to the settings of the Orc Empire, but it was him who carried it forward. There is also a pioneering setting in this article, which is the intrusion of various celebrities. I still clearly remember vivid characters such as Fat Luo Ao Pang. It's a pity that later works only imitated its form, not its spirit. The setting of the orcs was copied, the names of the people were copied, and the strong-willed Liu Zhanzhen-like character was no longer seen.