Die in Old Age Due to Stupidity and Sweetness

There was a time when I insisted on writing fanfiction in the comment section of this book every day, and my love for him was beyond words. The huge, rigorous and sad world view; the joyful, lively and crazy protagonist; like an absurd fairy tale, I was deeply fascinated. Covered in a comical guise, he tells a dark story about the struggle of all souls to escape reincarnation. The real charm of novels always lies in the story. The core driving force of the story is always the inevitable contradiction. The author has done an impeccable job in this regard. He gave the book the biggest highlight-the story. The confrontation between light and darkness, the battle between order and chaos, the protagonist predicts a future where both sides will lose and wants to save the world. The author has given the cliched story a new twist, which is very interesting. In contrast, the otaku setting, the stylish background, the emotional entanglements and the complaining lines are all side details. The ensemble cast is also very brilliant. Saving the world is never something that can be accomplished by one person, but is the sacrifice and inheritance of one or more generations. This book uses two-thirds of the space to tell an incomparably good story, and then uses the remaining one-third to make money. It is understandable that I must complain. A fantasy world worth seeing. Finally, I would like to express my gratitude to Boss Ayer. He is really my favorite character in the whole book and my favorite God of Death in history.

In the early stages of this book, for me, it was unbelievably good. A pair of teachers and students came to the Song Dynasty to rejuvenate and became brothers. Then they struggled to eat meat. When they saw that they finally ate beef, I felt silently moved. Deep in the white clouds, there are fireworks in the world. But when it comes to the end, I don't know what others think. I just feel sad and have an indescribable sense of fate and sadness about the direction of the plot. In that era of heavy restrictions, the male protagonist was out of tune with everyone. The more he did, the more obvious it became. Everyone is afraid of him, only his only brother understands him. He has done so much for the Song Dynasty and fought for the rest of his life, but in the end, it was nothing more than this. Is the author struggling between the lines and looking for a better way to live his life? But did he finally discover that unless he ignored logic, going far away on the sea would lead to the inevitable outcome of the protagonist? This was his inevitable and heroic ending in that era. He is tragic, in my opinion. Because he can play with those high-ranking villains extremely ruthlessly, and the most ferocious monsters will crawl at his feet, and he will ignore the most treacherous plots. However, he can only curse and silently protect those ordinary people who are innocent or not innocent, the weak who understand or do not understand him. What's interesting is that of the two people who traveled through time, the one who looked ruthless and murderous actually loved this era, so he would get hurt, shed tears, caress the scars of others, and feel like his heart was twisting in a knife; the one who looked gentle and smiled like a spring breeze, who accepted shelter, who liked everyone and was close to everyone, was actually cold in his bones. He doesn't care about anyone except his eldest brother, so he won't actually be hurt or feel anything. The ending of the protagonist may still be hopeful, but to me it is tragic and inevitable. Maybe this is the hero. (PS: One of the female protagonists was forcibly added in the final ending. I only have one sentence: Damn it!)

A lazy uncle, his wife said in an interview with the media: He usually only goes out for two things: one is to buy groceries, and the other is to receive awards. He doesn't show off, he is really awesome. These days, gentle and unfeminine male protagonists are like dinosaurs, ugly and very lethal, right?