Reject Vulgar Fast Food, the Books Here Are for You to Read with Your "heart

Don't worry about Bandit God's writing skills, his imagination is equally good. But what is the biggest feature of Kusami Bandits' works? It is he who can give the work soul. Looking at the starting point, there are really few authors who can set up a complete, self-consistent and rounded theory in their works like Bandit Kusanagi. He doesn't bother having fun just for the sake of being happy. For him, the plot is not only to advance the main line, but also to promote the core of ideas interspersed in the story. And I think this is precisely the key criterion for evaluating whether a novel is wonderful or not. All in all, reading it is worth the money. PS: Are you afraid of the gangster god who has learned how to act cute? Big eyes came out to stare at him.

The launch date is 2017/11/01, clap your hands to commemorate it. Why did you choose this book, you ask? Please be quiet, this is faith!

True prototype. True temperament. So interesting. And... A really experienced driver... The first thing Dirty Pants gives us is a continuous stream of jokes and happiness, whether it is the magical laughter of "Kukuku", the clever tricks of playing tricks and liars, or the refreshing relief of nailing the DD of the scumbag factory director to the cement floor, all convey the purpose of Dirty Pants' writing. But Dirty Pants did not stop at the level of showing off. The protagonist is reborn. He just wants to live a good life again, make up for his regrets, fulfill his dreams, and be kind to those he cherishes. Watching the story of Dirty Pants made me laugh happily and feel warm. Each character has his own unique personality and silhouette. They are "reborn" due to the protagonist's rebirth, but they do not change their dream path because of the protagonist's butterfly effect. It's great, please subscribe.

Still reading, I don't dare to comment yet. But the divine book can no longer stop me from gushing out my emotions.

I found it by chance. I thought it was interesting after reading the introduction, so I clicked on it. So it couldn't be pulled out. It's not that no one has written about time travel and becoming a literary character, but there are not many who can write about Lao Zhu, who blends it so naturally. So "The Butcher" kept me. From the time Lao Zhu wrote to more than 100 hits until now, readers can be delighted to discover the growth experience of an author who has made rapid progress. This book is as good-looking as any other. As a one-step time travel story, the intrigues of the court are unavoidable. However, Lao Zhuzhi is not here, so the palace fight scenes of Xiao Jiazi's anger are compressed to the extreme. But don't worry, Lao Zhu feeds us with wonderful Jianghu stories. The biggest attraction of "The Butcher" is that historical facts and literary fiction are connected through various reasonable coincidences. Traveling through the town of Guanxi, he worshiped Shi Jinluda as his brother and sister, became a subordinate of Zhongshi Dao, accepted Yanqing as his younger brother, redressed the injustice of Wu Dalang, killed Gao Yanei to relieve his anger, and made Song Jiang's soul die in the mountains and rivers. False and true, false and true, how can one be so satisfying! But Lao Zhu did not stop at writing refreshing stories. He incorporated more historical reflections and feelings about his family and country into the book. There is no doubt that Lao Zhu's three views are very upright. Therefore, he jumped out of the pretentious court political circle and set his sights on the general background of that era. Therefore, Zheng Zhi fought against Xixia, joined the Jurchens, fought against the emperor, quelled the uprising, and defeated the Northern Liao Dynasty. All this became a matter of course and a matter of course. I have always thought that to write a good historical time travel article, you must write a pattern in which the time traveler looks down upon the world. I have hundreds of years of knowledge and vision in my heart, but I only have the power and the emperor in my eyes. That's not called historical time travel. It's just a journey of worship and hugging by all kinds of fanboys and fans of the Fourth Prince. Fortunately, "The Butcher" escapes that kind of bad taste. I was very happy to see such a book from the Song Dynasty at Qidian.

Writing power returns to normal. Fang Fang's book will not collapse, so you can read it with confidence. But it's hard to control your urge to kill Fang Xiang when he's lazy and unfinished.

Yes, I was disdainful of this genre at first. But now... Nightingale competes high! Luo Wei's party has the blue sky above its head! I actually don't understand the food, poison, grass, jelly, etc. That other experts use to grade books. In my opinion, there are only two kinds of books from Qidian: good-looking and interesting. Other types you ask? I don't even know which subcategories they are classified into?

Ci Miao's books give people the greatest feeling of warmth. "Hui Mao" relies on this cannonball to break into the heart of a cat slave.

Without further ado, 100 million views, do you think it's a big deal? PS: In November 2017n, the fairyland chapter of "Mortal" was released. So excited!

Big Eye's progress is rapid, and everyone can see it. From being a slobbery fan of hope Ling for hundreds of chapters to becoming more familiar in the later period and "Abnormal", the writing style has changed dramatically to a weird level, but it is a good change. For the empire!

The pioneering work of Qidian, the leader of industrial novels. Not convinced? You also have to accept it.

A famous work in history. I have read the classic Chuan Ming San recommended by the master of Qidian, but it is not my cup of tea and I am not impressed at all. It wasn't until Qi Cheng recommended this book that I knew what "a bright spot" meant. The waves behind the Yangtze River push the waves ahead, and Qidian's online articles are also constantly improving. "The Misty Journey" is indeed not as brilliant as "Mortal", but no one will deny its value. But as a true bookworm, we should face the rise of better generations and take good care of them. "Shou Fu" is such a good book. Qingshi's writing style is a little out of the ordinary, but his progress is also very obvious. Tang Xingzhicong's words and deeds flashed from the early stage to the graceful atmosphere in the later stage, which reflects the classic potential of a enlightening masterpiece. Yes, it's a classic. Whether it is the book's grasp of the general trend of the world, its description of the economy and people's livelihood, its portrayal of the protagonist and passers-by, or its skillful presentation of the plot. Qingshi's stories can always surprise people in a natural way, and they are not abrupt - this is difficult. What is even more commendable about "Shou Fu" is the reasonableness of the author's historical restoration. What was the political and economic situation of the Ming Dynasty, what was its direction, where were the chronic diseases, what was the future, and the possible fate of everyone under the background of this era, Qingshi has given a reasonable ending. There are too many masterpieces that are anticlimactic, but Qingshi didn't follow suit, which is good. "The First Assistant" is definitely not the last time-traveling masterpiece, but it is definitely a super kryptonite brick that adds luster to time-traveling literature. Can be seen.

The author has failed to finish several excellent creative works, but fortunately Fatty Zhou has finally grown up. With Qi Cheng's recommendation, what are you worried about? Although Eunuch Zhou often postpones updates, publishes monthly, and asks for leave at will - "Weapons of the Empire" is still a good book worth pursuing steadily: it is the only book on my bookshelf that I have been extremely tired of reading. There is no other reason than that there is too much hard material. Almost every chapter can easily reach 25 pages, and you have to read it word by word. But - very happy, really.