My Ambrosia, Your Honey

The setting, plot, and combat are all praised. You can use the forbidden code to obtain abilities after hunting for ingested objects. The protagonist can control the body from the perspective of the soul because he possesses a baby. He has extraordinary talents and a calm personality. Although it fell into discontinuous updates in the later period, monthly updates, and finally ended hastily, it is still a good story.

There are too many messy things at the beginning, you should have just traveled through it from the beginning. The front part is pretty good, with a bit of military realism style. But since the alien invasion, it felt so ridiculous that I stopped watching it.

Personally, I think this is the strongest and best-looking game in Rebirth. The only ones that can compete with him are "Red Flag" and "Rebirth: Official Business Road". The others are far behind. However, "Red Flag" is mainly about making money from the Chinese people, with some economics mixed in. It has an aura of Zi Lang Xianping, which feels unreliable. "Rebirth of the Official Business Road" mainly focuses on marketing as the king, and it is also a small business to make a few profits from the financial crisis. "Super Energy Power" spends huge sums of money to build research institutes, buy equipment, and compete with international oil giants, industrial overlords, and political giants. This is the real pleasure. Moreover, the protagonist is also knowledgeable in politics, and is not just an ungrounded technician. He is very good at fighting and eliminating the bureaucrats who are looking for trouble several times, which is more reasonable and very satisfying. Every chapter is full of useful information, and there are no plots about picking up girls or watering down the content. In comparison, "The Romantic Life of Officialdom" is too far behind. It was released at the same time, everyone has become a tycoon, and the protagonist is still fighting pigs in the mud pond. I just occasionally jump into a manhole, jump into a river to save someone, or smash a car, pour wine, pick up a girl, and show my presence. It is said that the author wants the protagonist to take the official route, so he should not be so out of line. If we take the commercial route, the steel group should be turned into a private enterprise from the beginning. The most uncomfortable thing is that the author is pretentious and does not give a golden finger to rebirth, but the protagonist increasingly shows his omnipotence in technology, management, economy and politics. The more he writes, the more serious the sense of violation becomes. Recently, I seem to have written something about the financial crisis in Southeast Asia. The protagonist should remember that you are not reborn!

The writing is good, and they all look like ancient people. Unlike many books, the characters are just skinned, and inside they are college students chatting and spanking. So from this point of view it's a pass. The protagonist is well-versed in people, scheming, and has a deep city. In addition, the time traveler has a long-term vision that can see through the limitations of history. It is impossible not to stand out. But the author is too eager. He is just a county magistrate, and he is busy establishing a country overseas.

A very unique DND-structured book, using the blueprint of Catastrophe Setting Sun. The characters in the book are quite good, and the plot is interesting. But there are also some problems: first, the book describes a lot of Muslim culture, which is a bit out of touch with the mainstream direction; second, the protagonist has been a bit miserable for a long time, and the golden finger has never been opened.

This book is one of the more popular books on masters, but the theme is a harem story, and the plot of the master and the rivers and lakes is incidental. The early stage is pretty good. Farming and getting along with girls are all written vividly. However, later on, it became obvious that the hair had grown crooked, and the water injection became more and more serious. After the girls collected too much, they no longer felt fresh. Moreover, this book has always had the problem of very pale descriptions of fights. The fights in this book are more like games and do not show the scenes of swords and swords at all.

Grain-- The work of an old author is above the standard in terms of standard, and the writing style is not bad. However, compared to the aforementioned "Storm of the Late Ming Dynasty", this book seems a little slow. The update speed is not fast, but it is updated once a day. It also has a plot that can be opened in a meeting. For me, the biggest highlight of this book is that it was chosen at a good time. Most of the online articles focus on Beiyang and the Republic of China, and there is not much involvement in the late Qing Kingdom period. This book reproduces that era better, and the treatment of the great powers seems more reasonable, which is relatively rare in modern historical articles.

Grain in the early stage and hay in the later stage. --The theme of this book is farming, interspersed with some intrigues, wars, and harem plots. The writing is very fluent, and the characters are neither humble nor arrogant. They are flexible but not simple-smooth and have their own ideas. The biggest highlight of this book is that it handles the relationship between big and small very well. The big scenes are well presented with small details, and the characters are highlighted in the turbulent trend of the times. This is not simple. Regarding the treatment of rationality, I think this book does a good job. The requirements for rationality in historical texts are neither high nor too high. The advantage is that if something obviously goes against the times appears, readers can easily spot it. The low point is that if it is something that is very unpopular or little-known, such as specific data, specific years, etc., The requirements are very loose. This book is to introduce into the book things that may appear in that era and things that can be accepted after they appear, rather than far-fetched things that have spanned countless generations into history. The problem is that this book focuses too much on the whole, that is, the game between forces. From an individual point of view, it lacks performance and there are not many distinct tasks.

The highlight of this book is that it is very funny. The intellectual battles in it are not actually intelligent, but like a sketch, they can make people laugh. From the early stage, the plot is a bit interesting, and the writing is relatively smooth. After getting past Xuanyuan Sword, it starts to get a bit boring. The rationality is relatively average, and there are some flaws. For example, the group of workers and bosses does not necessarily have an exploitative relationship. In fact, it is the relationship between mercenaries and employers. I have never understood what case the protagonist wants to solve for the workers. . . In addition, later on, this book had nothing to do with part-time work, which is where the title came from.

The story of this book is average, that is, it follows a routine that has been around for a long time. It looks familiar, and the writing style is not bad. The highlight is that the various characters and forces in this game are well positioned. As a pseudo-rationalist, I feel that in a world that is semi-feudal and semi-lawful, mages, as the stronger side of power, should be superior to others. Regarding the positioning of religion and race, this book is also more suitable, such as the natural opposition between mages who prefer rational research and religion who prefers perceptual knowledge, the status of division and merger between races, etc.