The Backbone of Ming Dynasty

I read a little bit of "The Backbone of Ming Dynasty" last week, and I read it again today. I finally understand why I like it. I like the rhythm of its storytelling and its special sense of language. Online articles praise the importance of the first three chapters. Whether they can capture the readers' information and read the information given in these three chapters depends on the author's compositional ability and writing skills. I also read three chapters. What I liked was not the story, because it was too long and I didn't have time to read it all. What I liked was its unhurried storytelling attitude and its warm and simple tone. The first three chapters are full of rural atmosphere, scenery, people, especially human relationships, the words and actions of men, women, old and young, like old relatives in the countryside, holding hopes, caring about the land, caring about the harvest, respecting the authority in the village - the village leader, respecting the moral principles in the village, and keeping their word. From dog eggs, buying cows, to secret recipes, the three chapters slowly advance, making people quiet and worried, and their hearts are captured by this rural family. This is the response of works and kind humanity. Let's talk about the sense of language: "It is already dusk. The red clouds in the west have dyed half of the sky red and are connected with the river in the distance. The waves are undulating and dotted with gold, which is poetic and picturesque." This is a description of the scene, how beautiful! "Although I don't do physical work, I can also do light work such as weeding. I am half a labor force. Now I am sitting at the bottom with a face of excitement and some worry." This is written by a person, expressive! Its long sentence pattern is different from ordinary long sentences. It follows the logic of thinking and is very labor-saving. However, there is no break in the middle, and readers need to make the break themselves. Some articles have long sentences, because the sentence structure is complex and is a superposition of multiple attributive clauses, which is very difficult for readers. This is the interesting part of "The Backbone of Ming Dynasty". Moreover, this book pays attention to the rhyme of one word at the end of each sentence. Maybe the author did not do it deliberately, but the habit is a reflection of the author's writing skills. Whether writing about people, objects, or dialogue, long sentences have the rhythm of long sentences, and short sentences have the rhythm of short sentences. When combined together, a paragraph of any length creates a sense of rhythm that is really comfortable. Not much to say, this is a book with culture and attitude, simple and warm.

This novel is so well written that I also recommend a novel to everyone. It is called Xiaopingmin in the late Ming Dynasty, and its pen name is Lao Bai Zhu. It is updated twice a day, constantly, and never ends.

The book is very good, come on 🤭

The author's other works are pretty good, there are some minor flaws but they are not overshadowed, but the description of the heroine is quite off-putting. Firstly, was Li Yanran born the daughter of a scholar, right? I would like to ask, why is a mere scholar's daughter so arrogant? Where is the capital of arrogance? Secondly, what is Li Yanran's scheming, a daughter of a country scholar, very knowledgeable? As scheming as an adult? Third, in a society where men are superior to women, how much say do women have? Can Li Yanran influence her parents and relatives?

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The new book [Eight Thousand Years of China], a new book for newcomers, comes to Dabao Land to pay homage to the mountain. It tells the story of the legendary eight thousand years of China after the end of the Yuan Dynasty. It has been signed A. I wish this book a great success.

A good book needs likes, thanks for interaction, and the coming and going means popularity.

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Was briquettes easy to make in ancient times? Not to mention how to make the rows uniform, eyes of the same size are a problem; secondly, standardization is necessary for large scale, but it was basically impossible in the Ming Dynasty because officials had to have gray income, which led to extreme confusion of weights and measures. The size of a bucket or a foot in different places may not be the same at all, and the people of the Ming Dynasty were accustomed to this, so the coal stoves and briquettes made in different places may be completely different. In modern times, it is easy to make it because of the machines, but it was impossible in the Ming Dynasty.

The book of the humble family is good. It is updated slower than the book of Emperor, but it is better than nothing. Although the connection is not very good, I guess it is a new author. Come on, keep an eye on you! It would be great if I could add ten thousand a day like other authors! That's it for now and let's see how you perform!