Martial Arts Forbidden Books

A narrative without a confrontation of wits

A good novel contains the author's own self-understanding of life, emotions, behavior, pursuits, and dreams. To continue to write excellent works requires the author's continuous understanding of life and life. Why is it so difficult for authors to write multiple good novels at the same time? The first is that they strive for success through quick sketches and only pursue update speed without precipitation. Why some carefully written historical romance novels can be made into TV series is because the author has a certain understanding of history and emotions, which are his own things that have been constantly precipitated. Second, what the author of each novel writes out must have some insights into his own real life. If the author does not have more insights and understanding of those around him. It's impossible to write more and better novels, because you only take things from outside and don't get more nourishment from yourself. It will continue to exhaust itself, so every book has the same tone. Therefore, learning is very important. What is more important is that the author must constantly improve his understanding of life, feelings, and life, so that he can write more feelings and insights into the novel and write what he wants to express. The key to a good novel is the beginning, just like the early sunrise. Only with fresh ideas and an introduction that is not cliche can you get a good start. Some novels make you not want to read them just by looking at the introduction. The main reason is that the writing is infinitely pretentious. The protagonist is infinitely useless, the boss is infinitely stupid, or the protagonist wants to use his ultimate move to kill gods and gods, and the geniuses will swarm him, and the beautiful lolita will take whoever he catches. The content introduction is very important. If it is too vulgar, readers will have no idea of reading it. The process of a good novel is like the human brain, logic is the key, just like people need to have their own thinking in order to understand the joys and sorrows in their own lives, love, and life pursuits. Logic is the clue of the novel, and the other things written around the continuation are the protagonist's feelings, the protagonist's inner thoughts, and the protagonist's perception and understanding of everything that the author wants to express logically. The ending is the golden touch and must echo the beginning and content introduction. Some cool articles have good fighting descriptions, but many authors express a blank grasp of the plot process and the protagonist's feelings, thoughts, goals, and pursuits. That is because they have too little understanding of real life and cannot write about it. Life has ups and downs, joys and sorrows, but the process of Shuangwen's plot is as smooth as a calm lake. It is always the same model. The result is that the characters can become immortals and gods. The characters who become immortals and gods do not have any growth and ups and downs, and their moods fluctuate and they become gods. Readers of such novels don't feel it. That's why I really hate Shuangwen Characters who become gods and immortals have a lot of experiences on the line between life and death, so they should have more ups and downs, just like real people.

By the way, can you tell me about the situation of the protagonist's fiancée in the back? How does the protagonist treat her? It won't be like some novels where it's gone, or it'll be fine, right? 😊

It's well written. The male protagonist in the early stages was so brilliant. He finished the book before he has grown up. It's still unfinished. It would be great if there was a sequel.

-.-[Fn=2_4]

I feel that the Seven Treasures Instant Mantra will cultivate a golden body, so it is better to use it to enter Taoism in the physical body.

Great work! Although there are occasional flaws in the writing and the plot is one-line, many settings are fresh and creative. The work is not boring to read, but it can be a little draggy sometimes... After reading so many works, I dare not say that I can compare with the previous great masters, but compared with the works of less than 50 people, it is definitely not bad! What you, the author, lack is just opportunity and a longer period of accumulation of writing skills. When you gradually gain more loyal readers, you will definitely become a master!

Novels pay attention to the sense of substitution, but in this book there is a strong sense of substitution in the early stages and almost no sense of substitution in the later stages. There is a strong sense of immersion in the early stage, and the suspense and many questions of the outline are set there. The writing of the next two chapters is still good, but there is no clue. Each chapter needs to add the clues left over from the early stage to spread out and write. The suspense and settings in the early stage are very enjoyable to read, but the subsequent chapters have no connection with the previous ones. Series, except that the protagonist has grown up a bit. The early stage is disconnected from the later part, and the questions about the Emei film are not expanded upon. The questions about Emei Peak, etc. Are not felt at all in the chapter Crab Roe. Instead, the various questions left by the supporting characters and the suspense set up must be substituted into each chapter. My feeling is that the author was resurrected in the early stage. He needed to find answers to the questions about the Earth Stone Tablet. Because he was not strong enough, he joined the True Demon Sect to seek strength growth and find answers. During the days he stayed at Emei Peak, many questions arose, such as the question of why Emei went crazy while practicing the technique, the question of the second senior sister, why some people are crazy and others are normal. In your Crab Roe article, you have to continue writing down your questions. The author feels that he has not found the right focus. The protagonist's growth (including experience and exploration of previous problems) is related to him solving doubts. Any behavior and purpose of the protagonist, such as experience, must be linked to solving the mystery of his own resurrection to continue each chapter. You must constantly connect the threads of each chapter to the next chapter, and hook up the clues of the next chapter. In a completed novel, the protagonist should have solved the previous problems by the end, and there should be various clues in the previous chapters that can be followed until the final novel is completed. Clues can come from various sources, such as experience, secret realms, and powerful caves. The storage ring on this person's body contains items with the purpose of solving the protagonist's puzzles. The characters have few emotional ups and downs, and the protagonist has few psychological activities. We all know that the protagonist is a normal person with feelings, but we can hardly see the protagonist expressing likes and dislikes. There is no joy when seeing good people, and no disgust when seeing evil people. It is not that the protagonist has no emotions, but that the author did not write them out. The plots are like people wearing blank masks performing pantomime. We can see them raising their hands and walking, but we just don't know what they think. Is the protagonist evil? ? ? ? Is he a demon? It doesn't feel like a righteous hero. This demonic realm is full of demons. I'm drunk too The author must have a rich and three-dimensional image in his mind when writing the article, but readers don't know it. Therefore, the author often thinks it is quite detailed, but the reader is confused. Reading your article from a different perspective may give the author a different experience.

Are you not feeling well lately? The plot is starting to drag on, and I always feel like I want to write something but don't dare. Let me talk about my feelings in the last few chapters. The protagonist's advancement is too slow. I feel that the refining of those Tao Fruits can be directly upgraded to the fourth level, but the result is still the second level. According to the settings, Ye Bai probably won't be able to refine until he is at least seven or eight turns. Now he has already advanced several levels to defeat the opponent. With his cultivation progressing so slowly, it will be hard to fight the enemies behind him, and the plot is not easy to arrange. Unless Ye Bai encounters some misfortune, forcing him to refine his essence to fight against the enemy in the third or fourth turn, this arrangement would be better and more reasonable, and it would also make subsequent enemies look down upon him. It is also a common problem among immortal cultivators. The protagonist's combat power in the middle and late stages is too high, and even the author cannot control it well. Speaking of accidents, if you think about it carefully, in terms of plot, Ye Bai always has small setbacks, but no major setbacks, and they are all resolved without any cost. Simply put, there is not enough hardship. It is recommended to give the protagonist more hardships, or arrange a few more friends. The protagonist really has no friends. As the saying goes, there is no book without coincidence. The ups and downs must be unpredictable. Only with ups and downs, blood and tears, can a good story be told. Blindly upgrading is not a good strategy. Also, the heroine has not been confirmed so far. Even if she plays a role, she can only be regarded as a supporting role. There is too little description, which makes the work too masculine and the protagonist too violent. I suggest there be more stories about female nuns, hehehe~

Is Ye Bai's wife's master from the True Demon Sect? ? ? ? When will his gray hair get better? ? Can his brother be hard now? ? ? Can that Liu Meiniang be admitted into the room? ? What should Li Daimei do? ? ? Tell me a bit about the plot and the author, areyouok!