Datang Mingyue

The male and female protagonists in the drama version have lower IQs, which is different from the novel. But everyone knows that being stupid is also a kind of naivety. After all, in real history, Kudis, Pei Xingjian, Wu Zetian, and Li Zhi were straightforward and talented in nature. They should have lived in a prosperous and prosperous age to show off their talents and express their true qualities in life. They were not like in the novels where they had their own agendas and were at odds with each other. Although the male and female protagonists in "Datang Mingyue" have online intelligence, incorrect values ​​are a bigger problem. The historical figures portrayed in "The Moon of the Tang Dynasty" engage in power play and political struggle based only on their personal interests, regardless of the stability of the world and the happiness of the people. The male and female protagonists of "The Moon of the Tang Dynasty" are really miserable. After all, in history, Pei Xingjian and Kudi succeeded each other in making contributions to the country, but in the novel, they were repeatedly suppressed. It is not without reason that "The Moon of the Tang Dynasty" was so brutally modified. After all, the novel tampered with the true image of historical figures and tampered with the life histories of historical figures. For example, it set up Pei Xingjian to fake his death and Cu Di lost his experience as an imperial official. It also involved major issues such as suppressing the national hero Pei Xingjian and smearing the social atmosphere of the Tang Dynasty. Pretending to be authentic is an attempt to obscenely distort history. Nowadays, themes like "The Ballad of the Desert" involving smearing national heroes and making historical figures fake their deaths are no longer allowed to be filmed. After all, the distorted value orientation conveyed by the novel is inconsistent with today's positive themes, and is not conducive to the promotion of advanced culture. So the screenwriter doesn't dare to film according to the original work, otherwise the screenwriter will be easily photographed.

The prototype of the heroine of "Datang Mingyue" is the real winner in life! In "The Moon of the Tang Dynasty" Liuli dragged her sick body to give birth to an heir for Pei Xingjian, and at the same time she had to be crushed by various female partners. But in real history, Cudi can be described as a real winner in life, and has never had an aggrieved experience like in the novel. The heroine Kudi Liuli's historical prototype is Kudi. Not only is her name unknown, but her surname is also controversial. "Shedi" is a Xianbei surname, originating from the ancient Western Qiang people. Later, some of the surnames were changed to "Kudi". By the Tang Dynasty, both "Shedi" and "Kudi" surnames existed. The "Old Book of Tang: Biography of Pei Guangting" calls him the Kudi family, "The New Book of Tang: Biography of Pei Guangting" calls him the Shedi family, and Pei Xingjian's epitaph calls him the Kudi family. However, books may have typographical errors due to ancient printing, and epitaphs may be misprinted due to unclear handwriting. Therefore, the question of whether it is "Shedi" or "Kudi" is still doubtful. In addition, based on the origin of the surname Kudi or Shedi, it may be speculated that the Kudi family may have lived in northwest China in their early years. It was Pei Xingjian who married his stepmother after he took office in Xizhou. Therefore, the younger Kudi family should have married the older Pei Xingjian than in the novel. In "The Moon of the Tang Dynasty" Liuli and Pei Xingjian had four sons, but the two Tang books only record that Kudi was the mother of Pei Guangting. Pei Xingjian's epitaph has unclear records about his descendants, and there are several versions: "The eldest son/eldest grandson Shenxuan served as governor of Jingdeng and Dengzhou; the second son Yanxiu served as governor of Weiling; the second son Qingyuan was Xielu Lang; Ji Ziguangting served as a minister and minister of the Ministry of Civil Affairs." Not only is the identity of Pei Shenxuan's eldest son/eldest grandson unclear, but there are also two second sons, and twins will not be called this way. The youngest son, Pei Guangting, has the highest official position among Pei Xingjian's descendants. There is some disorder in seniority, which may be related to the identity of his biological mother. Pei Xingjian also had two daughters, one married to Su Weiwei and the other to Wang Xiu. From the age of these two, it can be seen that the two daughters were born earlier. Judging from the fact that Cudi was the imperial official and only promoted Pei Guangting, Pei Guangting should be the only birth record between Cudi and Pei Xingjian. Pei Xingjian's other children's biological mothers were either Lu's or concubines.       ， (In August of the fifth year of Kaiyuan, the body was moved behind the spiritual pagoda of Zen Master Xinxing in Zhongnan Mountain. They were not buried together in ancient times, but their souls are all buried together, which is a legacy.) In Lu Xiangqian's "Analysis of Pei Xingjian's Marriage"—— "A Trial Discussion on Hu Hua's Marriage Relationship in the Tang Dynasty", through the relationship between Pei Xingjian and his eldest son Pei Zhenyin, his eldest grandson/eldest son's unknown identity Pei Shenxuan, and Pei Xingjian's epitaph quoting the Book of Songs "He is beautiful and Meng Jiang, his virtues are not forgotten." This Meng Jiang refers to Wen Jiang, who had a disorderly conduct during the Spring and Autumn Period. It is speculated that Ku Di was first the wife of Pei Xingjian's eldest son, Pei Zhenyin, and later married Pei Xingjian. This is considered to be the reason why Ku Di did not want to be buried together. But Lu's words to the former family cannot be used to characterize this relationship. In the biography of Pei Xingjian in the Two Tang Dynasties, there is no record of Kudi's family. Therefore, it is speculated that the reason why Kudi and Pei Xingjian were not buried together may be because the relationship between the couple was relatively dull. Historically, Pei Xingjian's life was not like that in "The Moon of the Tang Dynasty" where he encountered repeated suppression, and was eventually so disappointed that he faked his death and secluded himself. Official history records that Pei Xingjian opposed Wu Zetian's establishment during the Yonghui period. This may be true, but the reason cannot be that "this is the beginning of national turmoil" written by feudal historians. After all, Wu Zetian was just Zhaoyi from a humble background and did not participate in politics. If Pei Xingjian can really foresee the future, then he himself is a time traveler. The reason why Pei Xingjian opposed Wu Zetian's establishment of a queen most likely represented the struggle between the gentry and the poor family. As a prominent family, the Pei family in Hedong would look down on Wu Zetian's poor background. After opposing Wu Zetian's establishment, Pei Xingjian was demoted to Xizhou by Emperor Gaozong of the Tang Dynasty. However, when he returned to the center of power again, he was quickly reused by Li Zhi, was given military power, and made great achievements.                                                           The only records of the Kudis are all in the Wu Zhou period, and are not the timeline in the novel "The Moon of the Tang Dynasty". Pei Xingjian's epitaph states: "The stepmother is Mrs. Kudi of Huayang, who has the virtue of being a concubine and a talented classmate. The Holy Queen came to the court, summoned her to the palace, and worshiped her as the emperor." There are similar records in two books of the Tang Dynasty. It can be seen that after Wu Zetian came to the court, Kudi worshiped as the imperial official, drafted and produced books, and was deeply favored. Regarding the position of "royal official", it is more likely that it will still be a female official. But as the person responsible for drafting the edict, Cudi must have great political power. In addition, the good relationship between Kudis and Wu Zetian is not full of contradictions as in the novel "Datang Moon". "When Ze Tianshi summoned her to the palace, she was treated very well by her relatives." ("The Biography of Pei Guangting in the Old Book of Tang Dynasty") "Empress Wu was summoned into the palace to serve as the royal official, and she was very favored by her relatives." ("The Biography of Pei Guangting in the New Book of Tang Dynasty") Pei Guangting married Wu Sansi's daughter, which also confirmed the good relationship between the Kudi family and Wu Zetian and the Wu clan during the Wu Zhou period. As for the reason for "being treated very personally", you can find it in Pei Xingjian's epitaph: "Mrs. She was deeply spiritual and prosperous. She realized the truth from afar. She was stubborn and tired, and she transcended the world. Every time she read the collected works of Zen Master Xingxing, she will always respect her." Wu Zetian believed in Buddhism and had a high level of Buddhist cultivation. He even composed the opening stanza himself: "The supremely profound and subtle Dharma has been encountered in hundreds of millions of tribulations. I have now accepted and upheld what I have seen and heard, and am willing to understand the true meaning of the Tathagata." Therefore, due to their common religious realm, the two women developed a sense of mutual sympathy and resonance, and then became close friends. Moreover, no matter whether there were more or less conflicts because of Pei Xingjian's previous demotion, they all understood each other and no longer cared about each other as in the past. On the other hand, regardless of whether the position of "royal official" is a female official or a foreign official, Kudis assisted Wu Zetian in drafting the edict, and she has become a deviant like Wu Zetian who became emperor. As a woman, she challenged male hegemony. Although still not a feminist in the modern sense. However, the two women joining hands to fight against male hegemony has become another important reason why Cudi is so "kind to each other". Historically, after the death of her husband, Kudis became the emperor, drafted edicts, and reached the pinnacle of life. She was a real winner in life. She should have great political power, write freely, stand out from the crowd, and enjoy a happy life as an independent woman. She should not be like in the romance novel "The Moon of the Tang Dynasty", where she was squeezed out by various female partners and reduced to a fertility machine, humbled to the point of dust, and raised to the highest standards!

The recently aired TV series "The Wind Rises in Colorful Clothes" is adapted from the time-travel novel "Datang Mingyue". The original novel claimed to be "based on historical research" in its promotion, but is this really the case? The so-called textual research in "The Moon of the Tang Dynasty" is limited to researching the history of art customs, but it portrays many historical figures in a way that is completely inconsistent with the real history. The novel portrays an ancient political woman Jecudi who dared to challenge the constraints imposed on women by feudal society into an ancient "good wife and loving mother" Kudi Liuli who was content with her family life, was keen on internal fights between women, and worked hard to assist her husband. Kudi, an ancient woman who was originally very feminine, was transformed into a feudal, ignorant and timid little woman by modern people, just like Chu Yu in "Phoenix Prisoner" who traveled through time and became Liu Chuyu, the princess of Shanyin. Moreover, the achievements of Kudi's life were concentrated in the drafting and production of books during the Wu Zhou period, while Kudi Liuli and Pei Xingjian, who had faked their own deaths, went into seclusion in the first year of Chui Gong, just like Huo Qubing in "The Ballad of the Desert" who said "the Huns are not exterminated, so why should they have a family?" And finally eloped with the adopted daughter of the Huns. Such a disregard for historical facts and distortion of the true image of historical figures can be described as extremely historical nihilism. Like most women in ancient times, the historical prototype name of the heroine is unknown. The novel names the heroine "Liu Li". But not only is the heroine's name unknown, but there is also controversy over whether her surname is "Shendi" or "Kudi". "Shedi" is the surname of Xianbei. Later, part of the surname was changed to "Kudi". The "Old Book of Tang·Pei Guangting Biography" calls the Kudi family, the "New Book of Tang·Pei Guangting Biography" calls the Shedi family, and Pei Xingjian's epitaph is called the Kudi family. However, books may have typographical errors due to ancient printing, epitaphs may also be mistranscribed due to unclear handwriting, and because the character "" is a rare character compared to the character "ku", the possibility of being mistranscribed is greater. Therefore, the question of whether it is "Shedi" or "Kudi" still needs to be verified. At the beginning of the novel, at Kudi's house, Liuli spent all her little cleverness on fighting with her concubine Cui Shi, concubine Coral and others in the family home, but she was timid about future plans and passively avoided them. Later, after her engagement and marriage to Pei Xingjian, Liuli continued to use all her little cleverness in fighting between her wives and the female family members of the Pei family. In the fourth year of Yonghui, Liuli discovered the first pot of gold in her life by showing her favor to Mrs. Rongguo and later Mrs. Wu Shun of Korea. Moreover, after getting engaged to Pei Xingjian, Mrs. Rongguo took Liuli to meet her married woman, and she married Pei Xingjian in the sixth year of Yonghui. Historically, Kudi's year of birth cannot be determined. If according to the setting in the novel, Kudi married Pei Xingjian in the early sixth year of Yonghui, then he would have been over seventy years old when he died in the fifth year of Kaiyuan (717), which is considered a very long life. And during the Chuigong period (684-), it was unlikely that Kudi was close to retirement age. Therefore, Cudi's birth year is still doubtful, but it is later than possible in the novel. Also, Pei Xingjian was demoted because his private discussions were known to Mrs. Rong Guo. Therefore, during the Gaozong period, the Kudis did not have too close contact with the Wu family. In the novel, Pei Xingjian and Liuli have four sons: Shenxuan, Yanxiu, Qingyuan, and Guangting. But in history, Cudi's marital status may not have been satisfactory. Pei Xingjian's epitaph contains unclear records about his descendants. Not only is the identity of Pei Shenxuan's eldest son/grandson unknown, but there are also two second sons. Twins will not be called this way. The youngest son, Pei Guangting, has the highest official position among Pei Xingjian's descendants. There is some disorder in seniority, which may be related to the identity of his biological mother. Pei Xingjian also had two daughters, one married to Su Weiwei and the other to Wang Xiu. Based on the age of these two people, it is inferred that Pei Xingjian's two daughters were born earlier. Judging from the fact that Cudi was the imperial official and only promoted Pei Guangting, Pei Guangting should be the only birth record between Cudi and Pei Xingjian. Pei Xingjian's other children's biological mothers were either Lu's or concubines. Historically, Kudi's last words were that he was buried near the tomb of Zen Master Xinxing in Zhongnan Mountain and did not want to be buried with her husband Pei Xingjian. In "Analysis of Pei Xingjian's Marriage - A Trial Discussion on Hu Hua's Marriage Relationship in the Tang Dynasty", Lu Xiangqian speculated that Kudi was first the wife of Pei Xingjian's eldest son, Pei Zhenyin, and later married Pei Xingjian by analyzing the lineage of Pei's prime ministers and the quotation of the epitaph from the Book of Songs, and regarded this as the reason why Kudi was unwilling to be buried together. It is difficult for us to determine the marital relationship of Cudi, but it can be inferred that the relationship between Cudi and Pei Xingjian was relatively indifferent, and they even did not pay attention to the issue of burial. Just like many ancient prostitution novels, the male protagonist in time-travel novels only has the advantage of doting on the female protagonist, but the shortcomings are such as feudal thinking, forcing the female protagonist, etc. It is difficult to describe it in one sentence. In the novel, Li Zhi, Emperor Gaozong of the Tang Dynasty, was shown to be ignorant and incompetent, and the political stances of Emperor Gaozong and Wu Zetian were opposed. The male protagonist Pei Xingjian swore allegiance to Emperor Gaozong and opposed Wu Zetian. As an original ancient, Pei Xingjian's foolish and loyal mentality seems understandable, but this may not be the case in real history. Unlike the Southern Song Dynasty and even the Ming and Qing Dynasties, the Tang Dynasty did not have any requirement for loyalty to its ministers. If the emperor wants his ministers to be loyal to him, he must first show favor to his ministers. Pei Xingjian repeatedly claimed in the novel that he "received the emperor's favor". In fact, Gaozong not only demoted Pei Xingjian, but also added to the plot in the novel, Gaozong tried to punish Liuli who was about to give birth, causing Liuli to have a difficult delivery on the road, almost killing three people. He also blocked the loving life of Pei Xingjian and his wife several times. In the novel, since Pei Xingjian loves Liuli so much, how can he hold the idea of ​​foolish loyalty in the Ming and Qing Dynasties? Furthermore, as a loyal minister of Gaozong Dynasty, do you really need to dislike Wu Zetian? Pei Xingjian opposed the establishment of Wu Zetian during the Yonghui period. The reason could not be because "this was the beginning of national turmoil" written by feudal historians. At that time, Wu Zetian was just Zhaoyi from a humble background and did not have such great energy. If Pei Xingjian could foresee the future, then he himself would be a time traveler. Historically, the reason why Pei Xingjian opposed Wu Zetian's establishment of an empress was most likely to represent the struggle between the gentry and the poor. After opposing the establishment of Wu Zetian, Pei Xingjian was demoted to Xizhou by Tang Gaozong, but when he returned to the center of power again, he was quickly reused. Throughout the reign of Emperor Gaozong, the political interests of Li Zhi and Wu Zetian were absolutely consistent. If they were inconsistent, Li Zhi had the power to depose Wu Zetian at any time. Wu Zetian only played a supporting role in the political situation during the Gaozong period, and there was no possibility of differences in political interests. If the ministers were only loyal to Li Zhi but opposed Wu Zetian, it would be equivalent to hindering the loving life of the emperor and empress. Just like Shangguan Yi, Li Zhi also has the power to deal with such a guy who is ignorant of current affairs at any time, and it is even less possible for Pei Xingjian to be reused or even given military power. In the novel, various unfounded incidents that slandered Wu Zetian were used in feudal history books to smear Wu Zetian's image and portray her as a negative image with no emotions and deliberate intentions. In the later plot, Wu Zetian almost became the biggest obstacle to the happy life of the male and female protagonists. As for Liuli's attitude towards Wu Zetian, although she expressed good intentions, it was limited to using her political resources. In fact, she was full of prejudice and violated the law, and everything she did was still to pave the way for Pei Xingjian. During the Emperor Gaozong's reign, the only possible interaction between Kudis and Wu Zetian was after Pei Xingjian was re-employed. Empress Wu Zetian occasionally met Kudis when she met her concubine. Kudi's career began after Wu Zetian came to court. Historically, the relationship between Cudi and Wu Zetian was good, and it was by no means full of contradictions as in the novel. "The Biography of Pei Guangting in the Old Book of Tang Dynasty" records that "Mother Kudi was summoned to the palace at the right time, and she was treated very personally." As for the reason for "being treated very personally", you can find it in Pei Xingjian's epitaph: "Ms. She was profoundly enlightened and prosperous, she realized the truth far away, she was stubborn in words, and she transcended the secular world. Every time she read the collected works of Zen Master Xingxing, she will always respect her." Wu Zetian had a high level of Buddhist cultivation and even wrote the opening verses himself. Due to their common religious background, Kudis and Wu Zetian developed a sense of sympathy and resonance with each other, and then became close friends. On the other hand, the Kudisi assisted Wu Zetian in drafting the edict, and she has become a deviant like Wu Zetian who challenged male hegemony as a woman. This is another important reason why the Kudisi is "very friendly". In the novel, Liuli, as a modern time-traveling girl, bears the shell of the Queen's best friend Cudi, but can only be a good wife and mother who works hard and supports her husband, and her views on Wu Zetian are full of pedantic prejudices of feudal thoughts.                                                                                                                                                                                                                          " Historically, after the death of her husband Pei Xingjian, Kudi was recruited into the palace by Wu Zetian, worshiped as the imperial minister, and drafted and produced books. This was the beginning of Kudi's career. Regarding the position of Yuzheng, "Tongdian" records that from the Northern Zhou Dynasty to the Sui Dynasty, "Yuzheng" was the foreign official who drafted edicts. However, it can be seen from the "New History of the Five Dynasties" that during the Five Dynasties period after the Tang Dynasty, "Yu Zheng" also referred to female officials. Before the Northern Zhou Dynasty and the Sui Dynasty, the Tang Dynasty official system no longer had the position of "Yu Zheng", but in the Five Dynasties after the Tang Dynasty, there was indeed the position of "Yu Zheng" as a female official. Wu Zhou established many new official positions, and there is the possibility of setting up the post of "royal official" again. However, the specific function of female officials during the Wu Zhou Dynasty was not palace affairs, but drafting edicts. Regardless of whether the "royal official" is a foreign official or a female official, Kudi's function is equivalent to that of the imperial official as a foreign official. In view of the fact that if Wu Zetian appoints women as foreign officials, it will inevitably touch the core interests of the patriarchal society. Therefore, it is still more likely that the position of "royal official" is the position of a female official. Even though "Yu Zheng" is the official title for a female official, the real Kudis in history drafted and produced books as a woman, and can be regarded as an ancient political heroine who challenged the authority of the patriarchy. However, in the novel, Liuli, as a modern time-traveling woman, values ​​family life and has only a taste for power. Her career ends when she just started, and she is even far less feminine than the ancient original version of Cudi. Not only is Kudi Liuli's concept of being a modern time traveler extremely unreasonable, there is also a time traveling woman in the novel, Cui Shisanniang, who also looks like a woman from the Ming and Qing Dynasties. Women in the Tang Dynasty had the right to reconcile with marriage. When Cui Shisanniang was forced to marry a political loser in history, she had every opportunity to reconcile with Pei Yan. What's more, Pei Yan is a political opportunist, and his personal charm is probably far less than that of the male protagonist Pei Xingjian. However, Cui Shisanniang's concept is like that of women in the Ming and Qing Dynasties, who "married a chicken, followed the chicken, married a dog, followed the dog". She only focused on planning a future for her husband, and even tried to change history. Many passionate and unrestrained women of the Tang Dynasty in the novel are also portrayed as short-sighted housewives, such as Princess Linhai, Princess Changle, and Mrs. Rongguo, etc. The eldest princesses of the Tang Dynasty had a residence of 600 households and an independent princess palace. However, the eldest princesses became vicious female partners vying for petty profits in the house fight novel. Historically, Mrs. Rong Guo believed in Buddhism and had a pure heart. But in the novel, Mrs. Rongguo began to have a formal friendship with Liuli because Liuli sold her a large property, and Mrs. Rongguo only killed many maids to cover up her grandson's crimes, just like a little woman who put interests first and had no idea of ​​good and evil. "The Moon in the Tang Dynasty" has a certain fantasy color in its setting, including prophecies by Li Chunfeng and Xuanzang, but it still maliciously smeares religious ideas. Liuli said in the later period that he had read some Buddhist scriptures, but he definitely did not read them at all. If Liuli in the novel had a certain level of Buddhist cultivation like the real Kudis in history, she would not have only focused on concrete murals at the Daci'en Temple, nor would she have thought that Xuanzang's support for Wu Zetian's ascension to the throne was an act of condescension that "there is no true pure land in the world", nor would he have been deeply prejudiced against Wu Zetian. In short, through the vilification of many historical figures, as well as the protagonist's incorrect ideas and timid behavior, the whole novel makes people feel seriously depressed and dull. The so-called "Datang Mingyue" is neither "Datang" nor "Mingyue". "Datang Moon" allows celebrities in the Tang Dynasty to hold on to the foolish loyalty of the Ming and Qing Dynasties and live an extremely depressing and mediocre life. A picture of "The Bright Moon of the Tang Dynasty" that was supposed to have "bright clothes and angry horses, orchids and flowers" has become a gloomy and dull "clear and dark moon". The real Cudi in history worshiped as the imperial minister after the death of her husband, drafted edicts, and participated in the affairs of the court. However, after his death, he said that he would rather serve religion than be buried with her husband. We can imagine her historical achievements, but her marital status may not be satisfactory. The romantic novel "Datang Mingyue" attempts to use the love confined in the family to tamper with the great historical achievements, which is a very cruel and shameful act. This article is coming to an end. I do not intend to criticize a certain novel, let alone share the popularity of this article. If any author writes fictional romance novels, I don't want to say a word. However, when dealing with real history, we should not just smear it from an obscene point of view. In the autumn of 2019, I heard that the time-travel romance novel "The Bright Moon of the Tang Dynasty" based on Cudi was going to be made into a film and television. I finished reading the novel with infinite humiliation and tears. Faced with the author's cruel suppression and persecution of the heroine, I feel heartbroken and deeply regretful. However, such an ancient time-travel novel that distorts history has been misunderstood by history novices as having a rigorous plot and sophisticated history. I have learned from this painful experience and must tell the truth to the real Kurdish in history and get justice!

Yuewen Group responded to the 13 million adaptation rights of "Datang Mingyue", why did the original author only get 160,000 My male channel, this book is in the news

"Datang Mingyue" is unbearable to read! The recently aired TV series "The Wind Rises in Colorful Clothes" is adapted from the ancient time-travel novel "Datang Mingyue". It doesn't matter if you haven't read the novel yet. This article will give a brief introduction first. All the content mentioned below comes from the plot of the novel. At the beginning of the novel, Kudi Liuli, the legitimate daughter of a good family who has passed away in time but whose father is still alive, is almost forced into prostitution by her father's concubine for greed for a little money and is sold into a brothel. Later, the heroine was teased when she went out, and she was spotted by Pei Yan and Pei Ruzhuo at the same time and wanted to take her as their concubine. The heroine's father's concubine wanted to sell her for money. The heroine cleverly imitated the tone of the martyrs of the Ming and Qing Dynasties and cut off a lock of her own hair and said: "In order to avoid future quarrels and damage to the reputation of the two houses, Liuli hereby swears that she will never be the concubine of the two houses in this life! If she breaks this oath, heaven will hate her and the earth will abandon her. This will be the fate!" Therefore, the heroine escaped the fate of being sold at a low price again. Later, the heroine entered the Tang Palace by chance, and was attracted by Li Zhi, Emperor Gaozong of the Tang Dynasty who basically insisted on monogamy in the future. She almost wanted to be included in the harem, but the heroine had to tactfully refuse. Under the repeated protection of the male protagonist Pei Xingjian, the female protagonist finally escaped from the palace and got engaged to the male protagonist. The male protagonist takes the unmarried female protagonist around and even dares to admit that the unmarried female protagonist is his wife in front of monks. Although the novel maintains the 1v1 pampering mode after confirming the male protagonist, the bunch of bad romances that the female protagonist incurred for no reason before marriage are enough to highlight the female protagonist's personal charm. When the heroine had not yet given birth to a son, Su Dingfang once taught Pei Xingjian to take concubines with the words "Three unfilial piety". However, Pei Xingjian, who was over fifty years old, would rather have no children and no grandchildren than dote on the heroine alone. Later, the female protagonist finally dragged her illness and worked hard to give birth to four sons for Pei Xingjian. She also gave birth to twins in a narrow escape, fulfilling the obligation of a good wife to carry on the male protagonist's family line. When the male protagonist returned to the center of power, Pei Xingjian, the male protagonist who had the loyalty to the emperor during the Ming and Qing Dynasties, strongly rejected Tang Gaozong Li Zhi's enthusiastic request to take a concubine several times. Later, the male protagonist appropriately took the opportunity to fake his death at the year of his death recorded in history books, and finally reunited with the female protagonist at the age of seventy, and lived happily ever after. Faithful love is enough to change a person and make the other half learn to give up principles and surrender to everything. Although the male protagonist in the novel always behaves strictly and strictly, he is also often full of sensibility and impulsiveness because of his infatuation with the female protagonist. Although the female protagonist in the novel is only a weak woman, she has rashly risked her life several times to help her husband. From the novel, we see an extremely extravagant Tang Dynasty. Through the author's splendid prose, I feel that the author's lavish, extravagant and powerful Tang Dynasty is actually not far away from us, just like the dynasty closest to us. Romance novels that are popular among the public are not necessarily good novels, because readers of online novels generally have vulgar tastes and touching IQs. If you carefully read the above paragraphs of my introduction to the plot of the novel, I believe that people with normal intelligence will feel that it is stuck in their throats. Sometimes, Mary Sue, golden finger, and 1v1 sweet pet settings add to the personal charm of the protagonist and become the shining point of a romance novel being sought after. The three views conveyed by this kind of market-oriented novels that only cater to readers' interests may be controversial and difficult to ponder. In order to exaggerate the mutual oppression between women, "The Moon in the Tang Dynasty" did not hesitate to set up the concubine of the heroine's father who dared to force the heroine to be a prostitute and sell her into a brothel while her father was still alive. It did not hesitate to set up the eldest princesses of the 600 households in the city with independent princess mansions to compete with the heroine for small profits in the back house. In order to exaggerate men's admiration for the heroine, "The Moon" did not hesitate to set up the heroine to be molested by two prodigal sons in broad daylight, and was tempted by Li Zhi, the emperor of the Tang Dynasty who basically insisted on monogamy in the future, to be included in the harem. It did not hesitate to set up the heroine who is over 50 years old to have no children and grandchildren rather than have concubines, and dares to repeatedly refuse the concubine given to him by the emperor. Some people think that "The Moon of the Tang Dynasty" is not considered a Mary Sue. In fact, a novel does not have to have a heavyweight male lead to be called a Mary Sue. The heroine of "The Moon of the Tang Dynasty" is incompetent and low-minded, but she is admired by men. The male protagonist has feudal ideas, but he only has a love brain. Isn't this called Mary Sue? What is a Mary Sue? If anyone still thinks that the plot of this novel is rigorous, please refer to the above paragraphs again to briefly describe whether the plot of the novel really meets the rigorous standards in your mind. "Datang Mingyue" also claims to have "strict historical factual basis". How should we view this issue? For example, "Ruyi's Royal Love in the Palace", a palace-fighting novel that claims to be based on the history of the Qing Dynasty, does not violate recorded history, but in fact it makes the historical figures collapse at every turn, and it also exaggerates the cruel strife between women. Another example is the time-travel novel "One Step in the World", which claims to be based on the history of historical wars, but has the least research on the heroine. Ye He, who got married at the age of thirty-three and died soon after, changed her identity several times and finally lived a happy life with Huang Taiji. It also portrayed many female historical figures as vicious female partners who competed with the heroine for men. From this perspective, is "The Moon of the Tang Dynasty" really a romance novel based on historical research? "The Moon of the Tang Dynasty" romanticizes the historical figure Pei Xingjian, and portrays many historical figures as tools that exist only to suppress the male and female protagonists. The female protagonist Kudis is the least researched. I admit that due to the author's expertise, "Datang Mingyue" has a certain emphasis on the history of art customs. But for the historical part, the author probably only read the two Tang Dynasty books "The Chronicles of Emperor Gaozong" and the biographies of a few people such as Pei Xingjian, and never thought deeply about it. He even playfully forced the male protagonist Pei Xingjian, who was over 50 years old and remarried, to dote on the little lolita female protagonist. The author agrees with the historians of the Song Dynasty that Tang Gaozong Li Zhi is dim and incompetent, cowardly and can be bullied, and secretly adds a lustful setting, so that Tang Gaozong Li Zhi still tirelessly deals with many concubines, and even had the idea of ​​​​getting involved with the heroine before she got married. The author also agrees with the historians of the Song Dynasty that Wu Zetian had a vicious mind and regarded human life as nothing. She was even outraged by both humans and gods, and was not tolerated by heaven and earth. As a result, she was despised by her own relatives, and was despised and strongly opposed by the righteous people represented by the male protagonist. What is the reason for the above problems in "Datang Mingyue"? For another example, in the ancient time-travel novel "Phoenix Prisoner", the heroine Liu Chuyu, who was originally famous for being a naughty character in history, was time-traveled by a love-minded woman, so she was re-adapted into a good woman who is loyal to love. The Empress Dowager Feng of the Northern Wei Dynasty, an important political woman in history, was distorted and smeared into a marginalized and vicious female supporting role. Similarly, in "The Moon of the Tang Dynasty", the Kudis who originally entered the political stage after the death of their husbands were time-traveled by modern little women, and were therefore remade into vassal women who depended on their husbands, and even completely erased their political careers in the second half of their lives. Wu Zetian, the only empress in Chinese history, was distorted and portrayed as an evil woman with no emotions and evil intentions. The crux of "The Moon in the Tang Dynasty" and "Phoenix Prisoner" is that the authors of these two novels have a seriously biased positioning of women. Kudi and Liu Chuyu only participated in politics a little and were not very clean about women's affairs (this includes Kudi, please refer to the academic article Lu Xiangqiang's "Analysis of Pei Xingjian's Marriage" from "A Trial Analysis of Huhua Marriage Relations in the Tang Dynasty - Also on the Turkic Lineage"). They have not caused much damage to male authority, so they are still qualified to accept the author's reform of bad women. To create, we only need to adapt and reinterpret Kudi, who was a woman who entered the government affairs, drafted and wrote books in real history, into a good wife and mother who had no political ambitions and wholeheartedly assisted her husband. In real history, Liu Chuyu, who had dozens of lovers and interfered in government affairs, was adapted and reinterpreted into a good and serious woman who was loyal to love and only loved the male protagonist. However, Empress Wu Zetian and Empress Dowager Feng, who is now in charge of the dynasty, are not satisfied with their female responsibilities and publicly dominate the political situation as women, which has seriously violated male authority. Therefore, they are unforgivable and irredeemable. They must be molded into marginalized and vicious female supporting characters who are deliberately malicious and blindly persecute the heroine. The oppression of women in ancient times must have been far more severe than in modern times. The heroines Ku Dishi and Liu Chuyu in "The Moon of the Tang Dynasty" and "Phoenix Prisoner" can be said to be one of the few ancient heroines who broke away from certain constraints and made valuable achievements in the ancient environment. But a very small number of ancient heroines have been reinterpreted by modern people. The independent and all-powerful women were transformed into little women who lacked autonomy, had lower IQs, relied on the protection of their male spouses, and fought with women in the house and palace. The above phenomenon is not an isolated case. The author of the recently aired "Yanyuntai" is not only the first time to obsess over a major heroine in history, but also portrays Xiao Chuo, a female politician who came to power after her husband's death, into a little Mary Sue who is alternately doted on by her husband and her first love. Another example is the yet-to-be-aired film and television drama "Win the World", which also pairs Ba Qing, a female businessman of the Qin Dynasty, with Qin Shihuang. Many authors of female novels position successful women as happy little women who are deeply loved by their husbands, content at home, caring for their husbands and raising children, and lacking in career ambition. If you create fictional literature, there is nothing wrong with it. However, female video writers and screenwriters of films and TV dramas who are keen on obscene romance are no longer satisfied with fictional creations. They have repeatedly extended their claws to real great women in ancient history, ignoring the valuable efforts of these great women, and misinterpreting real heroines in history into little Mary Sues who fought with women and were doted on by men. Their gender concepts seemed to return to before liberation overnight. The reason why "The Moon of the Tang Dynasty" made serious historical mistakes is also because it is a prostitution novel. The author is from the perspective of wanting to fall in love with the historical celebrity Pei Xingjian. The history of men is regarded as the historical subject, and Cudi, as the heroine, is regarded as a non-existent woman. The relationship between the heroine Liuli and women is nothing but fighting. Many female historical figures and fictional characters are just tools that exist to suppress and harm the heroine. The female protagonist can only rely on the protection of the male protagonist. It is her destiny that the male protagonist treats her well. After reading the plot of the novel, people feel extremely depressed and dull. If "The Moon of the Tang Dynasty" is just a fictional romance, then no matter how willing the heroine is to be as contemptuous as a feudal woman, I will never judge a word. However, the author insists on writing with the names of real historical figures, and portrays the historical figures beyond recognition, as if tearing and crushing beautiful things, but then covering them with inferior paint! Seeing the truth being buried and the facts being distorted, I was not only depressed and depressed, but also heartbroken beyond measure. The real story of Cudi in history was supposed to be a widow's all-powerful political career. After the death of her husband, Kudis worshiped as the emperor, drafted edicts, and reached the pinnacle of life. This is the beginning of this story. She should have written in the clouds and stood arrogantly, and should not have humbled herself to the dust and raised her eyebrows. This article is coming to an end. I do not intend to criticize a certain novel, let alone share the popularity of this article. A few years ago, I had already heard a little bit about the historical figure Yu Zhengkudi. And in the autumn of 2019, ever since I heard that the time-travel romance novel "The Bright Moon of the Tang Dynasty", whose heroine is based on Cudi, was to be adapted into a film and television, I finished reading the novel with infinite humiliation and tears. Faced with the author's cruel suppression and persecution of the heroine, I feel heartbroken and deeply regretful. I have learned from this painful experience and must tell the truth to the real Kurdish in history and get justice!

Not ordinary good-looking! It's a masterpiece.

A very wonderful book, it is rare to see it written so well. I just kept looking forward to the next book after reading it, but I was always disappointed.

Is this the book where 13 million bought the copyright to the author for 16 million? It's amazing tx

The prototype of the heroine of "Datang Mingyue" is the real winner in life! In "The Moon of the Tang Dynasty" Liuli dragged her sick body to give birth to an heir for Pei Xingjian, and at the same time she had to be crushed by various female partners. But in real history, Cudi can be described as a real winner in life, and has never had an aggrieved experience like in the novel. The heroine Kudi Liuli's historical prototype is Kudi. Not only is her name unknown, but her surname is also controversial. "Shedi" is a Xianbei surname, originating from the ancient Western Qiang people. Later, some of the surnames were changed to "Kudi". By the Tang Dynasty, both "Shedi" and "Kudi" surnames existed. The "Old Book of Tang: Biography of Pei Guangting" calls him the Kudi family, "The New Book of Tang: Biography of Pei Guangting" calls him the Shedi family, and Pei Xingjian's epitaph calls him the Kudi family. However, books may have typographical errors due to ancient printing, and epitaphs may be misprinted due to unclear handwriting. Therefore, the question of whether it is "Shedi" or "Kudi" is still doubtful. In addition, based on the origin of the surname Kudi or Shedi, it may be speculated that the Kudi family may have lived in northwest China in their early years. It was Pei Xingjian who married his stepmother after he took office in Xizhou. Therefore, the younger Kudi family should have married the older Pei Xingjian than in the novel. In "The Moon of the Tang Dynasty" Liuli and Pei Xingjian had four sons, but the two Tang books only record that Kudi was the mother of Pei Guangting. Pei Xingjian's epitaph has unclear records about his descendants, and there are several versions: "The eldest son/eldest grandson Shenxuan served as governor of Jingdeng and Dengzhou; the second son Yanxiu served as governor of Weiling; the second son Qingyuan was Xielu Lang; Ji Ziguangting served as a minister and minister of the Ministry of Civil Affairs." Not only is the identity of Pei Shenxuan's eldest son/eldest grandson unclear, but there are also two second sons, and twins will not be called this way. The youngest son, Pei Guangting, has the highest official position among Pei Xingjian's descendants. There is some disorder in seniority, which may be related to the identity of his biological mother. Pei Xingjian also had two daughters, one married to Su Weiwei and the other to Wang Xiu. From the age of these two, it can be seen that the two daughters were born earlier. Judging from the fact that Cudi was the imperial official and only promoted Pei Guangting, Pei Guangting should be the only birth record between Cudi and Pei Xingjian. Pei Xingjian's other children's biological mothers were either Lu's or concubines.       ， (In August of the fifth year of Kaiyuan, the body was moved behind the spiritual pagoda of Zen Master Xinxing in Zhongnan Mountain. They were not buried together in ancient times, but their souls are all buried together, which is a legacy.) In Lu Xiangqian's "Analysis of Pei Xingjian's Marriage"—— "A Trial Discussion on Hu Hua's Marriage Relationship in the Tang Dynasty", through the relationship between Pei Xingjian and his eldest son Pei Zhenyin, his eldest grandson/eldest son's unknown identity Pei Shenxuan, and Pei Xingjian's epitaph quoting the Book of Songs "He is beautiful and Meng Jiang, his virtues are not forgotten." This Meng Jiang refers to Wen Jiang, who had a disorderly conduct during the Spring and Autumn Period. It is speculated that Ku Di was first the wife of Pei Xingjian's eldest son, Pei Zhenyin, and later married Pei Xingjian. This is considered to be the reason why Ku Di did not want to be buried together. But Lu's words to the former family cannot be used to characterize this relationship. In the biography of Pei Xingjian in the Two Tang Dynasties, there is no record of Kudi's family. Therefore, it is speculated that the reason why Kudi and Pei Xingjian were not buried together may be because the relationship between the couple was relatively dull. Historically, Pei Xingjian's life was not like that in "The Moon of the Tang Dynasty" where he encountered repeated suppression, and was eventually so disappointed that he faked his death and secluded himself. Official history records that Pei Xingjian opposed Wu Zetian's establishment during the Yonghui period. This may be true, but the reason cannot be that "this is the beginning of national turmoil" written by feudal historians. After all, Wu Zetian was just Zhaoyi from a humble background and did not participate in politics. If Pei Xingjian can really foresee the future, then he himself is a time traveler. The reason why Pei Xingjian opposed Wu Zetian's establishment of a queen most likely represented the struggle between the gentry and the poor family. As a prominent family, the Pei family in Hedong would look down on Wu Zetian's poor background. After opposing Wu Zetian's establishment, Pei Xingjian was demoted to Xizhou by Emperor Gaozong of the Tang Dynasty. However, when he returned to the center of power again, he was quickly reused by Li Zhi, was given military power, and made great achievements.                                                           The only records of the Kudis are all in the Wu Zhou period, and are not the timeline in the novel "The Moon of the Tang Dynasty". Pei Xingjian's epitaph states: "The stepmother is Mrs. Kudi of Huayang, who has the virtue of being a concubine and a talented classmate. The Holy Queen came to the court, summoned her to the palace, and worshiped her as the emperor." There are similar records in two books of the Tang Dynasty. It can be seen that after Wu Zetian came to the court, Kudi worshiped as the imperial official, drafted and produced books, and was deeply favored. Regarding the position of "royal official", it is more likely that it will still be a female official. But as the person responsible for drafting the edict, Cudi must have great political power. In addition, the good relationship between Kudis and Wu Zetian is not full of contradictions as in the novel "Datang Moon". "When Ze Tianshi summoned her to the palace, she was treated very well by her relatives." ("The Biography of Pei Guangting in the Old Book of Tang Dynasty") "Empress Wu was summoned into the palace to serve as the royal official, and she was very favored by her relatives." ("The Biography of Pei Guangting in the New Book of Tang Dynasty") Pei Guangting married Wu Sansi's daughter, which also confirmed the good relationship between the Kudi family and Wu Zetian and the Wu clan during the Wu Zhou period. As for the reason for "being treated very personally", you can find it in Pei Xingjian's epitaph: "Mrs. She was deeply spiritual and prosperous. She realized the truth from afar. She was stubborn and tired, and she transcended the world. Every time she read the collected works of Zen Master Xingxing, she will always respect her." Wu Zetian believed in Buddhism and had a high level of Buddhist cultivation. He even composed the opening stanza himself: "The supremely profound and subtle Dharma has been encountered in hundreds of millions of tribulations. I have now accepted and upheld what I have seen and heard, and am willing to understand the true meaning of the Tathagata." Therefore, due to their common religious realm, the two women developed a sense of mutual sympathy and resonance, and then became close friends. Moreover, no matter whether there were more or less conflicts because of Pei Xingjian's previous demotion, they all understood each other and no longer cared about each other as in the past. On the other hand, regardless of whether the position of "royal official" is a female official or a foreign official, Kudis assisted Wu Zetian in drafting the edict, and she has become a deviant like Wu Zetian who became emperor. As a woman, she challenged male hegemony. Although still not a feminist in the modern sense. However, the two women joining hands to fight against male hegemony has become another important reason why Cudi is so "kind to each other". Historically, after the death of her husband, Kudis became the emperor, drafted edicts, and reached the pinnacle of life. She was a real winner in life. She should have great political power, write freely, stand out from the crowd, and enjoy a happy life as an independent woman. She should not be like in the romance novel "The Moon of the Tang Dynasty", where she was squeezed out by various female partners and reduced to a fertility machine, humbled to the point of dust, and raised to the highest standards!

(I don't mean to criticize this novel. In the past few years, I have heard a little bit about the historical figure Yuzheng Kudi. And in the autumn of 2019, ever since I heard that the time-travel romance novel "Mingyue of the Tang Dynasty", in which the heroine is based on Kudi, was to be adapted into a film and television, I finished reading the novel with infinite humiliation and tears. Facing the author I feel heartbroken and deeply regret the brutal suppression and persecution of the Cudi family. It is a pity that no one pays attention to the historical truth, and it is a pity that many people have been led to a distorted historical understanding by this romance novel. Even such a romance novel full of loopholes can be mistaken for historical research by some historical novices! R> If "The Moon in the Tang Dynasty" is just a fictional romance, I will never judge a sentence. However, the author insists on using the names of real historical figures to write, as if he is tearing up and crushing beautiful things, but then covering them with inferior paint. I learned from the experience and must tell the truth for the real Cudi in history. Prime Minister, return justice. ) ——Continued At the end of the novel, Liuli decided to enter the court just to avenge Pei Xingjian, and use Wu Zetian's power to eliminate Pei Xingjian's former enemies. After the revenge was completed, he immediately gave up his power, resigned from Wu Zetian and left. Historically, after her husband Pei Xingjian died, Kudi Yuzheng was recruited into the palace by Wu Zetian, worshiped as Yuzheng, and drafted and produced books. This was the beginning of Kudi Yuzheng's career. Regarding the post of Yuzheng, "Emperor Ming appointed Yuzheng as Chief Silun." ("Book of Zhou·Shen Hui Zhuan") Among them, "Silun" refers to the emperor's edict. "Tongdian" also has the following record: "Later Zhou Sui Zheng Wuming Tianguan Sihui, Zongshi, Zuogongbo, Yuzheng..." It can be seen that from the Northern Zhou Dynasty to the Sui Dynasty, "Yuzheng" was the external official who drafted the edict. But in the Five Dynasties period after the Tang Dynasty, "Yu Zheng" also referred to female officials. "At the time of Zhuangzong, the number of harems was particularly large, including Zhaorong, Zhaoyi, Zhaoyuan, Chushi, Yuzheng... The rest of the titles are incomparable." ("New History of the Five Dynasties·Biography of Emperor Zhuangzong of the Tang Dynasty, Empress Min Jing Liu") Before the Northern Zhou and Sui Dynasties, the official system of the Tang Dynasty no longer had the position of "Yuzheng", and in the Five Dynasties after the Tang Dynasty, there was indeed the position of "Yuzheng" as a female official. Wu Zhou established many new official positions, and there is the possibility of setting up the post of "royal official" again. The epitaph of Sima Shenwei, the husband of another female official of the Wu Zhou Dynasty, Li Shi, reads: "Mrs. Li Shi of Longxi, in the early years of the book, the empress dowager came to court to ask for female history... In the 15th year of Chenji, the imperial edict was written and written by many wives." It can be confirmed that the specific function of female officials in the Wu Zhou Dynasty was not palace affairs, but drafting edicts. Therefore, regardless of whether the "Yu Zheng" is a foreign official or a female official, the function of Kudi Yuzheng is the same as that of Yu Zheng as a foreign official. Pei Xingjian's epitaph records that "Zhongzong practiced Zuo, returned to his private family, and paid tribute every year." From "returning to his private family" and Zhongzong's humble attitude, it can be inferred that Ku Diyu was already quite visible during the Wuzhou Dynasty and had a high political status. Furthermore, Pei Guangting's epitaph records that "the rites of the queen of the Jin Dynasty of her mother's family were for the purpose of seizing power, which was in line with the state of the country. She started from Weitang and entered the Wen Dynasty." "Etiquette is for the seizure of power" as a feudal writing style indirectly pointed out how shocking such behavior was at that time. There is a bold speculation that regarding the theory of "entering the Wen Dynasty", there is indeed the possibility of becoming a foreign official. However, if Wu Zetian appointed women as foreign officials, it would inevitably touch the core interests of the patriarchal society. Therefore, it is indeed more likely that the position of "royal official" is the position of a female official. However, even if "Yu Zheng" is the official title of a female official, the real Kudi Yu Zheng in history was a woman who drafted and made books, and can be regarded as an ancient political heroine who challenged the authority of patriarchy. However, Liuli in the novel, as a modern time-traveling woman, attaches great importance to family life and has a limited taste for power. Her career has ended when she just started. She is even far less feminine than the ancient original version of Kudi Yuzheng. Not only is Kudi Liuli's concept of being a modern time traveler extremely unreasonable, there is also a time traveling woman in the novel, Cui Shisanniang, who also looks like a woman from the Ming and Qing Dynasties. Women in the Tang Dynasty had the right to reconcile with marriage. When Cui Shisanniang was forced to marry a loser in history, she had every chance to reconcile with Pei Yan. What's more, Pei Yan is a political opportunist, and his personal charm is probably far less than that of the male protagonist Pei Xingjian. However, Cui Shisanniang's concept is like that of women in the Ming and Qing Dynasties, who "married a chicken, followed the chicken, married a dog, followed the dog". She only focused on planning a future for her husband, and even tried to change history. Many passionate and unrestrained women of the Tang Dynasty in the novel are also portrayed as short-sighted housewives, such as Princess Linhai, Princess Changle, and Mrs. Rongguo. The eldest princesses of the Tang Dynasty had a residence of 600 households and an independent princess palace. However, the eldest princesses became vicious female partners vying for petty profits in the house fight novel. Historically, Mrs. Rong Guo believed in Buddhism and had a pure heart. But in the novel, Mrs. Rongguo began to have a formal friendship with Liuli because Liuli sold her a large property, and Mrs. Rongguo only wanted to cover up her grandson's crimes, so many of her maidservants were silenced. She was like a little woman who put interests first and was unclear about good and evil. "The Moon of the Tang Dynasty" has a certain fantasy color in its setting, including the prophecies of Li Chunfeng and Xuanzang, but it still maliciously smeares religious culture. Although Liuli said in the later period that he had read some Buddhist scriptures, he definitely did not read them at all. If Liuli's character image could be consistent with the real Kudi Yuzheng in history and had a certain degree of Buddhist cultivation, he would not have gone to Da Ci'en Temple to only focus on concrete murals. He would not have thought that Xuanzang supported Wu Zetian in ascending to the throne as an act of condescension because "there is no true pure land in the world." He would not have misinterpreted Wu Zetian's naming of his son "Shenxuan", and he would not have been deeply prejudiced against Wu Zetian. In short, through the vilification of many historical figures, as well as the protagonist's incorrect ideas and timid behavior, the entire novel makes people feel seriously depressed and dull. The so-called "Datang Mingyue" is neither "Datang" nor "Mingyue". "The Moon of the Tang Dynasty" allows celebrities in the Tang Dynasty to hold on to the foolish loyalty of the Ming and Qing Dynasties and live an extremely depressive and mediocre life. The "Ming Moon of the Tang Dynasty" that was supposed to be "brightly dressed, angry horses, orchids like flowers" has become a gloomy and dull "dark moon".

13 Million points 160,000, the author is so miserable

Delicate writing and rich knowledge

I heard that the original work sold for 13 million, and the author got 160,000?

After watching the news, this author is a bit miserable, just a little bit different

[Comment on "The Moon of the Tang Dynasty" and research on the real Kudi Yuzheng in history] (I do not mean to criticize this novel. In the past few years, I have heard a little bit about the historical figure Yuzheng Kudi. And in the autumn of 2019, I have heard that the heroine is based on Kudi's time-travel romance novel "Datang" "Bright Moon" is to be made into a film and TV show, and I finished reading this novel with infinite humiliation and tears. Facing the author's cruel suppression and persecution of Cudi, I felt sad and deeply regretted that no one paid attention to the historical truth, and regretted that many people were led to a distorted historical understanding by this romance novel, and even such a book was full of loopholes. Romance novels are actually misunderstood by some history novices as historical research! If "The Moon of the Tang Dynasty" is just a fictional romance, I will never judge a sentence. However, the author insists on using the names of real historical figures to write it, as if he is tearing up beautiful things and crushing them again. Whitewashed with inferior paint. I have learned the hard way and must tell the truth for the real Kudis in history and give justice. ) "The Moon of the Tang Dynasty" claims to be "strictly based on historical facts", but it is limited to researching life materials, but it portrays the images of many historical figures that are completely inconsistent with the real history. In the novel, an ancient female Jecudi who dared to challenge the feudal society's restrictions on women is portrayed as an ancient "good wife and mother" Coudi Liuli who was content with her family life, was keen on internal fights between women, and worked hard to assist her husband. Ku Di Yuzheng was an ancient woman who was originally very feminine, but was transformed into a feudal, ignorant, and timid little woman by modern people, just like Chu Yu in "The Phoenix Prisoner" who traveled through time and became Liu Chuyu, the princess of Shanyin. Moreover, most of Kudi Yuzheng's achievements in his life were focused on drafting and producing books during the Wu Zhou period, while Kudi Liuli and the hypocritical Pei Xingjian both went into seclusion in the first year of Chui Gong, just like Huo Qubing in "The Ballad of the Desert" who said "the Huns are not extinct, so why do they have a family?" And finally eloped with the adopted daughter of the Huns. Such a complete disregard for historical facts and distortion of the true image of historical figures can be described as extremely historical nihilism. In addition, "The Moon of the Tang Dynasty" also smeared many other historical figures, such as Tang Gaozong and Li Zhi as ignorant and incompetent, and used the demonized image of Empress Wu Zetian described in feudal history. Wu Zetian's mother, Mrs. Rongguo, was also portrayed as a little woman who had an eye for money and could not distinguish between right and wrong. However, from the professional perspective of art history, "The Moon of the Tang Dynasty" claims to have researched the life data of the Tang Dynasty, but there are still obvious loopholes in the life history aspect. For example, in the early Tang Dynasty, the habit of drinking tea had not yet appeared, but in the novel Pei Xingjian often drank tea with Qiuji. As an institution, the Imperial Medical Office of the Tang Dynasty did not have the title of "imperial physician" for individuals, and male medical officers were not allowed to treat concubines. In the Tang Dynasty, there was no self-titled title of "concubine". Instead, concubines and concubines called themselves "concubine" or "concubine". In the Tang Dynasty, the four concubines and princes were not allowed to be called "Your Highness". "Your Highness" could only be used to address the queen, queen mother, and prince. However, in the novel, the titles "His Royal Highness Shu Fei" and "His Royal Highness King Pei" appeared in the novel. Like most women in ancient times, the historical prototype name of the heroine cannot be verified. The novel names the heroine "Liu Li". However, not only is the name of this Kudi unknown, but there is still controversy over whether the surname is "Shedi" or "Kudi". "Shedi" is a Xianbei surname, originating from the ancient Western Qiang people. Later, some of the surnames were changed to "Kudi". By the Tang Dynasty, both "Shedi" and "Kudi" surnames existed. The "Old Book of Tang·Pei Guangting Biography" calls her the Kudi family, the "New Tang Book·Pei Guangting Biography" calls her the Shedi family, and the epitaph of Pei Xingjian calls her the Kudi family. According to the method of historical criticism, when there are differences between the inscriptions and later documentary records, the inscriptions should prevail. However, books may have typos due to ancient printing, epitaphs may also be mistranscribed due to unclear handwriting, and the character "" is a rare character compared to the character "ku", so it is more likely to be mistranscribed. Therefore, the question of whether it is "Shedi" or "Kudi" is still doubtful. However, for the time being, the entire text is collectively referred to as "Kudi". At the beginning of the novel, at Kudi's house, although Liuli is somewhat clever, apart from striving for some independence in marriage, she only spends all her intelligence on fighting within the family home with her concubine Cui Shi, concubine Coral and others, but she is timid about future plans and passively avoids them. Later, after her engagement and marriage to Pei Xingjian, Liuli continued to use all her little cleverness in fighting between her wives and the female family members of the Pei family. In the fourth year of Yonghui, Liuli discovered the first pot of gold in her life by showing her favor to Mrs. Rongguo and later Mrs. Wu Shun of Korea. Moreover, after getting engaged to Pei Xingjian, Mrs. Rongguo took Liuli to meet her married woman, and she married Pei Xingjian in the sixth year of Yonghui. Historically, Kudi's year of birth cannot be determined. If according to the setting in the novel, Kudi married Pei Xingjian in the early sixth year of Yonghui, then he would have been over seventy years old when he died in the fifth year of Kaiyuan (717), which is considered a very long life. And during the Chuigong period (684-), it was unlikely that Kudi was close to retirement age. Therefore, Cudi's birth year is still doubtful, but it is later than possible in the novel. Also, Pei Xingjian was demoted because his private discussions were known to Mrs. Rong Guo. Therefore, during the Gaozong period, the Kudis did not have too close contact with the Wu family. In the novel, various unfounded incidents that slander Wu Zetian are used in feudal history books to smear Wu Zetian's image and portray her as a negative image without emotion and deliberate. In the later plot, Wu Zetian almost became the biggest obstacle to the happy life of the male and female protagonists. As for Liuli's attitude towards Wu Zetian, although she expressed good intentions, she was limited to using her political resources. In fact, she was full of prejudice and acted against her, and everything she did was still to pave the way for Pei Xingjian. For example, Liuli disdains marriage with the Wu family, and finally thinks that she can help repay Li Tang by recommending Di Renjie, etc. During the Emperor Gaozong's reign, the only possible interaction between Kudis and Wu Zetian was after Pei Xingjian was re-employed. Empress Wu Zetian occasionally met Kudis when she met her concubine. At this time, Mrs. Huayang's title has not yet appeared, and she will not be engaged to the Wu family. Kudi Yuzheng's career began after Wu Zetian came to court. The title of Mrs. Huayang should come after the end of Wu Zhou. The reason for "Guang Ting was moved to Taichang Cheng" was obviously that "Kudi was the imperial official". However, Pei Xingjian's epitaph concealed the fact that "son is valued by mother" with the words "Mother is valued by son, and his wife was granted the title of Huayang and was given the title of Jin Dynasty". The third-rank real official made in the Tang Dynasty was already at the top level, and the mother and wife of the third-rank official were the county wives. Therefore, Mrs. Huayang's rank should be higher than that of Yu Zheng. To sum up, both "Mrs. Huayang" and "Mrs. Jin" should have been given titles after the end of the Wu Zhou Dynasty for promotion, but in fact they erased women's political achievements. Historically, Kudi Yuzheng and Wu Zetian had a good relationship, which was by no means full of contradictions as in the novel. This point is mentioned in both Tang books. "My mother, Kudi, was called into the palace at the right time, and she was treated very well by my family." ("Old Book of Tang·Pei Guangting Biography") "My mother, Shedi, was virtuous as a woman. Empress Wu called her into the palace as the imperial official, and she was very favored by her family." ("New Book of Tang·Pei Guangting Biography") "Later, Pei Guangting married Wu Sansi's daughter, and she was also considered favored. This proves that during the Wu Zhou Dynasty, Ku Di Yuzheng was on good terms with Wu Zetian and the Wu clan. As for the reason for "being treated very personally", it can be found in Pei Xingjian's epitaph: "Madam was profoundly enlightened, enlightened from afar, stubborn in words, and transcended the secular world. Every time she reads the collected works of Zen Master Xinxing, she will always respect her. "Wu Zetian believed in Buddhism and had a very high level of cultivation in Buddhism. She even wrote the opening stanza herself: "The supreme and profound subtle Dharma is difficult to encounter for hundreds of thousands of kalpas. Now that I have seen and heard it, I accept it and uphold it. I am willing to understand the true meaning of the Tathagata. "So, because of their common religious realm, Ku Di and Wu Zetian developed a sense of mutual sympathy and resonance, and then became close friends. Regardless of whether there were more or less conflicts due to Pei Xingjian's affairs, they all understood each other and no longer cared about each other as in the past. On the other hand, Ku Di Yuzheng assisted Wu Zetian. Zetian drafted the edict and became a deviant like Wu Zetian who challenged male hegemony as a woman. Although she still cannot be called a woman in the modern sense, the two women joined hands to fight against the patriarchal authority and became the "very close friend" of Kudi Yuzheng. Another important reason. As a modern time-traveling girl, Liuli in the novel bears the shell of the queen's best friend Kudi Yuzheng, but she can only be a good wife and mother who works hard and supports her husband, and her view of Wu Zetian is filled with pedantic prejudices of feudal ideas. In the novel, Pei Xingjian and Liuli had four sons: Shenxuan, Yanxiu, Qingyuan, and Guangting. However, is this kind of loving life between husband and wife real? Pei Xingjian's epitaph has unclear records about the children. There are several versions: "The eldest son/eldest grandson Shenxuan, official to Jing (Shangzhou, from the third grade), Deng was the governor of the second state... ... The second son Yanxiu, Bingzhou Weiling (county magistrate, from the sixth to the seventh rank)... The second son Qingyuan, Xielu Lang (the eighth rank)... Ji Zi Guangting, Shizhong and Minister of the Ministry of Civil Affairs (the third rank)..." Not only is the identity of Pei Shenxuan's eldest son/grandson unknown, Moreover, there are two second sons (twins will not be called this way). The youngest son, Pei Guangting, has the highest official position. This may be related to the identity of his biological mother. (Wang Bo's second brother was born 650 years earlier than Wang Bo). It can be speculated that the two daughters were born earlier. Judging from the fact that Pei Guangting was promoted to the imperial post, Pei Guangting should be the only childbirth record of Kudi and Pei Xingjian. The biological mother was either Lu or Pei Xingjian. Concubine. Also, Ku Di Yuzheng's last words were to be buried near Zen Master Xinxing's tomb in Zhongnan Mountain, and he did not want to be buried together with his husband Pei Xingjian. Pei Xingjian's epitaph states: "In August of the fifth year of Kaiyuan..., He moved his body behind the tomb of Zen Master Xinxing in Zhongnan Mountain. They have not been buried together since ancient times, and their souls are all buried together, which is a legacy." "So what kind of mentality makes a wife prefer to serve religion rather than be buried with her husband? In Lu Xiangqian's analysis of Pei Xingjian's marriage in "A Trial Study on Huhua Marriage Relations in the Tang Dynasty - Also on the Turkic Lineage", it shows that the Tang Dynasty followed the "Huhua state of marriage between Chengweng and daughter-in-law", Lu Xiangqian Based on information such as Pei Xingjian's relationship with his eldest son Pei Zhenyin, his eldest grandson/eldest son's unknown identity Pei Shenxuan, and Pei Xingjian's epitaph quoting from the Book of Songs "He is beautiful Meng Jiang, his virtues are not forgotten" (this Meng Jiang refers to Wen Jiang who wrote fbuj in the Spring and Autumn Period) and other information, it is speculated that the Kudi family was preceded by Pei Xingjian's eldest son Pei Zhen Yin's wife later married Pei Xingjian, and this was regarded as the reason why the Kudis did not want to be buried together. However, Lu's words to the Xiang family cannot be used to characterize this relationship. Furthermore, if the wife has done something to assist her husband, it will usually be mentioned in the history books. There is no record of Ku Di in the biography of Pei Xingjian in the Two Tang Dynasties. Of course, this is most likely because the ancient history writers deliberately erased the achievements of women. However, based on the biography alone, it is speculated that Ku Di Yu may have been relatively transparent in assisting Pei Xingjian in his career during his lifetime. State, and did not show any political ability. Therefore, it can be speculated that the relationship between Ku Di Yuzheng and Pei Xingjian may be relatively indifferent, and they may not even pay attention to the burial issue. Like many ancient male novels, the male protagonist in the time-travel novel only loves women. The main character is good, but the other shortcomings, such as feudal thinking and coercion of the heroine, are difficult to describe. In the novel, Tang Gaozong Li Zhi is incompetent, and the political stance of Gaozong and Wu Zetian is opposed. Pei Xingjian, the male protagonist, swears loyalty to Gaozong and opposes Wu Zetian. As an original ancient, Jian's idea of foolishness and loyalty seems understandable, but the actual historical situation may not be like this. Unlike the Southern Song Dynasty or even the Ming and Qing Dynasties, the emperor did not have the requirement of loyalty to his ministers. If the emperor wanted his ministers to be loyal to him, he must first show favor to his ministers. Pei Xingjian repeatedly claimed in the novel that he "received the emperor's favor". In fact, Gaozong not only demoted Pei Xingjian, but also added to the plot in the novel, Gaozong tried to punish Liuli who was about to give birth, causing Liuli to have a difficult delivery on the road, almost killing one and three others, and he also blocked Pei Xingjian several times. In the novel, since Pei Xingjian loves Liuli so much, how can he be loyal to Gaozong and resolutely oppose Wu Zetian like Xue Gang and others in Ming and Qing novels? Furthermore, if he is a loyal minister of Gaozong, does he really need to dislike Wu Zetian? The reason why Jian Yonghui opposed Wu Zetian's establishment could not be because the feudal historian wrote that "this was the beginning of national turmoil." After all, Wu Zetian, a humble Zhaoyi, did not have such great energy at that time. If Pei Xingjian could really foresee the future, then He himself is a time traveler. Historically, the reason why Pei Xingjian opposed Wu Zetian's establishment of an empress was most likely to represent the struggle between the noble family and the poor family. As a noble family in Hedong, the Pei family looked down on Wu Zetian's humble background. Because of his opposition to Wu Zetian's establishment of an empress, Pei Xingjian was dismissed from the Tang Dynasty. Gao Zong was demoted to Xizhou, but when he returned to the center of power, he was quickly reused. Throughout Gao Zong's reign, the political interests of Li Zhi and Wu Zetian were absolutely consistent. If they were inconsistent, Li Zhi had the power to depose Wu Zetian at any time. Wu Zetian was the leader of Gao Zong's period. The bureau only had a supporting role, and there could be no disagreements in political interests. If the ministers were only loyal to Li Zhi but opposed Wu Zetian, it would be equivalent to hindering the loving life of the emperor and empress. Just like Shangguan Yi, Li Zhi also had the power to deal with such a guy who was ignorant of current affairs at any time, let alone Pei Xingjian. Moreover, in the Tang Dynasty, there was no extreme idea that women should never engage in sexual intercourse. Empress Changsun had many records of sexual intercourse, and her "Principles for Women" specifically taught women how to do sexual intercourse to assist their husbands. Yan Zhitui, a descendant of Yan Hui who explained Quan, was from the Northern Zhou Dynasty to the Sui Dynasty. In the "Yan Family Instructions", he stated that women "if they are intelligent and knowledgeable about the past and present, they should assist the gentleman and help him when he is insufficient." It can be seen that the treatment of women's corruption issues in the Sui and Tang Dynasties was quite encouraging, and Gaozong Dynasty was very encouraging. There will be no situation where the ministers are dissatisfied with Wu Zetian's behavior. Therefore, in history, even if Pei Xingjian may have objections to Wu Zetian due to his previous demotion, it is only because he has complaints in his heart and will not express his objections. Unfinished, continue next——

The author is a female doctor from Tsinghua University. Do all PhDs now make money by writing books? If you want to support the author, buy the physical book.

The book is very interesting. Please don't think that the plot of the TV series is from the book. The book is not that stupid.

I just checked the information and found that there were quite a lot of foreigners serving as officials in the Tang Dynasty. There are more than three thousand in historical records. It can be seen that the Tang Dynasty was an extraordinary dynasty.

The writing is really good, and I'm not tired of reading it. I just can't bear to watch the male protagonist, so I gave up. I really hope the author can write one without cp

The writing is good, but the time-traveling woman in ancient times has no background, no strength, and cannot be independent. This kind of life is too difficult and I find it frustrating. It is better to be a man and be free. No matter how well-written the writing is, the content is frustrating. It is not my thing to spend time reading cool articles like this. I feel frustrated. . . . . It's really hard to find a good novel these days. The author's writing style is so cool. The time-traveling woman can at least guarantee her freedom in life and have some force value. I feel so distressed and aggrieved by the heroine who is a weakling at the beginning. . . . .

The TV series Datang Mingyue has started airing, and the magic has really changed to the point where I want to complain, so I am here to complain. Does this have anything to do with the book? Isn't the scriptwriter Liu San much better looking? It's Shang Yi Bureau. What about our independent and determined hero and heroine? ! Nani? ! The female is delicate and the male is silly! Wu Zetian was like a concubine, with the heroine's mother and a bunch of people inside and outside the palace who didn't know where they came from! I have a special collection of physical books, so I can watch TV series like this! I hate it, why can't I travel through time? Didn't Xun Qin Ji travel through time many years ago? Forcibly arranging the heroine's behavior was something that happened even when she was a child! Annoying, annoying, annoying! ! ! I've given up on drama! If it doesn't work, maybe we can create an animation! Don't destroy the beautiful fantasy I have created because of words!

The books written 11 years ago are countless times more beautiful than most books today. I used to read books like crazy, but now I can't read the books I want to read even after reading them all night long. Unfortunately, the author has only written two books so far.

This novel was changed by Mango TV, which is outrageous. The background in the novel is Li Zhi's fourth year in Yonghui, and Wu Zetian was about to confer Zhaoyi, but the TV force changed it to Wu Zetian who had just become a talent, and Li Zhi was still the prince and forcibly joined. The drama about seizing the heir, but the screenwriter probably doesn't know the history of the Tang Dynasty and doesn't have the skills, so he created a fight between Concubine Yang and Wu Zetian, and the so-called fourteenth prince came to compete with Li Zhi for the throne. They surrounded the harem every day. If you didn't look at the costumes, you would think it was a Qing Dynasty drama. Even worse, not to mention the cheap service, everyone was still sitting on stools, which was nothing like the Tang Dynasty. The most speechless thing is the actor's performance where he only stares and speaks modern lines, which makes people laugh every minute.

"Datang Mingyue" suffered a tragic transformation, and the male and female protagonists were so miserable! The historical figures in the novel engage in power play and political struggle based only on their personal interests, regardless of the stability of the country and the happiness of the people. People can't help but sigh for their true historical image! In the novel, Pei Xingjian was repeatedly suppressed by Li Zhi, and he never recovered, eventually leading to social death. As everyone knows, the reason why Pei Xingjian had the opportunity to make great achievements, display his great achievements, and leave behind the great achievements we see today is all because of Li Zhi's broad mind, disregard of past resentments, knowing people well, and giving him great trust. In the novel, Wu Meiniang is vicious and considerate of human life, and is also full of exploitation and persecution of the heroine. The excessive feudalism of "The Moon of the Tang Dynasty" lies in the fact that the author made the prosperous Tang Dynasty look like the late Qing Dynasty, with internal and external troubles, depression and dullness. "Datang Moon" is also too modern in that it allows the male protagonist to abandon the feudal dross of "monogamy and multiple concubines" (just to highlight the doting on the female protagonist), and also has a "class consciousness" as a noble to take the initiative to reform the nobles (just to increase the halo of the male protagonist). The so-called "examination of history" in "The Moon of the Tang Dynasty", in addition to using the history of art and customs to pile up rhetoric and add water to the plot, is to copy feudal history books and distort the images of historical figures by making up your own imagination. It turns Pei Xingjian into a romantic but pedantic one, a good wife and mother into Cudi, a demonized Wu Zetian, and a mediocre Li Zhi. Li Zhi praised Pei Xingjian in the drama version of "The Wind Rises in Colorful Clothes", although it was a little early. In the drama version of "The Wind Rises in Colorful Clothes", Wu Meiniang is "very affectionate" to Kudi Liuli, although the time is a bit early. But this adaptation is not without reason, because the original work just distorts the image of historical figures.                                        Some people commented that the drama version changed the character and insulted the IQ. They also mistakenly thought that the novel version did not insult the IQ and was consistent with history. As everyone knows, the stupidity of Liuli, Pei Xingjian, Wu Meiniang, Li Zhi and others in the drama version is also a kind of innocence and willfulness. Of course, the real image of historical figures is not as stupid as in the play. In history, Kudis, Pei Xingjian, Wu Zetian, and Li Zhi were straightforward and talented. They should have lived in a prosperous and prosperous age to show off their talents and express their true qualities in life. They were not like in the novels where they had their own agendas and were at odds with each other. However, the historical figures portrayed in "The Moon of the Tang Dynasty" engage in power play and political struggle based solely on personal interests, regardless of the stability of the country and the happiness of the people, which is precisely tampering with history. "Datang Moon" tampered with the true image of historical figures and tampered with the life histories of historical figures. For example, it set up Pei Xingjian to fake his death and Kudis to lose his experience as an imperial official. It also involved major issues such as suppressing the national hero Pei Xingjian and smearing the political and social atmosphere of the Tang Dynasty. Pretending to prove it by falsely claiming to be historical is the most irresponsible and historically nihilistic behavior. Some people claim that the male and female protagonists of "The Wind Rises in Colors" have their brains damaged and their characters have collapsed. Could it be that the original work "The Moon in the Tang Dynasty" didn't destroy the characters of historical figures? Do bad dramas have to be compared with bad novels? Although neither "The Moon in the Tang Dynasty" nor "The Wind Rises in Colorful Clothes" are good works. But after all, the filming of themes such as "The Ballad of the Desert" in which historical figures fake their own deaths is no longer allowed, nor is the time-travel theme that is too historically nihilistic, especially because the plot of the novel forces a generation of national hero Pei Xingjian to fake his own death and hide in seclusion, which is really not conducive to promoting a positive energy culture. Therefore, the drama version made corresponding improvements to the novel, changing the era setting to the youth of the hero and heroine.

The recently aired TV series "The Wind Rises in Colorful Clothes" is adapted from the time-travel novel "Datang Mingyue". The original novel claimed to be "based on historical research" in its promotion, but is this really the case? The so-called textual research in "The Moon of the Tang Dynasty" is limited to researching the history of art customs, but it portrays many historical figures in a way that is completely inconsistent with the real history. The novel portrays an ancient political woman Jecudi who dared to challenge the constraints imposed on women by feudal society into an ancient "good wife and loving mother" Kudi Liuli who was content with her family life, was keen on internal fights between women, and worked hard to assist her husband. Kudi, an ancient woman who was originally very feminine, was transformed into a feudal, ignorant and timid little woman by modern people, just like Chu Yu in "Phoenix Prisoner" who traveled through time and became Liu Chuyu, the princess of Shanyin. Moreover, the achievements of Kudi's life were concentrated in the drafting and production of books during the Wu Zhou period, while Kudi Liuli and Pei Xingjian, who had faked their own deaths, went into seclusion in the first year of Chui Gong, just like Huo Qubing in "The Ballad of the Desert" who said "the Huns are not exterminated, so why should they have a family?" And finally eloped with the adopted daughter of the Huns. Such a disregard for historical facts and distortion of the true image of historical figures can be described as extremely historical nihilism. Like most women in ancient times, the historical prototype name of the heroine is unknown. The novel names the heroine "Liu Li". But not only is the heroine's name unknown, but there is also controversy over whether her surname is "Shendi" or "Kudi". "Shedi" is the surname of Xianbei. Later, part of the surname was changed to "Kudi". The "Old Book of Tang·Pei Guangting Biography" calls the Kudi family, the "New Book of Tang·Pei Guangting Biography" calls the Shedi family, and Pei Xingjian's epitaph is called the Kudi family. However, books may have typographical errors due to ancient printing, epitaphs may also be mistranscribed due to unclear handwriting, and because the character "" is a rare character compared to the character "ku", the possibility of being mistranscribed is greater. Therefore, the question of whether it is "Shedi" or "Kudi" still needs to be verified. At the beginning of the novel, at Kudi's house, Liuli spent all her little cleverness on fighting with her concubine Cui Shi, concubine Coral and others in the family home, but she was timid about future plans and passively avoided them. Later, after her engagement and marriage to Pei Xingjian, Liuli continued to use all her little cleverness in fighting between her wives and the female family members of the Pei family. In the fourth year of Yonghui, Liuli discovered the first pot of gold in her life by showing her favor to Mrs. Rongguo and later Mrs. Wu Shun of Korea. Moreover, after getting engaged to Pei Xingjian, Mrs. Rongguo took Liuli to meet her married woman, and she married Pei Xingjian in the sixth year of Yonghui. Historically, Kudi's year of birth cannot be determined. If according to the setting in the novel, Kudi married Pei Xingjian in the early sixth year of Yonghui, then he would have been over seventy years old when he died in the fifth year of Kaiyuan (717), which is considered a very long life. And during the Chuigong period (684-), it was unlikely that Kudi was close to retirement age. Therefore, Cudi's birth year is still doubtful, but it is later than possible in the novel. Also, Pei Xingjian was demoted because his private discussions were known to Mrs. Rong Guo. Therefore, during the Gaozong period, the Kudis did not have too close contact with the Wu family. In the novel, Pei Xingjian and Liuli have four sons: Shenxuan, Yanxiu, Qingyuan, and Guangting. But in history, Cudi's marital status may not have been satisfactory. Pei Xingjian's epitaph contains unclear records about his descendants. Not only is the identity of Pei Shenxuan's eldest son/grandson unknown, but there are also two second sons. Twins will not be called this way. The youngest son, Pei Guangting, has the highest official position among Pei Xingjian's descendants. There is some disorder in seniority, which may be related to the identity of his biological mother. Pei Xingjian also had two daughters, one married to Su Weiwei and the other to Wang Xiu. Based on the age of these two people, it is inferred that Pei Xingjian's two daughters were born earlier. Judging from the fact that Cudi was the imperial official and only promoted Pei Guangting, Pei Guangting should be the only birth record between Cudi and Pei Xingjian. Pei Xingjian's other children's biological mothers were either Lu's or concubines. Historically, Kudi's last words were that he was buried near the tomb of Zen Master Xinxing in Zhongnan Mountain and did not want to be buried with her husband Pei Xingjian. In "Analysis of Pei Xingjian's Marriage - A Trial Discussion on Hu Hua's Marriage Relationship in the Tang Dynasty", Lu Xiangqian speculated that Kudi was first the wife of Pei Xingjian's eldest son, Pei Zhenyin, and later married Pei Xingjian by analyzing the lineage of Pei's prime ministers and the quotation of the epitaph from the Book of Songs, and regarded this as the reason why Kudi was unwilling to be buried together. It is difficult for us to determine the marital relationship of Cudi, but it can be inferred that the relationship between Cudi and Pei Xingjian was relatively indifferent, and they even did not pay attention to the issue of burial. Just like many ancient prostitution novels, the male protagonist in time-travel novels only has the advantage of doting on the female protagonist, but the shortcomings are such as feudal thinking, forcing the female protagonist, etc. It is difficult to describe it in one sentence. In the novel, Li Zhi, Emperor Gaozong of the Tang Dynasty, was shown to be ignorant and incompetent, and the political stances of Emperor Gaozong and Wu Zetian were opposed. The male protagonist Pei Xingjian swore allegiance to Emperor Gaozong and opposed Wu Zetian. As an original ancient, Pei Xingjian's foolish and loyal mentality seems understandable, but this may not be the case in real history. Unlike the Southern Song Dynasty and even the Ming and Qing Dynasties, the Tang Dynasty did not have any requirement for loyalty to its ministers. If the emperor wants his ministers to be loyal to him, he must first show favor to his ministers. Pei Xingjian repeatedly claimed in the novel that he "received the emperor's favor". In fact, Gaozong not only demoted Pei Xingjian, but also added to the plot in the novel, Gaozong tried to punish Liuli who was about to give birth, causing Liuli to have a difficult delivery on the road, almost killing three people. He also blocked the loving life of Pei Xingjian and his wife several times. In the novel, since Pei Xingjian loves Liuli so much, how can he hold the idea of ​​foolish loyalty in the Ming and Qing Dynasties? Furthermore, as a loyal minister of Gaozong Dynasty, do you really need to dislike Wu Zetian? Pei Xingjian opposed the establishment of Wu Zetian during the Yonghui period. The reason could not be because "this was the beginning of national turmoil" written by feudal historians. At that time, Wu Zetian was just Zhaoyi from a humble background and did not have such great energy. If Pei Xingjian could foresee the future, then he himself would be a time traveler. Historically, the reason why Pei Xingjian opposed Wu Zetian's establishment of an empress was most likely to represent the struggle between the gentry and the poor. After opposing the establishment of Wu Zetian, Pei Xingjian was demoted to Xizhou by Tang Gaozong, but when he returned to the center of power again, he was quickly reused. Throughout the reign of Emperor Gaozong, the political interests of Li Zhi and Wu Zetian were absolutely consistent. If they were inconsistent, Li Zhi had the power to depose Wu Zetian at any time. Wu Zetian only played a supporting role in the political situation during the Gaozong period, and there was no possibility of differences in political interests. If the ministers were only loyal to Li Zhi but opposed Wu Zetian, it would be equivalent to hindering the loving life of the emperor and empress. Just like Shangguan Yi, Li Zhi also has the power to deal with such a guy who is ignorant of current affairs at any time, and it is even less possible for Pei Xingjian to be reused or even given military power. In the novel, various unfounded incidents that slandered Wu Zetian were used in feudal history books to smear Wu Zetian's image and portray her as a negative image with no emotions and deliberate intentions. In the later plot, Wu Zetian almost became the biggest obstacle to the happy life of the male and female protagonists. As for Liuli's attitude towards Wu Zetian, although she expressed good intentions, it was limited to using her political resources. In fact, she was full of prejudice and violated the law, and everything she did was still to pave the way for Pei Xingjian. During the Emperor Gaozong's reign, the only possible interaction between Kudis and Wu Zetian was after Pei Xingjian was re-employed. Empress Wu Zetian occasionally met Kudis when she met her concubine. Kudi's career began after Wu Zetian came to court. Historically, the relationship between Cudi and Wu Zetian was good, and it was by no means full of contradictions as in the novel. "The Biography of Pei Guangting in the Old Book of Tang Dynasty" records that "Mother Kudi was summoned to the palace at the right time, and she was treated very personally." As for the reason for "being treated very personally", you can find it in Pei Xingjian's epitaph: "Ms. She was profoundly enlightened and prosperous, she realized the truth far away, she was stubborn in words, and she transcended the secular world. Every time she read the collected works of Zen Master Xingxing, she will always respect her." Wu Zetian had a high level of Buddhist cultivation and even wrote the opening verses himself. Due to their common religious background, Kudis and Wu Zetian developed a sense of sympathy and resonance with each other, and then became close friends. On the other hand, the Kudisi assisted Wu Zetian in drafting the edict, and she has become a deviant like Wu Zetian who challenged male hegemony as a woman. This is another important reason why the Kudisi is "very friendly". In the novel, Liuli, as a modern time-traveling girl, bears the shell of the Queen's best friend Cudi, but can only be a good wife and mother who works hard and supports her husband, and her views on Wu Zetian are full of pedantic prejudices of feudal thoughts.                                                                                                                                                                                                                          " Historically, after the death of her husband Pei Xingjian, Kudi was recruited into the palace by Wu Zetian, worshiped as the imperial minister, and drafted and produced books. This was the beginning of Kudi's career. Regarding the position of Yuzheng, "Tongdian" records that from the Northern Zhou Dynasty to the Sui Dynasty, "Yuzheng" was the foreign official who drafted edicts. However, it can be seen from the "New History of the Five Dynasties" that during the Five Dynasties period after the Tang Dynasty, "Yu Zheng" also referred to female officials. Before the Northern Zhou Dynasty and the Sui Dynasty, the Tang Dynasty official system no longer had the position of "Yu Zheng", but in the Five Dynasties after the Tang Dynasty, there was indeed the position of "Yu Zheng" as a female official. Wu Zhou established many new official positions, and there is the possibility of setting up the post of "royal official" again. However, the specific function of female officials during the Wu Zhou Dynasty was not palace affairs, but drafting edicts. Regardless of whether the "royal official" is a foreign official or a female official, Kudi's function is equivalent to that of the imperial official as a foreign official. In view of the fact that if Wu Zetian appoints women as foreign officials, it will inevitably touch the core interests of the patriarchal society. Therefore, it is still more likely that the position of "royal official" is the position of a female official. Even though "Yu Zheng" is the official title for a female official, the real Kudis in history drafted and produced books as a woman, and can be regarded as an ancient political heroine who challenged the authority of the patriarchy. However, in the novel, Liuli, as a modern time-traveling woman, values ​​family life and has only a taste for power. Her career ends when she just started, and she is even far less feminine than the ancient original version of Cudi. Not only is Kudi Liuli's concept of being a modern time traveler extremely unreasonable, there is also a time traveling woman in the novel, Cui Shisanniang, who also looks like a woman from the Ming and Qing Dynasties. Women in the Tang Dynasty had the right to reconcile with marriage. When Cui Shisanniang was forced to marry a political loser in history, she had every opportunity to reconcile with Pei Yan. What's more, Pei Yan is a political opportunist, and his personal charm is probably far less than that of the male protagonist Pei Xingjian. However, Cui Shisanniang's concept is like that of women in the Ming and Qing Dynasties, who "married a chicken, followed the chicken, married a dog, followed the dog". She only focused on planning a future for her husband, and even tried to change history. Many passionate and unrestrained women of the Tang Dynasty in the novel are also portrayed as short-sighted housewives, such as Princess Linhai, Princess Changle, and Mrs. Rongguo, etc. The eldest princesses of the Tang Dynasty had a residence of 600 households and an independent princess palace. However, the eldest princesses became vicious female partners vying for petty profits in the house fight novel. Historically, Mrs. Rong Guo believed in Buddhism and had a pure heart. But in the novel, Mrs. Rongguo began to have a formal friendship with Liuli because Liuli sold her a large property, and Mrs. Rongguo only killed many maids to cover up her grandson's crimes, just like a little woman who put interests first and had no idea of ​​good and evil. "The Moon in the Tang Dynasty" has a certain fantasy color in its setting, including prophecies by Li Chunfeng and Xuanzang, but it still maliciously smeares religious ideas. Liuli said in the later period that he had read some Buddhist scriptures, but he definitely did not read them at all. If Liuli in the novel had a certain level of Buddhist cultivation like the real Kudis in history, she would not have only focused on concrete murals at the Daci'en Temple, nor would she have thought that Xuanzang's support for Wu Zetian's ascension to the throne was an act of condescension that "there is no true pure land in the world", nor would he have been deeply prejudiced against Wu Zetian. In short, through the vilification of many historical figures, as well as the protagonist's incorrect ideas and timid behavior, the whole novel makes people feel seriously depressed and dull. The so-called "Datang Mingyue" is neither "Datang" nor "Mingyue". "Datang Moon" allows celebrities in the Tang Dynasty to hold on to the foolish loyalty of the Ming and Qing Dynasties and live an extremely depressing and mediocre life. A picture of "The Bright Moon of the Tang Dynasty" that was supposed to have "bright clothes and angry horses, orchids and flowers" has become a gloomy and dull "clear and dark moon". The real Cudi in history worshiped as the imperial minister after the death of her husband, drafted edicts, and participated in the affairs of the court. However, after his death, he said that he would rather serve religion than be buried with her husband. We can imagine her historical achievements, but her marital status may not be satisfactory. The romantic novel "Datang Mingyue" attempts to use the love confined in the family to tamper with the great historical achievements, which is a very cruel and shameful act. This article is coming to an end. I do not intend to criticize a certain novel, let alone share the popularity of this article. If any author writes fictional romance novels, I don't want to say a word. However, when dealing with real history, we should not just smear it from an obscene point of view. In the autumn of 2019, I heard that the time-travel romance novel "The Bright Moon of the Tang Dynasty" based on Cudi was going to be made into a film and television. I finished reading the novel with infinite humiliation and tears. Faced with the author's cruel suppression and persecution of the heroine, I feel heartbroken and deeply regretful. However, such an ancient time-travel novel that distorts history has been misunderstood by history novices as having a rigorous plot and sophisticated history. I have learned from this painful experience and must tell the truth to the real Kurdish in history and get justice!

Pei Xingjian has been in Yonghui for four years and is already 35 years old... He is still a young man! Liuli was probably born in 639! Pei Xingjian was born in 619... Which is a bit far off. The fourth year of Yonghui was 654, and the reign of Yonghui was 650-655.

Really good writing, good writing style, good story, not empty-handed

The good and atmospheric name "Datang Mingyue" has become a fashionable and vulgar name

It's a very good novel. I read it a few years ago and I still read it again from time to time. Excellent female novels are so hard to find! There are only a handful of people of this level.

The finale came to an end so suddenly,,, I thought that when I returned to Chang'an, I could still see the part where Wu Zetian became the emperor.