In Xuanjian, Becoming an Immortal Is Guaranteed!

The protagonist behaves like an alternative Liu Changdie, with a prophetic mind and an inexplicable affection for the Li family. When he knows that the Li family or people related to the Li family are in trouble or will have a bad fate in the future, he rushes to help and change the fate of those people who made him regretful before the time travel. Normal people develop slowly, and it is best not to change their original destiny, because the more changes there are, the greater the difference between the future development and the original work will be, and the smaller the prophetic advantage of being a time traveler will be. Most people are profit-oriented and stay away when they know there is trouble and there is no benefit. As a result, the protagonist guesses that Situ Mo may be up to something bad. When his own side has a slight upper hand, he dares to follow, stop or even kill him. There is no benefit in killing him, and he may even attract the hostility of Boring Gold Gate. It is completely thankless. The protagonist acts entirely based on emotion and does not consider interests. He kills Situ Mo because he can't bear to see him doing evil.

There is no destiny in Xuanjian's worldview that cannot support this name. To be named this, the destiny must be incredible. Other adults will be frightened to tears when they see the name of the protagonist. "This is 10% the backhand of Lord Sword Ancestor!" "Sir! We are not guilty, sir!"

The recent plot is very strange, the pace is too slow, I always feel that the protagonist is hesitant, he is so weak and still cares about so many things, and the viewing experience is very bad. The original work of Xuan Jian has been written very far, and now I am reading Qi Lianqi. The feeling of "playing house" is very heavy. I suggest that I write about Foundation Establishment before it is released, and Zifu is released to speed up the pace. Also, what about the characteristics of Xuanjian and Taoism? Where's the hook? What about higher education? The current plot in Fangshi is too watery. Does it have anything to do with Shu Xiu? There is basically no need to write in detail about things that Xuanjian colleagues cannot even involve the Zifu.

You focus on the protagonist's cultivation. The attainment of alchemy enlightenment is unstable and relies entirely on 10 times the cost. This does not look very satisfying. Taoism is not written, and you don't know what the protagonist wants to cultivate. The golden finger is confused and the fakeness in the Dantian Even if there are supernatural powers, I don't actively explore them; in recent chapters, I have always stared at others, and I don't dare to end myself. The early fan plots are not interesting and everyone has written them badly. Although I have no background and am stuck in the Xuanjian world, but I feel that there is no hope from what you wrote 😂

Your name is naturally bound to the Chang Geng fruition status 🙂

The protagonist's twisted and tangled character makes me feel that I can't get over the boundless fantasy.

This trick should prove the "Alchemy Way" fruition status in vain. When the protagonist proves the Alchemy Way, the golden elixir will usher in unprecedented strengthening. I feel that the protagonist's quest for gold can be a complete life. When the time comes, he can refine a "golden elixir" and "swallow a golden elixir into my belly, and then I will know that my fate is not controlled by fate."

The ones with the best results. They all start quickly with Zifu. This kind of Shuzi Mansion opening is interesting.

The plot of Meng Zhuoyun was entangled for six chapters, with various hesitations and regrets, and then it was sent back 😅, NB. Author, everyone is dissatisfied with the performance of saving her. If you insist on saving her, you should change Chapter 20, delete the psychological activities of the protagonist, casually mention that she should be replaced, and let her make alchemy after the change. Just treat her normally, and don't show that the protagonist cares too much. If you also regret saving her, you should delete the plot about her in Chapter 20, and never mention her in the future. The protagonist struggled for a long time, you struggled for a long time, and then sent her back 😡. What does it mean? The comment section is all saying that the protagonist is too indecisive, and the latest chapter is even more indecisive. Do you have to write such a protagonist? Wouldn't the protagonist be able to write an article if he didn't struggle and regret?

After reading dozens of chapters, I can see that there is some problem with the character development of the protagonist. Knowing that he has entered the game, he either seeks to escape, or goes deeper into the game to gain more benefits. But after dozens of chapters, the protagonist has been incompetent and furious, not wanting to use the golden finger well and not thinking about the future development direction. Just going with the flow, there are still many inner dramas