Silver Moon Pouring Time

During a chase on Changxi Street, Ye Yuhe accidentally overturned a fortune-telling stall while chasing the culprit. The detective in white ran into the fortune teller in red, the silver bell rang softly, and they have been entangled ever since. The world was afraid of Ye Yuhe's killing spree and Leng Jue. They only thought that the master of Yuhe Pavilion was unparalleled in the world, and no one could see the desolation in her heart. Only when he was deep in thought did he dare to smile and come to her side, walking with her through the streets and solving unsolved cases together. He planned the way forward for her, the murder, and the heartbeat that no one knew about. She thought it would be a long road to investigate the case, but finally someone would walk side by side. When the dust settled, he slept in troubled times. Others asked her if she was sad. Ye Yuhe rubbed the folding fan in his hand and said in a calm tone: "It's just a return to square one. I have nothing." Original romance | Imaginary ancient sayings | Qiangqiang | Suspense reasoning | Slow heat | BE aesthetics | Going both ways Reading Guide 1. An imaginary ancient style unit to explore the case. Readers who prefer quick love and sweet pets should be careful before entering. ​ 3. The female protagonist Ye Yuhe, the master of the Silver Moon Pavilion and a criminal detective, has a cold and guarded temperament and is not good at expressing herself; while the male protagonist is deep in thought, a fortune-telling boy in red, with a loose appearance and a clear mind. The two tested each other and were wary of each other in the early stage, and their good feelings gradually grew with each case. ​ 4. The unit cases are connected to the main line, and the reasoning and emotion are parallel. The plot accounts for a high proportion, so don't expect to fall in love throughout the story. ​ 5. Full text 1v1 Shuangjie, HE. ​ 6. The writing rhythm is calm, and the exaggerated and routine descriptions should be reduced. If you don't like slow-paced narratives, you can avoid lightning first. ​