Fengming Ji: the Weaving Lady

In the 30th year of the Taiping Period in Daliang, foreign cloth and yarn were dumped. Ten rooms in the weaving households in the south of the Yangtze River were empty, and hundreds of craftsmen and craftsmen were hanging by a thread. Shen Jiyue, the daughter of the guilty minister, has been wearing an iron plate of slavery for ten years, but she has a pair of "craftsman's eyes" in her left eye - she can see the remaining soul of the craftsman in the texture of the embroidery, distinguish the authenticity, mend the remaining patterns, and listen to old thoughts. On the day she was deregistered, she shocked the capital with her fragmentary embroidery piece "A Hundred Butterflies Wearing Flowers" in the Western Market. After that, she summoned the female craftsmen who were living in the folk: Aran, the concubine of the declining imperial merchants, Qingniang, a female official of Sizhen who escaped from the inner court, Shaodong Jinbuhuan, a troubled Qianzhuang who disguised herself as a man, Awan, the widow of Bo embroidery in Shu... She established the "Fengming Ji" to gather female craftsmen from all over the world, protect hundreds of workers, and regain the market with domestic products weaving and embroidery. On the Wanshou Festival, they gave gifts to the noble concubine, and the Jiangnan Weaving Bureau cut off its supply to save the bureau - they used needles and threads as blades to embroider a national trend belonging to women. The injustice of the Shen family back then actually had the same origin as the old weaving party in the DPRK. This game has just begun.