I May Not Be Human

The feeling that Holy Grail gives me is that it has a complicated setting and weak combat power.

The protagonist set by the author is an aboriginal, and there are too many explanations of the power system of the other world in the article. The protagonist is an aborigine and does not know the setting of the curse. But we readers all know that you write in such detail, which feels very boring. Now that the number of free words is so many, can everyone still tolerate it? It seems that there are other worlds in your introduction. Are you going to write in such detail after it is published?

The high-density setting is like eating dry steamed buns. There is no water or lubrication. It is like modifying the outline and sending it out.

The point of the comprehensive comics and Zhutian where the indigenous protagonists are having sex is wrong, right?

It's pretty good, not the kind of high-density fun writing, but the kind of high-density setting writing.

A common problem among Xingyue fans is that there is a huge amount of setting explanations mixed with a small amount of plot.

With great difficulty, I watched the protagonist operate, thinking about how to continue to operate later, but in the end, the author threw out a lot of settings. Look at Fantasy World Time Travel. Although some of the scripts are very messy, especially the Marvel plot of Mutants, which throws a lot of settings, at least the protagonist's operations are smooth and can make readers feel happy. But as soon as you started the operation, you thought you were going to show off, but you came up with a lot of settings... The massive supplementary settings are mixed with a small amount of plot 😅

Thinking back to the first stage of Fighting to Break the Sky, one stage of Fighting Qi and the second stage of the game. Douluo Continent is simpler and marked by levels. The same goes for the Lord of Mysteries, which is identified by direct serial numbers The simpler and easier it is to understand, the easier it is for readers to accept it.

There are quite a few settings, but they are a bit dry.

Really, I'm looking at my colleagues and I'm still waiting for you to tell me about the settings and how to write the water text so that you can't waste money, right?

A time-traveler but not a time-traveler, an indigenous protagonist

The settings are too dense, please delete some appropriately.

It's too dry, it's all about settings, and there's no fun in interacting with the characters and plot.

There is a pleasant feeling of a large number of settings running through my mind.

It's just that the huge number of settings at the beginning were too perverted to watch. I felt like I was taking the college entrance examination with infinite space I was a little tired after watching it.

It's just that although there are practical factors that the ideological system setting is not clear, I still hope that the author can explain later why the protagonist, as an incomplete genius, did not practice magic locally in CN but went to the West to practice magic.

Is this... A desert? So cool.

Why are all the treasures of Erchuang turned into seedlings now?

Will there be holy relics to summon servants in the future, such as Abe Seimei and Mangen Yorimitsu?

The writing is very good. I finally started writing works other than Xingyue, which is not bad, but if I just write this, it is really easy to end up in a dead end. Personally, I prefer to see the collision and exchange of several systems.

Nice! Breaking news! 🤓

Not bad. Finally, an author writes the protagonist as a pure magician. It's rare.

There are several female protagonists. I won't watch them if there are too many. I won't watch if there are too few. I won't watch the odd numbers. I won't watch the even numbers.

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