Ever Seen Tomie? Then Make a Horror Movie

What did you write? I don't know what is called 😅

However, I think the motivation of the protagonist is too vague. There are too many world-destroying things in Junji Ito. The protagonist should be more proactive in looking for monsters to talk about and collect more system rewards. Everyone who clicked this book should come to see Tomie. There should be more interaction.

At least half of the readers who clicked in to read this book came here for Tomie, and they would definitely want to see the interaction with Tomie, but Tomie in the article does not behave like a character, but more like a prop. I just got familiar with Fu Jiang, and then she died, and then I got to know a character again. It was like a well-described character suddenly died suddenly, without any foreshadowing, and then immediately started to build a new character. The protagonist gets a lot of money, but where is the money used? Moreover, the protagonist acted very passively, passively meeting the new Fujiang, and passively losing the old Fujiang. It felt like there was nothing he could do. Around chapter 30, I became a little impatient and started skipping to read.

Overall, it feels very confusing, and there is no obvious main line It can be said that the male protagonist encounters an incident, the incident is resolved, and finally made into a movie. Then it became known to the outside world. Received good response. I failed to feel the drive of a good protagonist. The male protagonist has no special abilities. He is rebellious after encountering ghosts. Currently, he only has an attraction to women. None of the heroines are attractive so far. The assistant director has too little plot. Even if Tomie's emotions towards the protagonist are antagonistic, I feel they are a bit shallow. Like a validation of some stereotype. Overall too scattered. A hammer in the east and a hammer in the west. In general, we need a main perspective. But our director failed to perfect this operation very well. According to the introduction, the author should have an outline. According to the author's previous book, he is perseverant. No matter what, everyone's idea is to see a better story.

There is no desire to read the first chapter. The time traveler does not know what Fujiang is. It is impossible for the second Fujiang to ask others to take pictures of him. The third Fujiang has the ability to confuse people? Was this book written by AI?

The protagonist is suspected to be an aboriginal and does not know Fujiang's abilities and dangers. Actions are all based on intuition, so these nine chapters don't seem to work very well. If you weren't writing about time travellers, why would you add an indigenous setting?😅

You have to return to the topic, otherwise how would you write it?

It's very confusing at the beginning, with no clear main line.

The latest idol chapter is a mess, and I don't know what I'm writing about 😥 To be precise, it's been like this since the beginning of Seven Quirks. It feels like it's a forcible plot line, but from the looks of it, it's a mess. Six or seven consecutive chapters focus on the little idol who landed in the air. In the end, there's no story. It just seems like it's being praised.

It's too chaotic, there are always random characters in the background that I can't understand.