China Entertainment Public Relations Director, Was Captured by the Fairy Tales

Hello, the author, hello all book friends! I have been following "Reshaping the Pattern of the China Entertainment Era" all the way up to now, watching the protagonist go from a fledgling young man to now making moves on the chessboard of capital and art, and I am really filled with emotions. In today's highly homogenized Chinese entertainment and entertainment industry, which is full of routines, this book is definitely a dark horse that makes people stand out and make them want to stay up late to catch up. Let me first talk about some of the most exciting points about this book for me so far: 1. The character design is clear and the emotional line is stable: At a time when everyone is generally tired of the "stallion harem", the author's insistence on the setting of "single heroine Liu Yifei" is simply a breath of fresh air in Chinese entertainment literature. "Capital boss" paired with "national goddess", the emotional line is pure and stable. This "nurturing + deep binding" route not only satisfies the readers' emotional expectations, but also ensures a steady profit in terms of business logic. 2. The pleasure of breaking the situation brought by "Ye Luzi": The protagonist initially bears the name "He Ye", carries the arrogance of "He Ye", has a grudge-y character and is determined to retaliate. Being tough in the face of public opinion and being neither humble nor arrogant in the face of big bosses, this kind of "wild way" that doesn't follow common sense and dares to flip the table is exactly the trait most needed to break the old pattern of the entertainment industry at the beginning of the century. 3. The logic of the career line is online: instead of being taken advantage of by "bringing capital into the group" from the beginning, he enters as a director, accumulates hard power through his works, and then quickly uses the information gap of the reborn to deploy capital. This line of "using works as a spear and capital as a shield" reads very smoothly and is persuasive. However, when I recently saw the plot where the protagonist changed his name to "He Yi'an", as a reader, I actually felt a little complicated in my heart. To be honest, in the early stage, everyone already called him "He Ye" and "He Ye" smoothly. This name, which is half mad and half mysterious, is very consistent with his early image of "Lu Ziye" and killing everyone in the entertainment industry. The sudden change to "He Yi'an" does take some time for old fans who have been following the update for a long time to re-adapt and establish an emotional connection, and they may even have the illusion that "the arrogant Mr. He is about to restrain himself." But if you think about it carefully, this may be a great move by the author. From "He Ye" (who is a person with questions and provocations about the world) to "He Yi'an" (being at peace with the situation, or having peace of mind), the change of this name seems to indicate the protagonist's transformation from "game breaker" to "chess player". He is no longer just the stupid young man who flipped the table by "wild ways", but has begun to pursue inner certainty and stability of the situation, and is ready to truly settle down and build his own entertainment empire. Although this kind of character arc growth may make old readers feel strange for a moment, in the long run, it makes the characters more three-dimensional and thicker. Of course, with the change of mind brought about by this "name change", in order for this book to truly evolve from a "high-quality product" to a "masterpiece", I would also like to put forward some personal worries and immature suggestions based on the current plot (if any offense is caused, I hope the author will be generous, purely out of my expectation and love for this book): Although the current plot is full of excitement, it is a little bit "too smooth"; whether it is to deal with Lao Mouzi, control Han Sanping, or deploy capital, the big bosses seem to "hit it off" with He Yian, and the industry barriers seem a bit fragile. If the villains in the follow-up are still the kind of low-level villains who are mindlessly mocking, or the protagonist only relies on "who is more ruthless" every time he encounters obstacles, the story may fall into a suspended sense of "the whole world is cooperating with the protagonist", and even make the "wild man" slip into an "outlaw maniac". Therefore, I have a few immature ideas for the upcoming plot, hoping to provide some reference for the author: 1. Increase the villain's gold content and refuse to "strike with intelligence": Can the next opponent be the kind of "high IQ, well-established" old capital or Hollywood old money family? Let them create a real "suffocation feeling" for He Yian in terms of capital operations and policy restrictions. To defeat them, he could not just rely on copying scripts, but also rely on subtle business intrigues. This kind of "dancing with shackles" breaks the situation, which shows the true nature of the hero. 2. Establish the boundaries of "thief has his own way" and use conspiracy to package conspiracy: The real capital predators do not have blood on their hands. It is recommended that He Yian maintains the contrasting character of "a gentleman on the surface and a trader secretly", leaving the hard work to the legal and public relations teams, and packaging the conspiracy with conspiracy. Only in this way can such a "wild" person have a more high-end sense. 3. Create a "professional equal match" between the male and female protagonists: I am particularly looking forward to seeing Liu Yifei not only being a "protected one", but also colliding with He Yian professionally. For example, on the set, He Yian controlled the macro narrative, while Liu Yifei controlled the soul of the character. The two fought for the right to define a shot, and finally reached an artistic resonance. This kind of professional respect is much more charming than simply spreading sugar! 4. Enhance the "pyrotechnics" of the crew and the "graininess" of the era: It is recommended to retell the movie plot less in long paragraphs and write more about the "people" and "things" in the crew - how to train the veteran actors to play big names, and how to make a blockbuster movie when the budget is insufficient. At the same time, incorporating more symbols of the era in the early 2000s (such as Nokia mobile phones, ringtone sharing, and spicy hotpots at roadside stalls), these real industry details and era anchors are the most attractive aspects of Huayuwen. Finally, I want to say: Writing a book is not easy, especially sticking to your own style is even harder (just writing this post, I spent three and a half hours in front of the computer to revise it repeatedly. It is not easy for authors to create). The author's current pacing control is already very good. The above are just some of my beautiful visions as a reader. I sincerely hope that "He Yian" can truly "reshape the landscape of China Entertainment" with new expectations. Comrade author, keep up the good work! As long as the balance between "realism" and "upgrade" is maintained, this book will definitely be in the first echelon among similar works! We will always support you!

It's already starting to get better. Come on! Rush! Chong

Because my mother needs to recuperate for surgery and my father is out of town, I can only go home to take care of the family and do the farm work in my hometown. I have not worked for ten or twenty years. After working for a few days, I found that the painful memories returned again. I hated May the most when I was a child. At that time, the May Day Labor Day followed the busy vacation, basically I have found the reason why I don't like taking a break for more than half a month. Not only do I have to plant rice, but I also have to cut wheat, harvest rapeseed, press oil, make vegetable gardens and pull vines, and pull grass to feed the chickens and geese. I can't hire anyone because it is the busiest time. I won't let my family farm for anything next year 😅😅 But there is still a good thing, that is, I can sleep soundly when I go home, because I am so tired every day that I just want to sleep...

In fact, what you wrote is very detailed and a lot, and the information density is very high. But do you know why you are called water? It's just that you, the author, like multi-line narratives too much. Not only do you like to use multi-line narratives or dual-line narratives in the movies you adapt, but even when you write novels and advance the plot, you also use multi-line narratives. Look at how many projects you have promoted now, and the second movie has not yet been There are still nine projects being filmed, including "Ghost Chronicles", "Crash", "Source Code", "Three Kingdoms", "Sword of Fairy", "Little Miss Sunshine", "A Separation", "Kung Fu Panda" and the magical adaptation of "Love Afterlife". Four domestic Langyuan companies and Hollywood Fat There are five projects in the company. You are too spread out. Others are writing books in a single thread. You are taking care of nine at the same time, and you also have to write the scenes with the heroine. If you spread it out like this, it doesn't seem to be watery. You have to take into account a little bit of each one, and the time feels like it is according to the day. Yes, the main plot for you seems to be very slow, and this will be filmed next, and there will be several chapters. Fortunately, you did not write more about the school. It feels like the school is gone. Otherwise, the school will be added, and it will be another plot, which will be more.

Boss Yang also has a rat tail, be careful not to get angry.

Have you ever been a director? Just write! Writing randomly, take it for granted!

As a post-2005 fan of Sissi, when we read Huayu novels, we actually have very simple but urgent expectations in our hearts: what we long to see is no longer a flat symbol that only carries the beautiful skin of "fairy sister" and serves as the "beauty ceiling" on the rankings, but a living individual with an independent soul who can jump out of the author's established framework. For a long time, many Chinese entertainment movies have been accustomed to using Sissi as a "tool person" to advance the plot or a "top accessory" in the male protagonist's career. This kind of monotonous setting has already made readers feel aesthetic fatigue. What we really look forward to is that the author can calm down and dig into the reality and complexity behind Sissi's fame. For example, can any author dare to touch on the controversial "low periods" in Sissi's acting career? To describe in detail how she went from being sensitive and fragile to inner strength and calmness step by step when faced with misunderstandings from the outside world, online violence, and even career crises. This kind of growth and transformation with a realistic texture is far more touching than simply piling up box office data and sweet pets. Therefore, our call for innovation to the authors of Huayu novels is: Please break the old routines of "the hero saves the heroine" or "brainless pursuit" and restore the extremely tense and multi-faceted character of Sissi. We are looking forward to seeing a "contradictory" and charming Sissi - in front of the camera, she may be a "fairy sister" who is gentle and demure, with a sense of coldness and alienation; but in the script study room, she can show an "over-serious" or even strong side, and can be paranoid to the point of "mesophobia" for the sake of the role. We hope to see Sissi's "hard-core" professionalism at work, where she is clear about love and hate and expresses her needs clearly. We also hope to see her relaxation and authenticity in private when she wears sweatshirts to go shopping, adopts stray cats, and loves to read psychology books. I also hope that the author can write about Sissi's sobriety and counterattack when faced with industry rules: when faced with malicious slander, she does not hide behind the male protagonist and wait for public relations, but can calmly mobilize her emotions and personally write logical and rigorous essays. For example, he confidently told Chinese myths to the world during overseas roadshows, argued with arguments in the British Museum, used his strength to win the title of international movie queen, and deeply tied personal achievements to national cultural confidence. At the same time, we are extremely eager to see the author restore the weighty family ties behind Sissi. In the novel, please don't ignore the existence of mother Liu Xiaoli - she is not only a companion in life, but also a spiritual "anchor" for her daughter. We hope to read such picturesque details: Sissi is a "fairy sister" with full aura to outsiders, but once she returns to her mother, she will instantly transform back into the well-behaved daughter who is "suppressed by blood". She sits quietly at the table and listens to her mother chatting with her friends. When she is bored, she just plays with the old diamond ring on her finger that she has worn for many years. She does not interrupt or steal the spotlight, and her eyes are full of dependence and relaxation. We are even more looking forward to seeing the simplicity and sobriety of the mother and daughter in Vanity Fair: at the end of the dinner, Sissi, a second-generation top star, will cooperate with her mother to pack the leftovers very naturally, without any airs, only what is engraved in her bones. Cherishing things is a family tradition; when it is freezing and snowing at minus 20 degrees, her mother will still subconsciously tell her to "tie the scarf tighter" in Wuhan dialect. The hand that habitually curls around her daughter's wrist hides the muscle memory of being ready to protect her for twenty years. And when faced with the hidden rules of the industry or malicious drunkenness, this former dancer can instantly transform into the hardest armor, standing in front of her daughter and coldly rejecting: "She is still young and can't drink." It is this affectionate exchange of "I accompanied my mother in performances ten years ago, and my mother will accompany me in filming ten years later" that has given her the confidence to not give in or be anxious now. She is still single at the age of 38 but living a prosperous life, not because no one wants to marry, but because she has enough love and security that she does not need marriage to prove her worth. Of course, writing these long remarks is not meant to be harsh, but stems from our deep love and expectation for this work. We know that under the pressure of fast-paced updating of online articles, it is extremely challenging to perfectly balance coolness, logic and character depth. Every time the author writes and every night he stays up late to type is worthy of respect. A truly excellent Huayuwen should be endowed with a "hard-core Buddhist-like appearance" soul like Sissi. She can be a comrade who fights side by side with the male protagonist, or she can be a soul mate who redeems each other and grows together. I hope the author can write about Sissi's independent sobriety that "I am completely and absolutely in charge of me", so that readers can feel between the lines not only the beautiful fantasy under the filter of fans, but also the power of a flesh-and-blood woman who sticks to her true heart in the torrent of the entertainment industry. Across ages and time, Sissi's gentle yet firm strength has always been the most dazzling light in the hearts of us born in 2005. Words are the art of dreaming, and we are willing to be your most solid companion on the road to dreaming. Dear author, please feel free to write. As long as you describe Sissi's soul with heart and sincerity in your writing, we will provide the greatest support and companionship to accompany you to witness the brilliant bloom of this character. I look forward to meeting the most vivid and moving Sissi in your writing!

New status

Can the author close his eyes when typing? I don't want to read second-hand words.

Cheongsam Sissi

Come on

The name of the album is the number "18" Little Hands Holding Big Hands Ningxia Dear You Little Forever The Wind Rises I'm yours I Want You Green Tea (sung by Huihui) Flowers Along the Way Light Chaser They are all songs after 2005 and they are all suitable for songs that Xiao Liu sang at this age. You can also write some plots about going to the Japanese Fireworks Festival, Japan Disneyland or Hong Kong Disneyland (Hong Kong will open in September 2005) in conjunction with the song.

Akane

Moving

Lu Xun is so rubbish and there are a lot of people in the film industry defending him. The protagonist is so awesome and he is the enemy of the whole world who kills his father. Do these authors from Qidian really not read their own books? Directors' films all follow this routine

Introduce me, my wife

I didn't wear the dress yesterday due to special reasons. I just took photos and didn't appear in front of others

The event video is solemn, elegant and decent, without beauty filters or lighting. Take a look and cherish it (black P pictures have begun to appear on Weibo)

Sissi's own attitude towards her own black manuscript

Akane

Get some experience.

I'm bored, send me a picture

Akane

Yifei's movie promotion

Akane

The writing is very good, with the mentality of a reborn person, who will do whatever they want if no one accepts it. After winning the award, I put myself in the right position. I thought there was something wrong with the emotional line before, but after reading the author's explanation and Mother Liu's perspective, I felt it was right. The magic version of your name is also pretty good. The Three Kingdoms reform is very good. Can you write it and release it quickly? I want to watch it. How do you write about the reaction of ordinary people and the conflict between mainstream literati. I hope the writing is better, this is a great point.

Movie title

In order to watch Xiao Liu, I picked up the famous bad movie White Ghost and watched some clips. I accidentally discovered that Xiao Liu's acting skills are actually quite good, but some of his expressions still feel a bit like the previous movie. The script is written by a Yankee, and the plot is generally regarded as a piece of cake on the roadside. It is actually the official lead producer of Yunnan. It is a bit strange. This is not a tourism promotion film? Instead, he met Youfeng.

Langyuan Media's movie titles

Yes, this director is really crazy!