I Teach Talents in Tokyo

The author also writes such disgusting plots as Ji Dao. Couldn't the plot follow the legal provisions? We always resort to violence to solve problems, what age is this?

6 When I write Chapter 15, the apprentice has not yet been admitted to Tai Neng Shui.

It's too vicious. It's said that the landlord defrauded the male protagonist of the rent. It's not that the male protagonist doesn't live there, so it can always be considered a lie. Moreover, the male protagonist was late in paying the rent and no one else said anything, so he just complained. His mentality was really bad.

I think this book would be a lot better if it didn't have the Yakuza in the early stages. The reason why the author's performance is like this is that the Jidao accounts for at least 90% of the total. Not to mention the water problem, almost all the plot conflicts in the early stage were caused by the Yakuza, including Ito's change of feelings towards the protagonist, which relied on the hero to save the beauty, instead of relying on the shogi that should be the theme of Ito's line. The author did not write this thing at all. In fact, for this kind of daily harem theme, you can just write it as a daily comprehensive comic and be done with it. Forcibly talking about the Yakuza, some old-fashioned behind-the-scenes mastermind, etc. In addition, the protagonist has been threatened by the Yakuza over and over again, but he has never thought about it. He has always been passively beaten and fought back, which makes it even more difficult to break down. Don't talk about the fact that the protagonist didn't suffer. This is not a reason. The fact that the protagonist doesn't suffer does not mean that it is reasonable for the protagonist to be in trouble. Let's put it aside, this is called pretending to be a pig. If you write it like this, the reader's perspective will change from how the protagonist meets various female students to when the gang of yakuza will be solved. It can be said that the author himself has brought down his own theme. A heroine corresponds to a skill, the Takahashi line corresponds to kendo, the Ito line corresponds to shogi, and the sister line corresponds to comics... The originally acceptable structure was directly brought down by the author's Yakuza, especially when the Yakuza is not limited to the Takahashi line.

Please follow up. Reading new books is really important to the author.