Espionage: I’m the Ace Military Strategist

The new book is also a spy war story. The protagonist of the previous book is proficient in latent assassination and spy war. He is indeed the quality that an excellent intelligence agent should have. But at the same time, he is proficient in fighting, a military commander, a strategist, and a money-making entrepreneur (especially the first pot of gold from inventing various things in the past life. In fact, I feel that the original capital can be robbed, so I kidnapped the powerful figures of the local gang), as well as an economist with development ideas, various pills and other magical items for fake death, etc... In short, the protagonist has too many buffs and too few restrictions. The development of the plot can only rely on the protagonist to show weakness to the villain, the villain fights back, and the protagonist comes back again. Fluctuating back and forth, with no new ideas, and aesthetic fatigue over time. If the protagonist wants to become stronger, he does not necessarily need to stack buffs for himself crazily. He can extend his abilities and consolidate his power structure by attracting similar people, high-quality talents in other fields, cultivating subordinates with specialized abilities, etc. A good intelligence structure requires a number two person to take over the overall situation in times of crisis, but the protagonist is too irreplaceable. Others have no idea what the protagonist is doing. What will happen if the protagonist sacrifices? How to build mutual trust? Talking about this book, to be honest, the existence of the protagonist's sister feels a bit awkward. The Japanese trained so many orphans, and the protagonist rescued a young prostitute that he had rescued before, on the grounds that there was nothing else he could do. (Is it powerless to encourage each other even if you say a word? If you are worried that others cannot keep your original intention, then you should trust your sister to keep it? Why do you think she can keep it? Isn't it because the protagonist feels that his influence can resist brainwashing? Then why don't you use your own influence to protect others?). There is also the issue of the identity of the protagonist. Since the protagonist (original protagonist) was born as an orphan and was adopted by a Japanese spy training institution. Later, anyway, he joined the Secret Service and the Party Affairs Office as a double agent. It was originally a good route. The identity of a red orphan had to be arranged for the protagonist, and it was kept secretive. In the later stage, there will definitely be testing around this point. If your heart is close to the Red Army, you can wait for the protagonist to travel through time and cooperate with the Red Army. There is no need to adjust the identity of a red orphan. The tone of the whole person is too confusing.

Damn, I used to keep them, but I couldn't help but kill them, but they told me that they had been cut.

Old dipping sauce thief, I realized it was you after reading this 😡

The starting setting is too complicated. I have seen several cases where the characters are very simple and come from a wealthy family. They graduate from the Central Military Academy or the Police Academy and join the military, and then the plot is to capture the Japanese. The overly complicated setting is difficult to round out later.

I feel like the protagonist shouldn't write about spy wars continuously. It's better to write about other themes first to let readers change their minds, and then write about spy wars.

It's best not to go to the red square. I can help.

The original type is still the comprehensive film and television one like the previous one.