Female Craftsman of the Ming Dynasty: I Practiced Various Arts in the Ming Dynasty

She is not fighting in the palace, but building cannons. At the end of the Ming Dynasty, on the Xiaoglacier River, among the white mountains and black waters, Nurhachi's Eight Banners cavalry hit the wall of the decaying Ming Empire like a tide. Outside Shanhaiguan, a woman who climbed out of the imperial edict was using a measuring ruler to re-measure the rules of the world. Tao Qing, the daughter of a Jingdezhen potter, is a doctor (traveler) and believes in the four-character mantra: "You don't have to be trapped" - you don't have to be trapped in the discipline of "women have no talent", you don't have to be trapped in the quagmire of "experience first", you don't have to be trapped under the chastity archway of "I'd rather be broken than jade". With the "standardized" thinking of modern engineering, she ran headlong into this ancient military industry system that could be seen with hands and eyes: Others rely on luck when casting cannons, while she relies on tolerance and coordination when casting cannons; Others rely on courage to train their troops, but she relies on modular replacement to train their troops; Others rely on human lives to defend the city, but she relies on prefabricated parts to defend the city; While others rely on cunning tactics to fight, she relies on firepower density and ballistic calculations.