I, the Heir to the Great Eastern Country

The beginning is still readable, but after the college competition in more than 40 chapters, it becomes nonsense. The king directly ignored the protagonist's title and made him a baron. The protagonist immediately recognized it and said that he would dedicate his life to the king. What kind of nonsense plot is this?😒

Isn't this the heir to the 1.4 Billion kingdom?

I thought the first part was okay, but the plot took a turn for the worse after the protagonist went to school. It felt like watching children play house. The introduction had such a strong gaming flavor, but the text was so romantic that I can't comment. It's not the type I like to watch.

The problem was revealed in Chapter 32. You think too well of the nobles of another world, right? Even if I can't kill you, I can imprison you, I can torture you, I can let the protagonist speak all the Chinese he knows, I can use endless imprisonment, there are many methods, bloodline casting is a kind of protection, don't expose me until you have no strength, you can cast spells without bloodline, otherwise there is an endless abyss waiting for the protagonist.

The last person who wrote this was already a eunuch.

The introduction says that prostitutes and gangs will be eliminated, but I don't think this can be done. After all, as long as they develop normally, these two professions cannot disappear.

Let me tell you, you have considered the starting environment better than that book about 1.4 Billion. I read almost 200 chapters of that book and couldn't stand it anymore. . There are many reasons, but I think there is one main reason and one secondary reason: Main reason: The entire civilization and the pressure at every moment are too dark, and there is no time for the protagonist to breathe Second reason: This is also derived from the main reason. Without the opportunity, there is no outline and route of writing the people's view of history. The rest of the writing is purely about using blessings to fall in love, and using it as material in exchange for friendship with the upper class. I hope you won't write too much.

Others feel the stones to cross the river, you feel others to cross the river

Tomato's 1.4 Billion copy started to imitate it as soon as it became popular.

In Western religions, religion is the shepherd, and the others are sheep and not people. People-oriented is also an idea that only emerged after the founding of New China. This book completely puts aside class positions and interests. They talk about narratives such as the people being the masters of the country and man being able to defeat nature. Some of the lies are empty, and the protagonist can talk a lot. The above is only a personal opinion.

The only unpleasant thing is that the heir to the big Eastern country is a bronze. I saw stories about small and remote countries at every turn, and I didn't feel at all happy about it.

Since it is a world with title rules, the heir to this big country is Bronze-level. Either the succession order is extremely low, or the country is suffering from internal and external troubles and the people are having a hard time. Why can others see the big country and the heir, but not get any information from the level? You can't judge the quality only when you look at other people's titles The Mark of Revenge is currently a life-saving rule for the character, and it can be restored The setting of the mark of hatred only allows relatives to perceive the murderer, so there will be no one who will personally deal with the target. Paying the murderer is one way. I think it's funny when I think of the other party's revenge and the family members need to track it down personally. You can write about magic geniuses, you can write about battles of wits, but you shouldn't make the people in the whole world become mentally retarded and become untouchables to show that your protagonist is noble and intelligent.

How dare you read it if you don't have a million-word book?

The first few dozen pictures are just a bunch of stuff. It's a bit trivial to see Emperor Zhaolie of the Han Dynasty.

This book allows you to read the latest in one go, and the writing is much better than that one.

Here is a book of almost the same type. Book lovers who have finished reading it can read this first to relieve their boredom.

To be honest, a little disappointed. When I first saw the name and introduction, I thought it was a novel about online IQ, farming development, civilized revolution, imperial struggle, or Panko technology, developing power, and heading for a journey. It turned out to be okay in the beginning, but once I entered the academy, I felt that the taste was suddenly different, and it became almost like an ordinary diaosi counterattack, campus training novel. After fighting with a group of children in school all day, his status dropped a lot in an instant. To be honest, if what I want to read is novels similar to campus training, youth growth, and secret adventure, then there are as many as you can find online, and they are not new at all. There were so many novels about exams and trials, talent competitions, and campus competitions in the past few years. They are outdated and have nothing new. On the other hand, the logic makes me feel particularly contradictory. On the one hand, the author spends a lot of space to emphasize that this is a world where the strong are respected, a world where superiors and subordinates respect the inferior, a world where class barriers are very strong, a world where people are divided into three, six, and nine classes at birth, a world where subordinates never dare to offend their superiors, and a world where hierarchies are solidified. On the other hand, after arriving at the academy, most people don't respect the protagonist. They talk about foreigners and talk about it. If you don't give me money, I won't help you. Is this reasonable? Don't say that the author set up a slave society, and the world will give entries to the world after birth, a world where identity is completely solidified, even the feudal society in ancient times, and there are no birth entries. Guess the prince of a country said to a nobleman, "Do me a favor, do you dare to negotiate terms with me? Guess if an ordinary nobleman dares to call a foreigner when he sees the prince, even if the prince is not favored and is from another country, that person is also a prince." Basic etiquette is still required. Theoretically speaking, in such a world, as the protagonist, except for the heirs of the empire like him, ordinary nobles would not dare to speak like this. Not to mention the son of a nobleman, even the nobleman himself would not dare. Because the heir of a country represents not only himself, but also the country behind him. If you speak rudely to the heir of a country, you disrespect the country behind him. This is prone to diplomatic accidents. Even if the real heir to the empire comes and is equal to the protagonist in terms of status, it does not mean that he will definitely speak like this, because when both parties are heirs to the empire and represent the same country, they need to be etiquette, polite, and decent. So people with lower status than the protagonist dare not speak like this, but those with the same status as the protagonist, as the heirs of the empire, they care about face and etiquette. I don't know how to talk like that, so I did a lot of foreshadowing in the early stage and made the world so strict with class barriers. In the later stage, I had a lot of people say "granny" to the protagonist, and then pretend to be "granny" again. This in itself feels contradictory and abstract. The author just wants to create conflicts here and find a group of people to come up and make rude remarks, so that the protagonist can be slapped in the face afterwards. This is an old routine and there is nothing new about it, but if you set the protagonist's identity too high at the beginning, it will look strange here. Just like when you watch a costume drama now, and you see an ordinary person being bullied, you would expect him to slap him in the face. But if you see His Royal Highness the Crown Prince being bullied, and there are many people bullying him, your first reaction is not to slap him in the face, but to feel that there is something wrong with it? Among the novels of the same type, there is actually one such as The Cross. He also wanted to learn magic, but he didn't spend a lot of time fighting with a group of children. The protagonist's character was not lost throughout the whole process. What he started out with was how to win back people's hearts, how to gather like-minded people, how to find suitable talents, etc. Who has time to fight with a bunch of kids?