Behind the Scenes: Starting with Tokyo Catfish

Compared to the protagonist, a villain of this level is like a lolita

There are many shortcomings. First of all, the background of the so-called Legion Spider Demon Merchant and the like affects the perception. The simpler the background of the protagonist behind the scenes, the better. You have to write a lot of characters, and the focus is on the supporting characters. Once the protagonist's route is written, there is not much improvement. If the writing is poor, it will definitely affect the reading. There is no need to write it, and then your shot The descendant of a pig demon on the forehead may want to go a funny route, but it is not necessary. You are not an anime character fighting. The policeman is also the best character you have written. This character can passively or actively accept extraordinary power. It is a very common plot for non-extraordinary people to come into contact with extraordinary battles and then gain a little power from one or both parties.

The writing is quite good, and the supporting characters are not bad. The writing is much better than the ordinary assembly line. It is not the kind of group portrait that blindly adds characters and becomes a tool.

This introduction... Is a bit unconventional

The character Sato should have been written off as soon as he appeared. I have read a lot of this type of writing, but the protagonist is actually not that important. Whether the gods are hidden or not, whether they end up or not is not the point. What's important is interesting storylines with live supporting characters and side characters. Sato's classic plots of "Why didn't you come earlier?" And "It's all your fault" and funny moral condemnation plots Nowadays they are used as a finishing touch and contrast, and usually the next step is retribution In the end, the author uses it as a means of character creation? What readers hate the most in recent years are supporting characters who get something for nothing and characters who take the moral high ground to condemn Even the protagonist is best not to write such morally condemning plots, because if you do Readers will lose their sense of substitution in the disgust and take a closer look at what kind of "honest man" the person who launched the moral attack is.

There are too many dramas, but I just want to watch blood flow like a river

So far it looks pretty good

The writing is too complicated and the scenes jump too quickly

Everything else is okay. Magical Girls is a bit boring. I don't want to watch it for now. I may come back and watch it again in the future.

Chapter 34 so far Sato's portrayal of Sho, who is identified as having the lowest record in a gunfight game, and who also likes to put pressure on the big brother who has the best record, is a kind of flying, moral kidnapping "Why didn't you come earlier?" This directly brought down the overall creation of the Night Knight chapter, and can only give 3.5 Points. In the chapter about the boy and the doll, I won't say more about this (no spoilers), it's not a big problem, I give it 4.5 Points, and deduct 0.5 Points because there is no follow-up after reaching the climax. For example, he painted a horse but not a ponytail Although the Magical Girl chapter has not been finished yet, it has been identified as a flying figure. The character Hoshino Hikari is essentially a flying and cowardly person. He has fought several battles. As a result, when he encountered a monster that transformed into a human being, the cat that he had helped him was eaten by the monster. I'm really too lazy to criticize this paragraph. It would be better to delete these chapters and fill in the subsequent parts of The Boy and the Doll. Oh, by the way, there is one more question. Forget it, I will make up for it in a few days. I'll go to sleep.