Abstract Coaching in the LPL, Is the System Abstract Too?

A plug-in that improves players' understanding of heroes, with a ten-year cooldown, is really abstract. What's more abstract is that the protagonist, an analyst who thinks he understands very well, secretly used this plug-in in the training game for the coach. He was not familiar with the players, so he might not be able to stay. He just used the plug-in that had been cooled for ten years. It was so funny.

The system can't be sold, so you're here to force me to buy and sell.

Who on earth would keep calling someone Mr. Gu... When the coach is not familiar with him, instead of just calling him Brother Gu when he is familiar with him?

​​It is obviously a highly competitive e-sports novel, but I saw a sense of calmness and tranquility in the novel. Most of the plot is wasted on daily life, and the scenes about e-sports and the protagonist's own growth in the novel are very bland. The core of this book for readers is the growth of the protagonist, the growth of the team's e-sports ability, and the growth of the team members' ability. What does it mean for you to spend a lot of pen and ink describing daily life? Shouldn't the daily plot be briefly touched upon and focus on e-sports strategies and player growth? The protagonist has changed from a data engineer to an acting coach. The way the plot is handled is that Zhu Zheng fell down in the bathroom? No, what does this mean? Shouldn't it be that when the protagonist becomes the acting coach, when the team enters the summer split and prepares for next year if they fail to win the key game, there will be a fierce conflict plot that turns the tide and helps the building to collapse? Shouldn't it be this time when everyone is not optimistic about you and your protagonist leads the team to win the key game and enter the summer split strongly? You created the negative supporting character "Zhu Zheng", shouldn't you use him to show off? What does it mean if you let him fall in the bathroom? This is like the story where two martial arts masters met for a fight in the Forbidden City, but one master ate and had diarrhea halfway. Is this reasonable? In reality, there is no need to talk about logic. That Zhu Zheng might really fall down in the bathroom, but in novels, there is no need to talk about logic. Zhu Zheng can only be knocked down by the protagonist in an upright manner, rather than being defeated by someone who jumps out of the bathroom! Your author doesn't want to be a coach, but readers do. You can say that the protagonist is pushed to become a head coach, but you can't say it in the protagonist's tone! You can say that after the protagonist turned the tide, the team members felt that the protagonist was more capable, and then recommended the protagonist to be the coach, then the protagonist declined, then the players insisted, the manager came to persuade, the protagonist temporarily agreed to be the assistant coach, and then Zhu Zheng gave the protagonist a stumbling block, and then the protagonist solved them one by one, making Zhu Zheng admire him, and then voluntarily gave up the position of head coach? Also, later on, Zhu Zheng was defended by Doujiao alone. What does this mean? Shouldn't it be that Zhu Zheng came back as the coach, but the team lost the first two games, and the protagonist invited Ying to play in the key game of the third game, and then allowed the team to win the key game? Another point is that the writing of your novels is straightforward, just like my previous novels. You often use reversals, foreshadowing, hidden lines and other techniques. The good thing about your novel is that it reads smoothly, but the plot design is not enough, the conflict is not enough, and the narrative is straightforward and has no highlights.

How to completely block these system poisonous texts?

Your question is obviously a game of imagination, and the system is full of imagination. As a result, the previous plots are either palace battles or daily life. There are basically no game plots and coaching plots. Moreover, he has been working for a long time and is not a coach. It is very slow and dull. After using the system once, there is no imagination, let alone imagination. There are also problems with the style of the system setting, and the overall writing style is also very bland.

Dear author, didn't you go into the factory to drill screws? 😜

Just write for one year? Are you worthy of us? Geneva, money back

After reading these two chapters, I feel that UZI's description is biased. As an individual, if I don't like UZI, it doesn't matter how I criticize him. After all, public figures are meant to be criticized. But there should be a basic logic when writing novels or at least writing fan fiction. Is UZI inflated? He's swollen. But it is impossible for him to expand immediately after going to RNG. S5 has just been hidden for 16 games. S6 watched in despair as the middle and jungle split. To be honest, he now has a normal team and he is very happy. Shouldn't his expansion begin after he found himself irreplaceable after winning S7 4? This is a normal logic problem. But I found that many authors just stereotype that it has been inflated, so it is inflated for a long time. Similarly, his mentality will collapse in the fifth game, but the problem is that he has just played the fifth game against ig, and he was chased by two people in a row when he was two games ahead. He also performed very well in the last game, so he will not collapse in every final. Fans can ignore these things and scold them if they want, and praise them if they want. This is a personal issue for fans, but in novels, a basic evolution logic must be followed. The third is the relationship between the teams. Xiangguo and UZI seem to have a good relationship. So does Xiao Ming. So from a practical point of view, Youya will not have a big problem with Xiang Guo and Xiao Ming. If he has a bad relationship with someone, it will most likely be Xiaohu and Letme. So my suggestion is that even if the author doesn't like to criticize him, he should have a basic time logic and realistic relationship between characters. After all, what we are writing is not a fantasy novel.

Fishing for the tiger was written too much. It should have been in a high-spirited state in S6. The author specially wrote about the big quail to suppress the tiger. Although it was for a reasonable win, it is not easy to evaluate.