Rebirth of the Northern Song Dynasty: from Lu Embroidery Shop to the No. 1 Tea House

Reborn with ten years of blood and tears, the heroine Li Wanyuan used needlework as a blade and business as a chess piece to tear apart her stepmother and concubine, and counterattacked from Lu Embroidery Workshop to become a business giant. The background of the Northern Song Dynasty is vivid, with family fights and business wars going hand in hand. The heroine is sober in her career and not interested in love. She has a satisfying sense of revenge. The more you watch, the more you get addicted!

The writing style is very good, who wrote the vest? I feel that in reviving my life, in addition to regaining my family business and dominating the business, I also need to control the power so as not to make the same mistakes again.

Before writing this book, I set a rule for myself: no nonsense in the first chapter. A common problem with many rebirth novels is that there is too much foreshadowing at the beginning. Before rebirth, I spend two chapters explaining how miserable my previous life was. After returning to the past, I spend two chapters recalling how naive I was in my previous life. By the time the real action begins, the reader has already run away. I don't want to do this. So the first sentence of the first chapter is "Li Wanyuan died on the winter solstice". There is no flashback, no exaggeration, just a bowl of heartbroken grass poured down the throat, kneeling in the snow and dying. Death is concrete - the entrance is slightly sweet, the aftertaste is bitter, the limbs are cold, and the eyes cannot be opened. I hope the reader can smell the bitter taste of that bowl of wine on the first page. The suffering is not expressed by adjectives, but by details. The stepmother's embroidered shoes stepped on the broken plaque, with Bingdilian embroidered on the upper. This picture was the first thing I thought of, and later the whole chapter revolved around it. A person stepping on your family property and saying "I will give you a good child in the next life", this kind of understatement and cruelty is more suffocating than hysteria. Then reborn. I also didn't intend for the protagonist to spend time digesting his emotions. It's not that I don't believe in the power of grief, but this character's ten years are not meant for crying. After she woke up, she took a look at the fake account book and immediately started counting down in her mind - six hours, three things. In her previous life, she would only cry on this night. In this life, her reaction is: time is running out and it's time to take action. There is no emotion, no pretentiousness like "God gave me a chance to do it again". She just glanced at the snow outside the window, and then began to count the time. The poisonous soup section is the part that I have revised the most. The first draft had the protagonist throwing a bowl and lashing out on the spot, but later I felt it was too violent, not like someone who had lived in hell for ten years. Finally, it was changed to the current version - she picked up the bowl, brought it to her lips, and then casually stated the prescription, as if chatting. This lack of anger is more terrifying than being angry. I hope readers can feel when they see this: This person is no longer afraid. Ten years of beatings did not break her, but instead made her into an invulnerable person. Her next operation was also deliberately designed - instead of hiding her awakening, she took the initiative to expose it. Expose the poisonous soup, reveal the scandal about my sister, and throw out the trump card of "I know where you moved the money for repairing the Dai Temple." This is not impulse, it is strategy. She was betting on one thing: Wang would make a mistake in his panic. This idea is what I most want to express in writing this book - the real comeback is not to rely on stronger force to crush, but to rely on the judgment of the situation and wait for the opponent to reveal his flaws. The prerequisite for hitting the snake's seven inches is that you know where the snake's seven inches are, and Li Wanyuan knows. Ten years of failure gave her this map. Another detail is the false accounts. She didn't destroy it after she found it, because she knew that if she destroyed it, Wang would make a new one, and she would lose the clue. The correct approach is to make this false account a reminder for Wang. This kind of judgment is not a talent, it is the tuition earned by ten years of failure. This is also the core setting of the entire book: rebirth is not about cheating, it is about coming back with scars and playing cards again. The cards are still the same bad ones, but the players have changed. In terms of rhythm, I hope that the first chapter can complete four nodes: death, rebirth, seeing through the poisonous soup, and going out for action. No nonsense, no sloppiness. I've seen too many Qidian serials where the first five chapters are still setting up, and readers' patience has long been exhausted. The first chapter should fully open up the three lines of life, death, rebirth, and breakdown, so that readers can know the rhythm of the book on the first page—fast, accurate, and no looking back. The villain Wang is also a character that I put a lot of thought into. She can't be the kind of paper person who reveals her secrets as soon as she gets involved. The fake account books were made to be authentic, and the poisonous soup used chronic heartbroken grass instead of immediate poison, and the methods were progressive - destroying the throat first and then slowly cleaning it up, without being impatient or impatient. The villain's IQ directly determines the protagonist's ceiling. If Wang is a fool, then she is not something to be proud of if she wins. Only when the opponent is smart enough can every move made by the protagonist have weight. I have been implementing this principle in the following chapters - every opponent found for the protagonist cannot be a fuel-efficient lamp. The description of the five senses is a shortcoming that I deliberately made up for. The fragrance of plum blossoms is mixed with sandalwood, the dark brown concoction corrodes the white snow and emits white smoke, the crackle of charcoal fire is heard, and the cold quilt is pressed against the skin. Many online articles are only visual. I want readers to not only "see" the snowy night of the winter solstice, but also to smell, touch and hear it. Good writing should draw people in, rather than letting people stand on the outside and watch. I am still practicing this, and the density of the five senses in subsequent chapters will be higher than in the first chapter. The mysterious man who appeared in the first chapter only had three lines. From a distance, he made no move. The protagonist takes the dagger left by his mother, puts on his cloak, and breaks into the snowy night. This was intentional on my part - I didn't want to write a story where "the hero comes down from the sky and settles everything for you". She had to save herself and walk all the roads by herself. Xiao Jinyu's role will slowly unfold later, but he will never be the one who wipes the protagonist's butt. Their relationship is more like a chess match than a hero saving a beauty. You will find that Xiao Jinyu's way of helping her is never to help her, but to push her at certain moments - but the force of that push sometimes makes her more uncomfortable than taking action for her. This kind of uncomfortable help is real help, and help that is too comfortable will only make people weaker. Of course there are things I am not satisfied with in this chapter. Li Wanrou's reaction after being discovered was written hastily. The line "How did you know?" Is too templated and will be changed later. To achieve this level at the beginning, score seven points by yourself, and slowly make up for the remaining three points in subsequent chapters. Finally, let me tell you the truth: I don't really like the feeling of "being invincible on the first day of rebirth". The real pleasure is not to be crushed, but to watch a person carry the scars of ten years and survive a dead end step by step. The cards in hand are still bad, but the players are different. This is the story I want to write.

Writing a book is not easy, so stay with me!

The tragic experiences in the past are the driving force for coming back to this world. The author's protagonist is vivid and worth reading. I highly recommend it!

Looking forward to a hearty revenge like the Count of Monte Cristo, taking back what is lost one by one, countering all the enemy's plots, and finally standing on the top of victory.

I really like this kind of cool novel about a heroine. It is written without any sloppiness and the pace is refreshing. After being wronged, she immediately fights back. The heroine's various slaps in the face are very interesting to watch.

The heroine Li Wanyuan was poisoned and mute by her stepmother in her previous life, and her family was ruined. She was reborn as a 16-year-old. Rely on predicting future business opportunities, use Lu embroidery (double-sided embroidery) and tea trade to turn around, fight against the conspiracy of the inner house and establish a business territory. It's a classic otaku novel, but it has a remarkable focus on commercial farming, which is a highlight. Looking forward to updates

The writing is very delicate, and the description of ancient business is so good. When I read it, I felt like I really saw the rise of a strong woman in ancient times, and I liked the bold and decisive character of the heroine the most.

Kung fu can be seen in the details, and the intrigues between gentlemen and villains are all in it. I hope the vivid description can be more profound.

The author's writing style is great, and a feeling of depression and pathos comes from the beginning. Rain, snow, thunder, and blood are three cruel heavens. The death scenes of the previous life are very graphic, with poisonous wine, tea seals, and broken plaques. . . . . Looks good, come on ✊✊✊✊

The main plot is about business revenge, and the sub plot is about uncertain love in the past life. It means that more business should be written. The heroine is like this, happy and happy. I look forward to the subsequent updates.