
Steampunk: I Am the Godfather in an Empire on Which the Sun Never Sets
蒸汽朋克:我在日不落帝国当教父
- Status
- Ongoing
- Length
- 551k Words
- Genre
- Western Fantasy
- Audience
- Male
- Subgenre
- Epic Fantasy
- Updated
- 1d ago
- Source
- Qidian
Stats
156Monthly votes
691Recommends
15Fans
185Chapters
Tags
Synopsis
Reader comments
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A few words
1. Sense of expectation Don't let readers get into trouble, have you heard of Hitchcock's bomb? I made a fool of myself. Hitchcock is the master of suspense in the film industry, there is no doubt about this. Scene: Four people playing cards There is a bomb under the card table, but the four people don't know it. But moviegoers know it. When and how this bomb will explode is what the author has to consider, and what the readers are looking forward to. It is necessary to raise the reader's vision and have a God's perspective. When it explodes, it will be a highlight, which is more exciting. 2. Rhythm point After reading this chapter, it feels like the author has no idea and is thinking about it while writing. This is the cool thing about not setting it up in advance. Use Chapters 1 to 3 to bury the bomb, detonate it in Chapter 45, and have a system panel, and you will gain something. Then use Chapters 6 to 7 to summarize the harvest, and the effect will be better to capture the reader's sense of expectation, which is the so-called hook. At the same time, there must be a main line, which is the intention. After reading the whole article, it is not obvious. 3. Theme of the character design My impression of the protagonist is that he is empty-headed, has no idea what to do next, and is not decisive when encountering difficulties. If traditional novels can be good, this is a taboo. The main line should be long, and the progress should be updated from time to time, and some small climax points should be designed at the same time. This way it is much better to write. 4. Map update The system text with the panel will be very messy as you write it. You have to learn how to update the map, otherwise it will be like chewing wax. Two ways: a. The mode of villages, towns, cities, provinces and countries can be different, but it must be there, expanding outward layer by layer, or called onion mode, starting from the small place inside, gradually moving out, paying attention to the small to large, and then letting the protagonist look back and remember from time to time; b. Lotus map, level, playing in circles or various stories will happen, so that there will be new harvests, new growth, and new expectations. 5. Repeat the operation When one or two million words have passed, readers will habitually read it, and then do something similar again. 6. At the end, you should return to the topic or beginning. Of course, this is not absolute. Go through the outline carefully and follow the above steps. It will work if the writing style is not too stretched.
Let me give you some encouragement first... In the first chapter, after seeing the first few painful moments, and then talking to myself about traveling through time, to be honest, I no longer want to read it. After all, it's already 2026. Isn't it too immature to write like this?
Opening a new book! !
Let us follow Leon and Vito to build the great Leon Empire starting from the slums!
The characters are quite interesting, and it looks much better once the plot unfolds, but there are a lot of holes left, I'll see if they can be filled in in the future.
I just read two chapters and there is a holy scripture, give up the book!
Good book, Chen Shang Sword Journey, please read it!
Where did steampunk mutant beasts come from? Where did the psychic mutant beasts come from? Is this a localized transformation? Lin Neng borrowed from Warhammer, right?