Infinite Historical Battlefield Starting from World War I

This book is better than those war novels, especially war novels with a touch of magic.

The descriptions of the most insignificant characters in the grand context of the war are very delicate, a bit like scar literature. In fact, WW1 was much crueler than many people imagined. It was the first time in the history of the human species that with the blessing of modern industry, the human species completed the killing of each other. This war changed Europe forever spiritually. These most delicate things are actually quite attractive.

The difficulty of writing will definitely increase for other players 😥

Of all the war-themed clips, the one that impressed me most was the narration at the end of Storm of steel: They push, They push forward we push. We push back Every once a while, For a moment we push hard enough that the light breaks through the clouds The distance we pushed forward with all our strength even allowed us to see the light shining through the gaps in the clouds ——so the world beyond the war gilmmers—— We finally recalled the world beyond the war, just out of the reach. Just out of reach. At the moment of the armistice, I really felt like I was lying in the trench behind Joseph and looking at the sky in a daze. The Sacrifice of this book does not tell you the cruelty of war with battlefield statistics, but tells you this through the experiences of many characters. Joseph added a lot of excitement with his prophetic vision and golden finger, but the sacrifice and transformation of the character took on part of the baptism of war trauma I will give this book a score of 8/10. The author has done a good job in shaping the character, but sacrifice and accidents should be the core of this theme. Joseph did avoid a lot of casualties by relying on foresight. Personally, I would like to be more restrained when balancing the casualty numbers. Of course, World War I is indeed not that difficult for future tactics enthusiasts like Joseph. If the author intends to write about World War II in the future, battlefield sacrifices should not be as beautiful as World War I. The conflicts within the troops in World War I are quite interesting to write about. The theme of dogma and practicality runs through the entire war. It is not only a real war, but also a class war. The only thing hmmm doesn't like is probably the several player dungeons that are inexplicably interspersed in the text. I can only say that this system personally feels that it is not suitable for this book, because the dungeons are often fast-paced and cannot leave sufficient chapters and foreshadowing for a large number of character creations in many aspects; however, if this book loses the shaping of characters such as Tom, Joseph's image creation will not be so complete. I suggest the author make a choice. The last one I know that everyone likes Joseph's World War I experience, but I personally am still looking forward to how the author writes all the lines in the introduction. World War I and World War II are indeed brilliant if they are well written, but there are not without outstanding World War I and II articles. I hope the author I can bring this style to the lives of different protagonists Also, Cavendish hmmmm, keep writing. I would like the protagonist to have a son with Cavendish after World War I, and then before World War II, the protagonist goes out to other world lines, and after returning, he joins the army in World War II and meets his son who joined the army in the army. (This paragraph is purely personal imagination, don't worry)

Also Your chapter 212 settlement is so bad. Why didn't you spend four or five cards to let the protagonist enjoy it? It was obviously a super cool point, but it was cut. Even if it's ⏩️ time, at least where can I write the character's archives? You, the player who returns to reality and encounters the same world, are so weird. You are scolded for this all day long because of those infinite streams. How does the real world deal with assassination plots? How about putting all the players into a parallel world without interfering with the real world? Wouldn't there be no bugs?

It looks good, but there are other players...

The writing is very delicate, the cruelty of WW1 is clearly visible, and the influence of WW1 is also written well. I really hope the author can write WW1 longer. The author writes really well on this subject. As a reader, I feel sad when I think that WW2 will be played in ten or twenty years. The protagonist's generation will have to send their sons to the battlefield.

Since there will be other players, will anyone travel to the Pacific battlefield of World War II to beat up Snail Head? By the way, you can also beat up the poisonous legacy of the Snail Head military country that traveled through the past.

The system can only say that it is there, that is, it helps the protagonist quickly integrate into the copy. I don't have many special abilities, I always just run out of points, and I have a strong sense of design. Maybe it's my first time writing a system article but I don't have a good grasp of it. Still highly recommended

Your two dungeons are too close together. I feel tired just looking at them. In reality, I have to enter the dungeon after sleeping all night, six dungeons a week, isn't it? In the novel, do you still need 996?

In my personal opinion, this book is well written. The characters and Da Ying's arrogance are written very penetratingly. There is no trace of AI, because AI cannot write about what those people and things represent. Recommend

Can't you just fight? I'm not interested in other things.

The author's writing style is solid and sophisticated, and he feels like a god's trumpet. The style of the book is consistent with that of nuclear-powered battleships, and it is also very interesting to read. However, this book is very challenging, and I have little patience to read it clearly. It contains more professional knowledge. I recommend it to old bookworms. Also, the author should choose a brilliant name, otherwise you will not be attractive enough.

What you saw in the limited edition is simply a masterpiece! Once you send it, you can't stop it! I originally wanted to give a monthly pass directly, but it turned out that I had to subscribe. Decisively flip to the bottom! Subscription monthly pass is not less than one dollar!

The first story is quite good, the writing style is very familiar, a bit like Xiao Dai Zhao, and there are fewer flaws. The second one has obvious decline. For example, Cthulla is attacking from the front and back. The army does not choose to pretend to go south to defeat the remnants of the battle with the Gauls to force the Cthulla regiment to leave the city wall to fight in the field. The author fails to explain this

When writing about war, you can't just write about military conflicts. The ancients said that the first step is to attack strategy, then to attack friends, and then to attack troops. In addition to military conflicts, there are many things that are indeed part of war, and may be more destructive. It would be better if these factors outside the battlefield could be brought out. After all, the influence of individuals in military wars is only average, unless they are in command of a legion. But outside the battlefield, individuals are more likely to exert huge destructive power

Why are there so many old warlord elements in the chapter commentary? How many years has it been since liberation?

I don't even know how to live after reading this introduction😂

The writing is okay, but the setting is not. Online games only have one life and are linked to real life and death. Everyone knows in reality that online games have many volumes of combat power. Now that there is a game life linked to reality, do you think there will be no Dark Forest?

Let someone who is particularly interested in history and has a high demand for writing skills tell me how it works.

It's better to write more and compete with other players than to always have clowns who are disgusting.

1. Judging from the first dungeon, different players will enter the same dungeon. After that, will there be a plot to compete with other players in the same dungeon, or even real-life exchanges, and it should account for a certain proportion, otherwise it would feel a bit strange to set the ranking. For example, if transcendence can be introduced in the future, then investing points in depth in different ways will create different players' combat performance. Of course, the author can choose to downplay the part of communicating with the players, so that one or two points do not need to be considered. However, the first two points I raised are based on the author's description of the players in the plot that I have seen before and think they need to be considered. 3. Looking at the introduction, the author has already decided what the next few dungeons will be. Will the protagonist follow the trend and enter the dungeons in the plot? Or will there be an ultimate goal in the future? Or even a small short-term goal?

The data is a mess in the early chapters. . A bunch of people posted this chapter and said the author didn't read it either.

I thought it was Assassin's Creed when I saw the introduction. So are the Edenians working on the first civilization or something?

Looking at the introduction, why are they all about European and American campaigns, but what about the Chinese campaign?

The most exciting part of the dungeon is that the protagonist in the end caused a huge shift in history. It's one that makes people think. Caesar and Rome, who have conquered the New World and owned the world map, will Caesar continue to look east after taking power and preventing assassinations? Can the cold wave in the same period block the impact of the epically strengthened Rome? Will the protagonist's future copy in the Han Dynasty prevent this? The same increase in the power of the Han Dynasty also makes me curious. Will Han and Rome, the two dynasties that will be affected by the protagonist in the past and the future, eventually have a collision? I feel that since the author mentioned the relevant idea, he hopes to continue to expand on it. After all, the collision between the two Han and Rome, the two empires at the east and west poles at that time, will inevitably be epic.

In the context of the battlefield of World War I, if an officer who can still fight alone is so suppressed to find trouble and still be loyal to the motherland, it can only be said to be truly patriotic. If you encounter this kind of thing in reality, you suppress others and dare to go to other people's camps to make trouble in front of them. If you can see the sun tomorrow, it will be really charming.

I can't stand the Roman dungeon, and I'm not interested in it personally. The first battle dungeon is very exciting! ! ! When will the Rome dungeon end and a new map be opened? Which war will the new map be? Looking forward to it...

The writing of this article is quite good, but I still feel that the plot is not rich and delicate enough. For example, the sacrifice and reunion scenes of teammates in the first battle could be written more affectionately, the description of the battle could be more exciting, and the understanding of the current situation needs to be deeper. It would be better if there are specific pictures or something. For example, O'Connor's reunion lacked tension and was not deep enough. It was not like the camaraderie of comrades who had carried a gun. It had to at least have the feeling of meeting old classmates or netizens who have not seen each other for many years, but it is also understandable. After all, people cannot deeply understand things they have not seen or experienced. The writing is a bit bland, but it reads smoothly without any major leaks. It has to tell a story from the end. It is very powerful and restrained, and it is above the level. Compared with many newcomers and small authors, it is much higher. I can give it 85 points. The level can at least be ranked in the historical area and the top 10%, but it cannot become a hit. It lacks accumulation and accumulation. Compared with the master of transformation who is afraid of water like grenades in the historical area, the current level is in the second half of the Korean entertainment stage when Dandan wrote his first novel. Dandan's novels are really step by step. I think the author can learn from it. It has great potential. If the next one can write a work like "The Overthrow of the Han Dynasty", it can really soar to the sky.

Now that the map has been given to Caesar, will he be allowed to lead the Roman army to have a collision with the Han Dynasty at that time?