The King's White Moonlight Is Me, but He Doesn't Know

"The King's White Moonlight Is Me, But He Doesn't Know" book summary: "The King's White Moonlight Is Me, But He Doesn't Know" is a sadomasochistic romance novel with an ancient fictional background. It tells the story of the love-hate entanglement between Shen Zhiwei, an orphan of the Great Zhou Dynasty, and Xiao Che, the emperor of Beiyan, which spanned three years. Three years ago, on a rainy night in the south of the Yangtze River, she rescued the seriously injured seventh prince of Beiyan as a medical girl "Awu" and received half a dragon-patterned jade pendant as a token of love. Three years later, she entered the palace as the "Princess Yongning of Southern Liang", but was left out of the palace by him who had become the king and executed himself. He searched all over the world for "Awu", but could not recognize the person in front of him - until the butterfly birthmark and tooth marks revealed the truth, he knelt down and trembled, and she condescendingly said: "Your Majesty never gave me the chance to speak." The story begins with a flashback, integrating identity reversal, emotional pull and ultimate slap in the face. The heroine Shen Zhiwei has four identities: a medical woman, a queen, the owner of Tingfeng Building, and an orphan of the Great Zhou Dynasty, struggling between revenge and love; the male protagonist Xiao Che has gone from being obsessed with phantoms to learning true love, and has completed the transformation from an iron-blooded emperor to Mr. Jiangnan; the female partner Pei Xueyi has calculated all people's hearts but died to prove her truth, becoming the heroine's most terrifying mirror and the most painful redemption. In the end, the two of them retreated into seclusion, and the old temple was renovated into a medical center. They planted flowers in the cracks and stayed together in the ordinary. The eight chapters of the book are about 20,000 words, with a tight rhythm and strong emotions. The core of the book is "A crack is a crack, and it is closed, but flowers can be planted in the cracks." It describes the obsession and relief in the intrigues of the palace, the cruelty and softness of children in troubled times, and the possibility of true love that transcends identity and hatred.