I Transmigrated into a Book as a Supporting Actress and Became the 1980s Factory Director's White Moonlight

After transmigrating into a period novel about a male lead fighting monsters and leveling up, Jiang Weiyue says, “It’s fine. I’m not worried.” But then she learns that in this male-led story, she’s the vicious dark-moonlight character who serves as a stepping stone for the protagonist’s rise. That leaves her completely disillusioned. Thinking about how the male lead will take revenge on her, leaving her mentally unstable and dead in the end, she swears to change her fate and make money. Before the male lead can level up and become the richest man in the country, she’ll make plans in advance. But before she’s ready, the great male lead, Song Chuanhe, returns. He wants her to be his secret lover, available whenever he calls and there for him to take whenever he pleases. In other words, his mistress. With no choice, she agrees, hoping the original female lead will show up soon and distract Song Chuanhe. But even after the original female lead returns, Song Chuanhe, that devil, still refuses to leave her alone. He torments her until she can barely stand it. He knows just how to manipulate people, controlling her with a slap followed by a sweet reward. In the end, she can’t take it anymore and tries to leave. Song Chuanhe presses his thin lips to her ear and says each word with deadly seriousness: “Want to leave me? Only after I’m dead.”