Global Manhunt: My National Treasure Restoration Checklist

Hello friends, I am blind but not blind, and I am also the "behind-the-scenes restorer" of Lin Susu in this book. Today I opened the "Gobi Restoration Bureau" in the book circle, not to create a big scene, but to find a place to chat with people who really like this story. When I went to Dunhuang last winter, I sat on the Gobi Desert outside the Mogao Grottoes for half a night. The wind was so strong that it hurt people's ears. The commentator said that as many fragments of scriptures and murals were scattered outside as there were fragments of history floating in the wind. That night, I wrote down the name of Lin Susu—a restorer who traveled back in time from the future. Her hands could glue broken pieces of porcelain back together, and she also wanted to put the broken history back together bit by bit. Now that the book has written 190,000 words, several more national treasures lost overseas have been added to Lin Susu's restoration list. But this is not my story alone, it is the "repair diary" of all of us. In this "Gobi Restoration Bureau", instead of deciphering cipher text, we will talk about something practical: • You can tell me, which national treasure do you most want to see Lin Susu repair? Is it bronze, porcelain, or those scriptures floating overseas? • You can also complain to me about which plot makes you worried, or which detail makes you think "this author has really done his homework." • I will also think here and there, such as "Today when I was writing the chapter about Paris, I checked the British Museum's restoration records, and I was so angry that I dropped my pen", or "I revised the scene between Lin Susu and Qin Feng three times and still wasn't satisfied." I don't have any "additional benefits", but if I have more friends here, I will write down some "off-cuts" that are not included in the main text - such as the blood blisters on Lin Susu's hands when she repaired them with gold tape for the first time in the Gobi; such as the tattoo of the Dunhuang mural on Qin Feng's back, what story is hidden behind it. Finally, the same sentence remains: What we are repairing is the history of faults. What we are guarding is the mountains and rivers of the future. Welcome to the "Gobi Restoration Bureau", there are no outsiders here, only fellow travelers. —— Blind eyes but not blind hearts February 10, 2026

As I watched it get closer and closer to the end, I felt an inexplicable feeling of loss in my heart. I don't want to end it hastily like this, I want to continue writing, but I don't know how to continue. There is no signing, no collection, no reading, I am just updating stupidly by myself. I just want to know whether it is because the work is not good or because my book is simply not suitable for this platform? Can someone answer me? What is the meaning of persistence?