The Evil Cultivator

There are cool moments, twists and turns, and the writing is as good as ever!

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Real person,😁

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Why do the villains always work together to help each other, but the protagonist is always alone? The teammates here don't show any impressive attitude at all.

The writing is quite fluent, and overall there is no problem. It is this type of article. At a certain stage, when the dangerous high pressure has just passed and the continuing danger has not been eliminated, many books will suddenly appear a so-called female character with bright eyes, white teeth, and tearful eyes and insert it. Every time I see this kind of plot, I will have a feeling, buddy, before your life is at stake, before the crisis is over, you start paying attention to women? It has nothing to do with this book, it's just that there are many articles on the same plot. I personally don't like it. How do you understand it 🥱

I decided not to subscribe or vote monthly until your last name is Gao. 😒

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When I saw the scene where the Zhang family used a sword to kill the protagonist, it wasn't that the protagonist and the others would die if they were involved, and that they were completely sworn enemies. Just because the protagonist didn't leave anyone alive after asking the question, how could he expect the other party to pretend to be at peace without breaking up? ? The so-called "paying a housekeeper and ten teams of grain trucks to make a painful show", etc., After the protagonist comes back alive, he will know that his plan is untenable at all. As mentioned in the previous article, a Zhang family is dying and arrogant in the countryside. Can't we just go back to the people in the courtyard to come forward? The ambiguous female character also hinted that she has a background. Do you still want to put the group of people in danger? It won't be followed by various experience packages and then a wave of over-level killings to end it I don't understand

There is no doubt that "Xiancao" is a novel novel about fairy tales. Most fans of fairy tales will like it. The overall framework of the world logic is very self-consistent. So far, no obvious flaws have been seen. The author's writing skills are good, the story advancement line is clear and smooth, the protagonist's IQ is online, and the writing is fresh and refined 👍. Highly recommended!

Haha, this is the first time I've seen a real-life protagonist whose surname is not Gao.

The judgment of people's good and evil is originally judged in a general environment with moral constraints. Only within this general framework can we say that people are good and evil. Then the righteousness and evil of the law must also have a general environment. If there is also a general environment, the law must also have good and evil. If there is no general environment, it should be that people are not good and evil, and laws are not right and evil. If there is a general environment, people are good and evil, and laws are good and evil. The law serves people, and people obey the law. There is no subordinate relationship between the two. People cannot be greater than the law, and the law cannot surpass people.

The name of the Taoist sect is quite big, but it has not been used at all. The rocker next door flies up happily.

Stop writing about saving the world. The real emperor is not anxious and the eunuch is anxious. A stranger in another world and a small person want to save another world every day. He is dozens of years old and no longer a high school student. How can there be so many savior plots!

Without Dian Niang providing any publicity resources, the monthly ticket list entered the top 100 for the first time, which is amazing.

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The woman currently appearing is still a junior sister who is suitable to be the heroine. She is silly and sweet, and she is devoted to the protagonist, which is rare.

The best book I have ever written, but the ranking is not high.

A level 7 mage with home field advantage who can cast spells instantly, and a level 7 assassin. Together they can barely defeat a level 7 warrior. The result was two disabled people. It's time for the warrior to be cut.

I found out that a new book was released after reading Aunt Ai's official account, and also discovered that the main character had changed her surname? What situation

Someone give the author some money to pay for his house and car. Put some pressure on him and maybe he can write a few more words a day.

The writing this time was very enjoyable, a bit like Gao Zhengyang!

Ahhhh, our Gao family army is dead!

Is it worth an essence?

Ask Qianwen about the difference between fairy novels and oriental fantasy novels. Qianwen's answer is as follows: Although the boundaries between "Xianxia novels" and "Oriental fantasy novels" in online novels have gradually blurred during the development process, and are often even called interchangeably by readers, they still have significant differences in their cultural core, worldview settings, power systems, and plot routines. Taken together, the main differences between the two are reflected in the following aspects: 1. Different cultural cores and ideological origins Xianxia novels: Their fundamental core is Taoist thought, which was born out of ancient Chinese martial arts culture and legends of gods and monsters (such as "The Classic of Mountains and Seas", "The Legend of Shushan Swordsman", etc.). It emphasizes the spirit of "chivalry", pays attention to the characters' experience in the world, emotional entanglements, and understanding of "Tao", and has a strong traditional martial arts color and ethics. Oriental fantasy novels: Although they are based on Eastern culture, their origins and development are deeply influenced by Western fantasy literature. It places more emphasis on individuals achieving self-transcendence through practice, moving from the limited to the infinite (such as immortality). It highlights the expansion of personal subjectivity and the law of survival, rather than the traditional chivalrous spirit. 2. The world view is different from the background setting Xianxia novels: usually follow the local classical name characteristics and world view, mostly based on sects and sects, and the racial settings are mostly immortals, demons, humans, monsters, ghosts, etc., With obvious elements of Eastern mythology. Oriental Fantasy Novels: The background settings are more bizarre and diverse. It often blends Chinese mythology with Western magical elements. Therefore, not only Eastern sect families can be seen in the works, but also Western magical races such as elves, dwarves, orcs, etc., And the character names may also be a mixture of Chinese and Western. 3. The power system is different from the realm division Xianxia Novels: The power system mostly copies the traditional Taoist cultivation terms in the Buddhist scriptures and Taoist canons, and the realm divisions are relatively fixed, such as Qi refining, foundation building, golden elixir, Nascent Soul, transcending tribulation, ascension, etc. Oriental fantasy novels: The names of realms are mostly made up by the author and are not bound to the traditional Taoist system. At the same time, it incorporates many elements from Japanese comics and even European and American games, and the presentation of the power system is more "technical" and "upgraded." 4. The core plot is different from the routine Xianxia novels: The basic routine revolves around "master, teaching skills, alchemy, cultivating immortals, and falling in love", focusing on the characters' emotional experience, understanding of the warmth and coldness of the world, and chivalry and righteousness. Oriental fantasy novels: The basic routines are mostly "academy, upgrade, treasure hunt, adventure, and collection of harem". It is keen to tell the story of the struggle of young people to fight monsters and upgrade in a cruel world, and to advance through hard work. It is more in line with the trend of "shuangwen" in online literature, and is a fantasy projection of the self-struggle of contemporary youth. In general, fairy novels are "martial arts + fairy", focusing on the perception of "xia" and "Tao"; while oriental fantasy novels are "oriental background + multiple fantasy", focusing on "upgrading" and "self-transcendence". However, with the development of online literature, pure classical fairy tales have gradually decreased, and fairy tales with oriental fantasy cloak have become the mainstream, and the boundaries between the two are becoming increasingly blurred.

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Can there be a breakthrough? Don't be like the previous book, where the upgrade speed is very slow in the early and middle stages. In the later stage, it's like riding a rocket, and the realm soars. If you write a cool article, you can't suppress the realm. If you suppress the realm, it won't be a cool article. If you are afraid that the realm will rise too quickly, you can add a chapter on the width, that is, the map context. You can write about a fairyland that is different from the past.

I want to see the House of Lords shocked! ! !

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On the first day of August, 2 monthly tickets are given to you. Do you want more updates, more updates, more updates, a little blood, an explosion, and a rise every month, otherwise you will be considered an expert!