God of Death: the High-Dimensional Overlooker, Who Devours the Soul King at the Beginning

It's too bad for me. I can subdue the Queen of the Soul King Palace, let them defeat the most powerful person in Soul Society, and then recruit the Soul King Palace, and then let them conquer the world.

Good guy, Death and Marionette have really become your comfort zone.

This book as a whole gives a feeling of driving high and moving low. The protagonist at the beginning is a high-dimensional overlooker, who also swallows the power of the Spirit King. This tone is very high. It makes people want to read immediately. Then it went downhill all the way. After having such incredible power, I actually went to pretend to be gods and ghosts and engage in role-playing. Are you sick? What is the identity of the protagonist? What power? There is no system for absorbing emotional values ​​or anything like that. If you play these role-playing games, you are mentally ill, right? Either you directly demonstrate your power to overwhelm the world and unify the entire world, or you ignore those people and directly attack the world and transform the entire world. You just went to play role-playing, which is like the richest man in the country washing dishes and delivering takeaways. This is purely a mentally ill operation.

Forget about stitching up secrets, I also stitched up Demon Slayer and Jojo's things, making it a hodgepodge of stitched monsters 😅

One word is messy, it's so messy, the author is just enjoying himself

Many of the protagonist's actions feel pointless. First of all, the monk does not care who is the spiritual king. As long as you stabilize the Three Realms, it will be great. The Spiritual King doesn't want to be the Spiritual King either. Moreover, there is also a huge hidden danger in the Three Realms, which is hell. This thing can only swallow but will eventually bring about the collapse of the Three Realms. And the protagonist can obviously solve this problem. There is no doubt that the protagonist is the most important person in the world, the most needed person, that is, the Lord of the World. There is no need for the protagonist to do this, to do something useless.

The reason for obtaining a high-dimensional overlooker by traveling through the Lord of Mysteries is because the squid means that the readers are from the perspective of God, and their personalities are at the same level as those of the outer gods. Therefore, they automatically obtain this status, but it is only valid in the world of the Lord of Mysteries, because the main sources of power of the outer gods besides their personalities are the essence and pathways.

A mixture of mystery ➕ Western history ➕ Death.

To be honest, I'm not strong enough If you want me to recruit all the characters I like to the Soul King's Palace, strengthen them, and instruct them to execute their own will In terms of the current timeline, it will lead to the establishment of the Thirteenth Division It is very profitable for the protagonist Then re-select cronies to strengthen them, use white gloves as thugs (such as Yamamoto, Unohana Retsu), eliminate evil nobles (such as the Tsunayashiro family and a series of disliked nobles), reorganize the central forty-six rooms and then establish a promotion system to put the powerful and loyal ones , those with strange abilities will be strengthened (those with strong combat power can be used as personal guards, and those with strong research can be gathered together for research) There are also vampires who are a bit weak, not strong, and have fatal shortcomings The protagonist can conquer the sword god first, and then put his own ideas into shallow play, which can hide and find the right person.

The new protagonist's name is a bit confusing, but the original one has a B

I have a hunch that you will need eunuchs again in this book 🙂

Outrageous, a high-latitude overlooker, an old god, a cosmic disaster, and in the end, using a clone and cosplaying with a character from the world of death, and fighting back and forth? This is a shocking setting, and it looks like a beggar's dream. Also, the dimension thing can only be divided into strong and weak in the same dimension. If you are in different dimensions Low latitude, even if you can destroy the universe with one thought, people in high dimensions only need to turn off the TV and hook your fingers, and everything will be gone Broken, don't talk about dimensions. The protagonist is in the same dimension as everyone in the Death World, but it has huge potential.

Is it his trumpet? Why does it feel so inferior to others?

My favorite book is Your Secret Puppet of Death. Death DNF and Naruto Uhabach can only be ranked second.

The writing is too rough. In many places, it looks like an outline. There is no promotion ceremony after the beginning of sequence five. If you want to be promoted, you can be promoted.

The main focus is the interaction and exploration of characters created in a mysterious fusion worldview and local characters who gain the power of potions.

As I read it, I found that the style was inexplicably familiar, and then I seemed to know who wrote it. I have to say that the Death Behind the Scenes series is really the author's comfort zone. As far as the behind-the-scenes layout is concerned, the author's writing is relatively comfortable. It is not the kind of behind-the-scenes that comes to the city and infiltrates little by little, facing various modern pressures. It is directly before the story begins, making various changes in history and turning the changes into a new history. History, the earliest one should be Bakar's Dragon War, then the Desolation Matron, and then the Blood Moon Disaster in this book. It is interspersed with different plans of different characters, and the vest actively promotes world change, allowing the power of another system to serve as the foundation for world completion and self-transcendence. I like this way of writing very much. On the one hand, I have a good impression of the complete and orderly system of extraordinary power. On the other hand, I really like this kind of behind-the-scenes creation from scratch. It does not stick to a personal perspective, but it can clarify the personal main line. The jump in time prevents the overall rhythm from seeming to be delayed. The time span of many behind-the-scenes articles from beginning to end is too small, too small to spread out the extraordinary context. It seems that everyone is a 🐿️ voyage, one realm per month, and one year for the way. So I personally prefer this writing method, which lengthens the overall time, lays out a little bit, leaves traces in history, and the actions of the characters in different periods. I really like this historical sense of changes over the years, just like the creation trilogy of Blowing Wind, from a small character to ascending to the throne of God, from Asai to the God of Truth, from the Saint to the God of Light... I have also read several other behind-the-scenes works of the author twice. , It doesn't have the feeling of layout and planning like the Bleach series, and the plot is quite poisonous? Are you bullied at the beginning, in debt, sister, dependent on each other? So what I actually like is the behind-the-scenes text that brings great power at the beginning? The creation text? The last thing is, no eunuchs, no more eunuchs😭 I have written so much in the previous book, and it makes me uncomfortable

What do you think makes people pursue your books?

The four in the Soul King's Palace all have angelic powers, but in order not to destroy the Three Realms, the four of them signed a contract to restrain each other and reduce their strength. When three of them disappear, one of them can exert his full power.

If only the Gotei 13 had some humanity a thousand years ago, the situation would not have deteriorated to this point. Even if Rukia and Hiro knew that it was Yhwach who attacked Soul Society, they would not necessarily side with the Gotei 13.

There have been so many writings recently, and there is nothing to do with the protagonist. The protagonist is required to control the plot behind the scenes, instead of the protagonist being invisible. The plot characters themselves drive the plot, and there is no plot for the protagonist. Create a god of death, create an android to control the top of the church of death, and then all members will become invisible. There is no hidden plan, and the people below will fight among themselves to promote the plot. You want to integrate mystery and death, and you want the protagonist to see things from the top, control secretly, and promote the plot. Now it has begun to go astray.

I used to read your DNF and Mysterious Death, but now I'm reincarnated.

Ban you eunuch! (Gritting teeth

The author has no inspiration, is he a eunuch?

The God of Death is not like the God of Death, and the Lord of Mysteries is not like the Lord of Mysteries

Does the author want to write a fanfic about League of Legends and Lord of Mysteries

What's the author's name?

I went to read your book again. I wasn't very interested in the Bleach Pirates Double Crossing that I read before, so I didn't pursue it. Unexpectedly, I also opened a new one.

Is there any Shennong? I am very interested in the subject matter, but basically I can't write well on this subject matter. Can anyone tell me if there are any poisonous points?