From Rickshaw Puller to Great Sage Who Overwhelms the Seas

This book is really good to read, especially when it describes how Lu Bu fights Sun Wukong for hundreds of rounds for Diao Chan, but Xue Baochai is really too strong. If it weren't for Nuoshou's outer ring hanger + Noxian guillotine, this wave of M4 six times strafing would have killed him. In addition, I rather appreciate what Zhuge Liang said about the 108 monkeys in Huaguo Mountain. The sentence "Young man is so proud, don't show off in front of your brother Liang" shows Zhuge Liang's indignation against the monkey who knocked him to death with three sticks. All in all, this book has an interesting plot, a clear system, many foreshadowings, the fighting scenes are immersive, and the character descriptions are in place! One more thing is to update it as soon as possible!!!!

The update is still too slow, I will save it for two months and then read it 🤓

It's really good. It's not just a rave review. It's okay.

The book is a good book. According to the time in the book, it does not overwhelm the protagonist's combat power. I appreciate this very much, but look at the actual situation? It's still too watery. How long has the protagonist been stuck with Grandmaster? Of the 50 points in Tiantianhua, 45 points have someone jumping in the face, and then the protagonist pretends to be 5 points, and then starts to be shocked. I don't even know how many times you wrote "impossible, absolutely impossible"

It's okay, I can watch it, but I can't say it's great. You can watch it when you're bored.

The author is good, but I can't understand the background of the Republic of China, so I can only bring it in based on my knowledge. Is this the world of high martial arts? What other monsters are there? How did the previous dynasty fall, and how did various countries invade? Martial arts or cannon? Whether the monsters are considered a top force... I have a lot of questions every time I read another chapter. Has the author thought about how these should be written to complete the world background?

Okay, this time the AI ​​killing line at the starting point actually didn't cut you in. It's so stupid that it's really handwritten 😒

It's a bit watery, and I didn't mention the feeling of refreshment. It's quite satisfactory. I'm trying to find a way to find the feeling of refreshment.

The further you write, the bigger the world view becomes, golden finger. The rhythm, world view, and realm also refer to various things like Xuanjian. The author has patched it up, and it's refreshing and has a good grasp. Isn't this perfect?

Good news, finally a master. Bad news, it's stuck in the Grandmaster level again.

Why did it start to get messed up as soon as it was put on the shelves...

It's good if it's well written, but throughout the whole story, you're surrounded by enemies, you have no real backer, you can't trust anyone, you're simply an orphan It doesn't feel good if it goes on like this, it's too insecure. Later I feel that I can take another opportunity to join an organization that really fights against foreigners and breaks the foreign blockade, and finds a real backer or something... There are too few updates, I don't know if the author can see it, I'm crying for more...

Wait for the Grandmaster to read again, but the Grandmaster's simplification is too confusing. This is also called simplification, and it's a troublesome batch.

Wonderful, I feel that the current performance is completely dragged down by the title of the book. If I change it to Loan Wusheng starting from Rickshaw Driver, it will be more popular than the Great Sage Fuhai.

The water is good, I won't spend any more money on it

It is recommended that the title of the book be changed to "Loan Martial Saint"😆

It became a little watery after it was put on the shelves, and it was unsatisfying to watch. 🥵

​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​? The senior sister's strength can no longer keep up with the protagonist, and she is about to become a vase. By then, she may not even be able to withstand the aftermath of the enemy's attack, and can only gradually disappear. Just like Duan Xiaodie, she can only feel her presence when the protagonist returns home, and she is not even qualified to go out with the protagonist.

The emotional drama is really average, the plot, and the world view are average. Not bad, 7 points out of 10

According to the genealogy, chase and kill these families one by one. All the aristocratic families in the entire Chen Kingdom, both in the north and the south, have been killed, just to have this kind of protagonist who is the enemy of the whole world 🙂

Suddenly, I discovered that until now, I have not shown any of the characteristics of the so-called "Sea-shaking Great Sage". Whether it is skills or characteristics, they are basically either fire attributes, strong or yang, or mental pollution, etc. It has nothing to do with the title of the book. There are so many thousands of words. There must be something missing, or the title of the book will have to be changed later...

It's so fucking stupid I'll still subscribe. Never think about monthly tickets.

The plot is quite smooth, but the settlement part is quite rough and not very exciting. The plot of Ningcheng should be considered a small climax. After the harvest, I still feel like a passerby. To put it bluntly, now I want to see the kind of people who show their saints. Not to mention everyone, at least the insider part is described. I guess that is the role of Ban Dao Pavilion, but it turns out to be useless.

It juxtaposes the concrete profession "Rickshaw Driver" at the bottom of society with the top title "Sea-Shifting Sage" who controls the ocean in myths and legends, instantly constructing a growth epic framework with an astonishing span and full of infinite reverie. This is not only a story about power upgrading, but also an Eastern fantasy song about identity transition, destiny reshaping and self-naming. 1. Core Tension: The Ultimate Collision between Grassroots Flesh and Mythical Ambition The most shocking thing about the book's title is that it dramatically condenses the two extreme coordinates of the protagonist's fate. The "rickshaw puller" represents the solidified social class, heavy physical labor and cramped living space, and is the neglected dust among all living beings; while the "sea-shaking great sage" symbolizes the ultimate freedom and power to transcend the ordinary, stir up the world, and establish himself as a "holy". This leap from dust to stars is the greatest epic in itself. It promises not only an increase in force, but also a complete revolution in the deconstruction of social identity and the construction of mythical identity. Readers will look forward to seeing how the tenacity, wisdom and even the unique perspective and skills of the "car driver" derived from the market become the unique and irreplaceable cornerstone of the protagonist's road to the "Great Sage". 2. Path design: the deep combination of "travel" and "martial arts" The setting of "travel" provides key narrative flexibility here. The protagonist may bring modern thinking and a unique "management" or "leverage" thinking to find unconventional breakthrough points in the traditional martial arts world. As the core strength system of "Martial Arts", its process of cultivation and breakthrough can perfectly carry the imaginary evolution from the leg strength and endurance of "pulling a cart" to the overwhelming ability required to "overturn the sea". Each upgrade should not only be a numerical change, but also a layer-by-layer transformation of the protagonist's understanding of the world, his own positioning, and even "what is holy". 3. Creative Enlightenment: Establishing the Narrative Essence in Extreme Contrast From a creative perspective, the title of "From Rickshaw Driver to Overturning the Sea" gives us a classic and powerful template: how to instantly anchor the unique character and core commitment of the entire story by establishing a very contrasting starting point and ultimate goal of destiny. It requires the author to think deeply about the internal logic and external performance of each transitional stage between these two extreme identities, and how to make each advancement appear reasonable, difficult and dramatic. At the same time, it also reminds us that the charm of Eastern fantasy lies not only in the bizarre settings, but also in the ultimate writing of the will to "transform into saints" and change the world behind "cultivation". I look forward to An Xin Zhiyi being able to navigate this majestic journey from the streets to the sea of ​​stars, and use solid writing skills to interweave the sweat of the "rickshaw driver" and the waves of the "sea-shaking great sage" into an unforgettable picture of struggle. This is destined to be a passionate story about "how mortals crown themselves with their own hands."

Can you update it more? You can write one chapter a day and why do you stop at key points?

Ah! Ocean, you are all water!

It's okay if it's refreshing. There are relatively few saints appearing in front of people, and the descriptions of daily life are too watery. Often a mental activity is just one piece of content.

It has the best opening among novels of the same type, especially the part about breaking through one's inner energy. However, the plot of the process and breakthrough are quite satisfactory. They are all pretentious and slap-in-the-face scenes, and they don't have the momentum of the opening.

I think this Chen Guo is simply an A-share 😇

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