
A Guide to Death Through Time Travel Starting from the Western Han Dynasty
从西汉开始的穿越作死指南
- Status
- Ongoing
- Length
- 229k Words
- Genre
- Historical
- Audience
- Male
- Subgenre
- Alternate History
- Updated
- 9mo ago
- Source
- Qidian
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3.9kRecommends
8.5kFans
106Chapters
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A stupid novel. You're not even afraid of death, and you're deliberately making excuses to let others kill you? How many times can one person kill you? With this skill, I would directly assassinate Lu Pheasant. Wouldn't it be better to kill the prince?
The setting is too nc, to die for is pure sb
What the protagonist does in modern times is purely a clown.
Made me laugh so hard
Two thousand years ago, in any place, a two-foot pit was dug and a wooden box was buried. There were bamboo slips in the wooden box. Then, it will be dug out two thousand years later. No, it can still be dug out. I won't talk about it until it is completely rotten. After digging it out, the bamboo slips were still hard, the writing on them was still clear, and they could be carried around casually. Holy shit, you can do this, you're awesome!
First of all, it's very interesting But Chen Chen said that the setting at the beginning limits the development of the book One is the setting of continuing to wear clothes three days after death As a result, the protagonist has almost no room for planning. After the new era, he can only use the same quality advice to die. The second is that there are no rewards. Changing history is only mentioned in the history books. Although it is a great sense of accomplishment, there are no rewards and no motivation. Why does the protagonist change like this? Anyway, there are ten chances each time. You can only restart after you die. You lie down every time and succeed only on the tenth time. Isn't this equivalent to living for four to five hundred years in one era? Isn't this bad? One Xi'an, two hundred years, and ten tasks can make you live a total of four to five thousand years in the Western Han Dynasty. In the entire history, there are one hundred eras. As a person, it's so exciting, isn't it?
The modern chapter has been deleted
Most of the modern parts have been deleted. In fact, the original design was a story line that progressed through ancient and modern lines. Because there was a time limit in the setting, we wanted to advance the modern line as soon as possible, so the story was very witty and has now been deleted. It's true that I can't control the two lines, so I will write about ancient content honestly from now on. 🙂
Too bland
It's too bland and empty. The protagonist's living standard is average and he has no job. As a result, he gets a golden finger and doesn't want to benefit himself. Shouldn't it be a step-by-step test to find out the influence of the golden finger? Does it change history? If we accidentally kill our ancestors, will modern humans not be affected? Or death? Or will it still exist if the source is changed? Don't accidentally kill yourself. And there's no treasure that can't be buried? Even if you are not sure whether it can be passed to the present, it is still good to pass it to the next mission. And the way the protagonist seeks death is also very awkward. Just like a human-machine, if you are beaten to death by Liu Qi, your name will go down in history. But if you beat Liu Qi to death and then die again, you will not be able to go down in history?
Pointless story, chewing wax
The protagonist is so weak in martial arts that he is one of the twenty-nine knights under Xiang Yu.
In one life, the protagonist was an extra person from Gaixia Xiang Yu's original twenty-eight knights, and became the twenty-nine knights. However, the performance of the martial arts scenes later was too poor. Could it be that the protagonist survived by hiding behind them? Otherwise it doesn't make sense
You can commit suicide
But actually committing suicide is of little value. But when the value becomes too great, the historical line will collapse again. There are underlying problems with this kind of literary structure
What's the point of writing this logic? What stands out?
What is the main plot? It's inexplicable, or what I'm doing is not satisfying enough.
I feel like these plots are a bit inexplicable
The protagonist is hanging on silk, and everything he does is meaningless
Writers of historical texts must have historical literacy
As the title states, can anyone write historical articles now? I'm convinced, be more orthodox.
Alien Han envoy? Another heresy
As described in the previous chapters, the background of the characters in each time travel is different. The first time I traveled through the Chu-Han War period, it was understandable that a soldier wanted to die. But this time, as a prince, why did he need to die immediately? Or when there are ten chances? Normal operation should also be based on enjoyment first. Let's learn more about it, right? As a prince, he has palace beauties, countless financial resources, and countless manpower and material resources, but the modern protagonist is just a modern social beast. Sorry, looking at the information revealed when eating hot pot in the previous chapters, the protagonist has just graduated. He is not even a social beast. He only has a mobile phone air conditioner. The so-called modern cuisine cannot be eaten unless he is really old. Taotie, otherwise a prince, no matter how bad he is, will not be unable to eat, not to mention that he can 'invent' his own delicious food. Generally speaking, ancient times have status and can control more resources. Although life is convenient in modern times, little Karami doesn't understand why the protagonists of such books all want to die? Can the author describe the protagonist's behavior in a way that fits ordinary people's thinking? Don't treat everyone as a tool to write?
Is there any historical basis for the author to write that Lu Pheasant calls himself me?
According to records in historical records and Han books, Lu Pheasant never called himself me. The author writes that Lu Pheasant calls himself me. Is there any basis for this?
The idea is pretty good, the writing is okay, and the plot arrangement is a bit problematic, but it's still watchable, but he's a eunuch now, so it's just a mess.
The only poisonous point
There is no point in committing suicide. The protagonists of some poisonous books (if you are killed by Li Shimin/Zhu Yuanzhang/Liu Bang, you can return to modern times and get hundreds of billions in cash), although they are still trying to die, at least their death wish is valuable. If they succeed, they can return to modern times and gain wealth. If they fail, they will fail. But the protagonist of this book is trying his best to die in order to have a more elaborate death. It has no meaning at all. He returns to modern times in a hurry. What is the rush?
It's too smart Forcibly correcting the trajectory of history. Since you can't change history even if you work hard, why are you still bothering with it?
In fact, Lu Fei is a good person, and her political level is quite high. At least during her reign, the national power of the Han Dynasty was steadily improving. If she is considered a virtuous empress for the country, let's look at the famous Changsun and Ma. They are famous for their gentleness, especially Empress Ma only because of Zhu Yuanzhang's cruelty. She can only persuade him, and it is hard to say how useful this advice is.
Changed so much history, and ended up forcing a return to the world line. It would be the same with or without you. The more I watch, the less interesting it becomes.
I want to be a eunuch. I think the writing is quite good. I don't know what to criticize.