Pisces Holding Beads and Aries Guarding the Sun: a Thousand-Year Sugar Contract

"Pisces Holding Beads and Aries Shou Yao·Millennium Sugar Contract" takes "reincarnation of ten lives" as the axis and "sweet guardianship" as the core. It uses the cross-civilization symbols of "sugar painting + star marrow" to connect ten generations of time and space, including Chang'an, Bianjing, Yuan Dadu, and Mars, and tells the story of Lin Zhao and Pei Zhao's bond across reincarnations. In front of the sugar painting stall in Bianjing in the Northern Song Dynasty, the "Fat Moon" cooked by twelve-year-old Lin Zhao (Pisces) was picked up by Pei Zhao (Aries) - the red rope on her wrist had the same pattern as the "Pisces Knot" in his mother's suicide note; in the modern Beijing alley, under the "Zhidie Sugar Painting" shed, thirty-year-old Lin Zhao failed to paint the caramel. Pei Zhao (29 years old) squatted down to pick up burnt pieces, and the Aries mark on the back of his neck collided with his Pisces birthmark; in the year 2147, the dark veins of the planet Wood backfired, and the great-grandsons Chen Xing (Pisces) and Lin Yue (Aries) held twin lamps in the radiation area, and the blood words in the lamps read "Star marrow backfires, three generations are on the same track." The white-haired Lin Zhao held the "Aries Guarding the Sun" at the bottom of the lamp, and Pei Zhao pressed the sugar painting to his heart: "Sweet, it can withstand all difficulties." The memories of three generations overlap in the Mars holographic cabin: the Northern Song Dynasty sugar painting gold thread is wrapped around the Dark Guard Sword, the modern sugar painting blocks Lu's door, the interstellar sugar painting sticks to the cracks of the dark veins - "Pisces holds beads, Aries guards the sun" is a non-numerology sign, which is the promise of "I will always be there" in the three lives. Sweetness is the caramel aroma of sugar paintings, the temperature of the red string, and the obsession of reincarnation to "make sugar in the next life". From the marketplace to the interstellar world, from suspense to sweet pets, the work uses "Zhidie-style humor" throughout. It uses sugar to paint sweetness and starry fantasy, and writes about ten-life guardianship - "sweet guardianship" is just sugar that will never melt with you in every life. In the stardust, the sugar painting will not melt; in the time, the protection will not stop.