The Creatures of My Dreams Are Invading Reality

Don't give me so much nonsense, author, I want to watch Godzilla vs. Ghidorah. Let me put the battlefield in Little Japan. When you write about this plot, I will reward you.

Fast forward to powerlessness, throwing nuclear bombs at each other to clear the ground, and the protagonist dies.

There is nothing in this world that threatens the protagonist, but the protagonist insists on creating some monsters to cause destruction. It feels like watching an unattended child destroying the building blocks that have been built. And the earth can be said to be the property of the protagonist. Would anyone deliberately damage their own property?

The author has felt unsatisfactory in the last few dozen chapters. What everyone wants to see is the impact of fantasy creatures appearing in reality. You have always written content that involves practical matters and politics and you have no desire to read it.

Catering to the bottom line to win money.

I don't know when novels about the protagonist and the mastermind turned into group portraits. A group portrait is a group portrait, and behind the scenes is behind the scenes. Such a simple classification becomes one meaning.

The plot is mediocre, I feel like even if I deleted the pig's feet, I wouldn't have missed watching it. Keep it

1. There is no complete main line in the book, including story chains. It's all about passively creating fantasy monsters 2. The story is interesting, but the problem is too serious. Monsters, mysteries, myths, fantasy. There are too many differences. There are too many stitches and some are of unclear significance. Like Ye Shuangying, the report package is included in the article, and it is easy to attach to the history of district reform and so on. 3. There is no follow-up chapter to the plot, and the number of appearances is only one, without considering linkage and follow-up. The story chain is too short. It's refreshing, but the story is not strong. 4. Basically, many of the stories in the article are half-part, only contact-face-end. The subsequent proactive contact did not show human greed and desire. Not a lot of Facebook. The image looks similar.

In the Dragon King part, you can already tell what the urine is about just by looking at the chapter names, so it's better to just go into hiding.

Let me give you a piece of advice. Since it is a behind-the-scenes article, do you, the protagonist, have too many roles? It would be better if the scenes are all group portraits and the protagonists are all hidden.

The last two chapters have not been good. You don't need to read them to know that they are about to change politics. It is best to write less about this kind of subject matter. There are very few good ones. I originally came to read about your subject matter to read about extraordinary ones.

How can I put it, except for the plot of the protagonist, everything is very good. As long as you write the plot of the protagonist, you will find that it is very interesting. The protagonist is very interesting, and it does not match the style of the whole book. From the first creation to going to eat, then going to the countryside to have a fever, then creating a dragon, and making a strange town. It is really fishing, not soil, it is fishing.

I haven't read it yet, but I'm just asking, how do the two labels of Solipsism and Extraordinary Source exist in one book?

What are you writing about? I thought this article was about creating monsters and then writing about monster confrontation. Why did you write it so abstractly? It's just the spiritual world, it's not pretty at all, it's boring to death.

Don't you think the protagonist's creation is the result of a turntable selection? From Godzilla to Little Master, Little Master to Yan Shuangying, there is no connection at all. The traditional behind-the-scenes is to use creations to create big scenes to gain energy and create new creations. Isn't the only function of your creative medicine, which does not require much energy, is to spread the extraordinary? In other words, it's a display, but the creation is just these few things, and it feels very abstract.

To be honest, there is no need for so much foreshadowing in the typhoon chapters, they are a bit watery.

You are not Ultraman, what are you doing with these monsters?

Don't write about domestic, don't write about domestic, it will collapse if you write about domestic

After Chapter 96, it becomes more and more confusing

Starting from Chapter 130, the author completely lets himself go. Moreover, the next ten or twenty chapters can no longer be described as containing private goods. The protagonist's world view is simply the author's subjective thinking at this stage. There is a strong sense of fragmentation in what is written. Has the author used Bilibili too much?

The creativity is good, the plot is average, the level is not enough, there is no theme, the logic is confusing, monsters and ghosts are all mixed up, what do you want to write?

The plot before War in Heaven is really well written, and the writing style is also good. The story can be told very smoothly and visually. It's a pity that the follow-up was too crotch-heavy, and the impact of the protagonist's creation was not written out, giving the impression that it had no impact. It's awkward here.

I quite liked the previous plots of Diva, which is a pity

The perfect person, the protagonist was obviously inspired by the handsome guy in his own city, and the order was given to show it to the whole city, on the street, so why did he go to the United States? In theory, shouldn't it be in the protagonist's city?

It's creative, it has ideas, it has direction. The ghost chapter skipped a beat. I felt extraordinary when I saw the soul chapter. From here on, I really have to praise it and the more I write, the better it gets.

Alas, what a eunuch, the creativity and content are both good, what a pity,

It's very well written. I've given you 3 monthly passes. Come on.