Confession in the Mirror

When the door to the mirror world opened in the rainstorm, he and she stopped because of the same mole on their eyebrows - one used a brush to trace light and shadow, and the other used models to construct edges and corners. Under the similar skin, there were two souls that both longed for resonance and resisted reproduction. From the gossip in the library to the fireworks in the kitchen, from the pull of the mirror world to the presence of fireworks in the world, they were trapped in the obsession of "you are another me", and finally understood in the baby teeth of the child, the wrinkles of the old man, the sunflowers in the picture frame and the magnolia on the model: the so-called symbiosis is never about becoming each other's shadow, but about letting the sensitivity of "I" catch the hardness of "you", and letting the edges of "you" soften the edge of "I". The five volumes of main text unfold the thousands of possibilities of love, and the five extra chapters make up for all the regrets: some people are waiting for perfection, some people stay together with support, some people live the life of supporting characters as their home court, and some people can fall into the arms of the right partner without being reborn. This is a story about "similarity and difference", and it is also an answer to every ordinary person - the best love is when we stand together, we can both see the light in each other's eyes and live our most relaxed selves.