Quenching Mo Huaiying: Girl in Blue Skirt

When Yan Mo stepped into Huaiying Town holding the ink ingots left by her grandma, the shadow of the old locust tree was climbing up her canvas shoes. This ink was "tempered" - grandma said before she died, the ink core was wrapped in the shadow of the girl who disappeared ten years ago. When she was drawing a tree, the ink on the pen tip burned scorch marks on the paper. In reality, the locust tree oozed ink-colored sap simultaneously, and in the shadow of the tree, there was a vague silhouette in a blue dress waving. The birth ceremony of the townspeople is a funeral in a porcelain coffin. The baby's first cry must splash on the porcelain wreath, and the petals will show the "life-long taboo". Yan Mo found half of a posthumous painting in an abandoned painting workshop: a girl in a blue skirt was painting a locust tree, with countless porcelain hands stretching out from the tree hole, and the girl's face in the painting coincided with her reflection in the mirror. When she used tempered ink to complete the painting, the shadows of the trees suddenly skyrocketed, dragging the entire town into an inky dusk. The girl's laughter came from the depths of the porcelain kiln, and Yan Mo was shocked to realize: Grandma's ink was not a seal, but a container holding a shadow. At this moment, the ink mark on her wrist was hot, and the shadow of the girl in the blue skirt was crawling into her shadow along the brush. Ink-colored flowers bloomed on all the porcelain wherever the skirt swept.