Three Realms of Waste

The most eye-catching pair of vertical pupils on Di Ting's forehead glowed with dark gold, and the edges of the pupils were inlaid with flowing circles of red copper halo, turning into two masses of molten gold sealed deep in the rock formations, occasionally flashing a scorching light pattern in the darkness. These eyes are always half-closed, able to look directly into the soul through the flesh. Whenever they are slightly opened, the surrounding air will tremble slightly, and countless invisible threads are extending from the pupils, winding in all directions. ​ The eyes on the cheekbones on both sides are a completely different ice blue, which is the cold air from the deepest part of the polar glacier condensed in the eye sockets. The blue was extremely light, so light that it was almost transparent, but it also carried a bone-eroding coldness. There were fine silvery white lines swimming in the pupils, like the broken moonlight under the frozen lake. This pair of eyes never blinks and always remains absolutely still. But wherever the sight sweeps, even the floating dust will suddenly freeze and turn into flickering ice crystals. ​ The pair of eyes at the bottom close to the chin are hidden in the down, and are almost pure black ink color. Only when they are turned, a little scarlet in the center of the pupils is revealed, which are two drops of solidified blood sinking to the bottom of the deep pool. This pair of eyes always had a wet sheen, freshly fished out of blood every day, but it also showed a kind of creepy innocence - when it stared at something intently, the scarlet would slowly fade away, dyeing the entire whites of the eyes dark red, as if blood was gurgling from the bottom of the eyes. ​ Although the six eyes are of different colors, they maintain strange synchronization when rotating. The majesty of dark gold, the indifference of ice blue and the eerieness of ink black are intertwined, and they can see through the shadows of the past, present and future at the same time.

The most eye-catching pair of vertical pupils on Di Ting's forehead glowed with dark gold, and the edges of the pupils were inlaid with flowing circles of red copper halo, turning into two masses of molten gold sealed deep in the rock formations, occasionally flashing a scorching light pattern in the darkness. These eyes are always half-closed, able to look directly into the soul through the flesh. Whenever they are slightly opened, the surrounding air will tremble slightly, and countless invisible threads are extending from the pupils, winding in all directions. ​ The eyes on the cheekbones on both sides are a completely different ice blue, which is the cold air from the deepest part of the polar glacier condensed in the eye sockets. The blue was extremely light, so light that it was almost transparent, but it also carried a bone-eroding coldness. There were fine silvery white lines swimming in the pupils, like the broken moonlight under the frozen lake. This pair of eyes never blinks and always remains absolutely still. But wherever the sight sweeps, even the floating dust will suddenly freeze and turn into flickering ice crystals. ​ The pair of eyes at the bottom close to the chin are hidden in the down, and are almost pure black ink color. Only when they are turned, a little scarlet in the center of the pupils is revealed, which are two drops of solidified blood sinking to the bottom of the deep pool. This pair of eyes always had a wet sheen, freshly fished out of blood every day, but it also showed a kind of creepy innocence - when it stared at something intently, the scarlet would slowly fade away, dyeing the entire whites of the eyes dark red, as if blood was gurgling from the bottom of the eyes. ​ Although the six eyes are of different colors, they maintain strange synchronization when rotating. The majesty of dark gold, the indifference of ice blue and the eerieness of ink black are intertwined, and they can see through the shadows of the past, present and future at the same time.

"Start losing weight tomorrow - (holding fried chicken)"

"Intermittently complacent, constantly eating and waiting to die"

Do you have any favorite waste patterns? What kind of trash do you like? Welcome to leave a message.

"Being a waste requires talent. We ordinary people only deserve to live well."

Blank Paper I have no wrinkles Even the sunlight is cautious Afraid of being on me Step out of half a superfluous shadow My birth It is a precise clearing No history, no established Even the breath is filtered Only allow the cleanest wind Grush my edges They measure every inch of my whiteness Use a "pure" ruler Carve a "perfect" scale I am a believer in blank Reject the kiss of ink Reject the temptation of pencil Reject all attempts to leave fingerprints of body temperature on my body They said This is the real white paper Uncontaminated Undefined Having infinite possibilities - Like a deep well Can only reflect the sky But not itself I drink water My "real" is that even the blank has been carefully designed honesty passed by I tremble slightly not to wait for the writing but to prove that the blank itself also has its own existence

The concept of three lives originates from the Buddhist theory of cause and effect and reincarnation, which refers to the three reincarnations of the past life, this life and the next life. The earliest written record of the Sansheng Stone can be found in the poem about the old spirit on the Sansheng Stone in the ballad of Yuan Jiao Gan Ze in the Tang Dynasty. It tells the story of the friendship between Li Yuan and the eminent monk Yuanze Zen Master in the Tang Dynasty who made an appointment to meet in the afterlife. It is said that after death, if a person walks through Huangquan Road, Wangchuan River, and Naihe Bridge, and carves his name on the Sansheng Stone beside the Wangxiang Terrace, he will be able to reunite with his loved one in the next life. There is a legend that a pair of lovers who couldn't stay together asked the gods to give them three stones and agreed to meet again after three lives.

"Life tried to chew me up and found me melting in my mouth"

Immortal tree: There is an immortal tree in the enlightened north of Kunlun. The fruit on the tree can make you immortal after eating it. It is the introduction of the immortal medicine, but the immortal tree is guarded by the Queen Mother of the West.

The original description of "The Romance of the Three Kingdoms" The stunning posture: "It turned out to be a person from Zhaoyang Palace, and the body was caught in the palm of the hand. I only suspected that it flew over Dongting Spring." ("Speaking of Diao Chan") Dancing posture and charm : "According to "Liangzhou", the lotus steps are steady, and the good flowers are blooming in the wind. The fragrance of the painting hall is as warm as spring." Details in the commentary: The face is like pink jade, the lips are like cherries, the eyes are full of autumn waves, and the eyebrows are like willow leaves. With her hair in a high bun and wearing purple gold necklaces in her ears, her overall temperament is "gorgeous but not vulgar, delicate but not charming". "Closed Moon" in Folklore It is said that when Diao Chan worships the moon, the moonlight hides itself and is too shy to compete with it, so it is called "Closed Moon".

The prototype of Huazheng is Huochen Bieji (also known as Huozhenbeiqi), the eldest daughter of Genghis Khan, and a princess of the Mongolian Empire. However, Huazheng's character and experience in the novel are mostly artistic fiction. Identity setting The apple of Genghis Khan's eye, she grew up in the Mongolian grasslands and was loved by thousands of people. Childhood sweethearts with Guo Jing. When they were four years old, they were attacked by Du Shi's cheetah. Guo Jing, who was six years old, came to the rescue and formed a deep friendship from then on. 2. Appearance and Character Description Image Characteristics Appearance: Eyes like water, skin as white as suet, described as "lovely jade snow", with the innocence and noble temperament of a prairie girl. Temperament: Elegant and elegant, with the arrogance of a princess and the boldness of Mongolian children.

Mu Guiying is a fictional character created in the Ming Dynasty novels "The Romance of the Yang Family" and "The Romance of the Yang Family Mansion". She is the daughter of Mu Yu, the leader of Muke Village. Legend has it that she was taught the art of magic arrows and flying knives by her mother in Lishan since she was a child, and she has outstanding martial arts skills. He has a fierce and courageous character. Because he captured Yang Zongbao alive before the battle and married him, he became a core member of the Yang family. In literary works, she still wears the seal of pioneer in her middle age. She accompanied She Taijun to conquer Xixia when she was 100 years old. 2. Historical prototype controversy Blank in official history There is no record of Mu Guiying in official historical materials such as "History of Song Dynasty Yang Ye Biography", and her husband Yang Zongbao is also a fictional character. The descendants of Yang Ye are only recorded by Yang Yanzhao, Yang Wenguang and others. Prototype speculation Murong said: The inscription in Dai County, Shanxi Province records that Yang Wenguang married Murong. The Xianbei background matches the image of Mu Guiying, and the sounds of "Mu" and "Mu" may have evolved closely. Zhe Taijun allusion: Yang Ye's wife Zhe Taijun (the prototype of She Taijun) was a real female general, and her military contributions may have been transplanted into art. Symbol of national integration: The deeds of martial women such as the Dangxiang tribe on the border of the Northern Song Dynasty may become creative materials.

"Every cloud is missing, every moon is missing"

"It looks dangerous, but in fact it's not safe at all"

Depression is living in the past, anxiety is living in the future, calmness is living in the present Depression is living in the future, anxiety is living in the present, calmness is living in the past Depression is living in the present, anxiety is living in the past, calmness is living in the future How to understand the three statements?

You can be poor, but you can't be very busy; you can be very busy, but you can't be poor, but you are poor and busy. How do you do it?

Pushing boulders up the hill of consumerism, the gravel rolling down is just enough to fill your stomach for tomorrow