This Sword Immortal Has Infinite Talents

Alas, I feel that the author has misunderstood "talent". "Talent" should have a function similar to IQ, and can even create new swordsmanship out of nothing. But the author seems to have written it as an upgrade condition. Only when the talent value is met can you practice advanced sword skills.

Before it was released, the protagonist was aggrieved. After it was released, you told me that the protagonist's plug-in was so big that it was boundless. What should I say, author, why do you think there are so few people? Also, is there an outline? Feeling prone to collapse

Currently following the latest chapter, plug-ins are stacked talents, allowing enemies to feel the charm of numerical values. The protagonist's daily life is to collect sword manuals, improve his swordsmanship talent, and then reach the peak of his sword skills to gain strength. There seems to be no problem in the main line, but the swordsmanship talents are getting more and more, but they only increase the training speed, and I am a bit tired of numbers. I feel that the only difference between the 2w talent and the 10 talent is the speed. In the future, we should enrich the changes in the talent threshold. At least go get a change in the sword power of Kenshin, Kenshin, and Intention. Then there is the unreasonableness of climbing to the top. The protagonist collects a large number of low-level sword manuals without a penalty mechanism to accumulate values, but only a few high-level sword manuals are used in battle. He just crazily accumulates talents. Why not increase the amount of high-level sword manual talents obtained. Look at your red sword manual, you can't even get into the door now. The talents of these W's are the same as nothing else, let alone the gold ones. They gain a little proficiency every day. It is to make it easier to change the map later. I write it this way. If I randomly write an enemy's swordsmanship talent later, if he doesn't have 1w, I'm afraid he can only be an NPC. After talking about the talent issue, the main plot is okay so far. Now we will deal with the local bandits, go to Jiange, and then open a new map copy. The protagonist's strength improves rapidly in the mid-term, but he seems to be rushing to open a new map. After three chapters, he upgrades. He also works hard to get the protagonist to the second realm before the war. It could still be slowed down, but maybe the author has no more to write about this map and is in a hurry to open a new map. As for the subsequent maps, there is no need to push the protagonist's strength too hard at the beginning. Otherwise, if you change the map later, the protagonist will be severely defeated again. The coolness is enough. Being a tortoise at the beginning is not satisfactory, but the pressure is not too heavy. After reaching the second level, the strength is no longer pressured. The above can be seen as a change in mentality, which can be explained. The protagonist basically does not seek revenge overnight, and those who can be killed are basically solved that night. Happy to grudge, my heart is smooth, and it is refreshing to watch. The protagonist has a decent personality, repays kindness and does not offend bees and butterflies. There is currently no heroine and no jealous flies buzzing around. To be honest, I also said that the protagonist does not seek revenge overnight. Generally speaking, we should pay attention to the fatigue problem caused by the stacking of talent values. The battle scenes are wonderful, the character portrayal is acceptable, and the main plot line has its ups and downs, coincidentally and progressively.

I can see that I should go to the martial arts channel instead of fantasy. It's not that exciting and it's very stressful. I have a golden finger, but if there is any

When I saw it on the shelves, I only saw a sword-training talent. I might as well change the name to: I can infinitely improve my sword-training talent.

It's not fun at the beginning and it's easy to lose people.

The strength system is too simple. The upgrade breakthrough means that the strength is increased by dozens or hundreds of kilograms. I feel like the last thing I wrote is like a land god coming and going. The last thing I saw is that the strength has soared to one million kilograms in a day. It was so dramatic. I feel that if you cannot design a rigorous upgrade performance, you can just brush it off and ignore it, instead of emphasizing the added strength of 500 pounds. It is not realistic to lose the power. There was a joke mentioned in other novel posts a few years ago, saying that the author wrote that two people fighting could break the void with a punch of 200,000 kilograms. In reality, each steamroller can crush several voids. I feel this novel will be the same if it is written like this.

Can anyone explain to me why the protagonist uses the word "counterattack" to defeat the pseudo-second realm? Isn't the protagonist already in the second realm? Did I miss something important, or did I misunderstand the meaning of the word "reverse expedition"?

The writing is quite good. I have a suggestion: can the swordsmanship that I have written be added with some instructional plots and be revisited? Don't be like that kind of matryoshka doll book. Once you practice it, you only need to use it two or three times and then never see it again. I still remember the dripping sword technique. The swordsmanship given by the young monk was also very impressive.

I've been watching it for a while, and it's pretty good in every aspect, but sometimes I get confused. The protagonist has met a lot of people up to this point. Most of the women are described as round, attractive, and plump. They obviously have good personal abilities, but they will secretly flirt with the protagonist after he appears as a saint, and secretly express their affection. Then the protagonist remains unmoved and concentrates on practicing martial arts. I understand that this is also a refreshing point for readers, but I fail to see the power of human hearts. They are just tool people to set off, and they are not the only ones. The brothers and sisters of Hidden Sword Villa are all tool people. Every time I see a senior, he will be slapped in the face, marveled at the talent of the protagonist, frustrated and surpassed by the protagonist. This is okay, because the protagonist is indeed defiant, but how can people be exactly the same? Where do their characters shine? It is true that the protagonist still has a long way to go. Hidden Sword may be just a starting point, but if the readers know what the people he meets later are like before they finish reading the book, what's the point of repeating it over and over again? I haven't finished reading it. This is just my opinion now. In fact, the author can write better. No matter what the plot, the characters can touch people's hearts only if they have flesh and blood. Now that I think about it, I can't remember many of the plots, but I still remember what Huizhen's master told him in the beginning. The world is too bitter, and he didn't know whether it would be good or bad for him to pick him up and feed him. At least here I see Master Huizhen's feelings for him.